Books like Not in Service by Shin-Ae Ahn

From the best-selling author of Fun Home, Time magazine’s No. 1 Book of the Year, a brilliantly told graphic memoir of Alison Bechdel becoming the artist her mother wanted to be. Alison Bechdel’s Fun Home was a pop culture and literary phenomenon. Now, a second thrilling tale of filial sleuthery, this time about her mother: voracious reader, music lover, passionate amateur actor. Also a woman, unhappily married to a closeted gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood . . . and who stopped touching or kissing her daughter good night, forever, when she was seven. Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf. It's a richly layered search that leads readers from the fascinating life and work of the iconic twentieth-century psychoanalyst Donald Winnicott, to one explosively illuminating Dr. Seuss illustration, to Bechdel’s own (serially monogamous) adult love life. And, finally, back to Mother—to a truce, fragile and real-time, that will move and astonish all adult children of gifted mothers.

In this gripping memoir of the AIDS years (1981–1996), Sarah Schulman recalls how much of the rebellious queer culture, cheap rents, and a vibrant downtown arts movement vanished almost overnight to be replaced by gay conservative spokespeople and mainstream consumerism. Schulman takes us back to her Lower East Side and brings it to life, filling these pages with vivid memories of her avant-garde queer friends and dramatically recreating the early years of the AIDS crisis as experienced by a political insider. Interweaving personal reminiscence with cogent analysis, Schulman details her experience as a witness to the loss of a generation’s imagination and the consequences of that loss.

Out of print in the U.S. for far too long, writer and filmmaker Virginie Despentes’s autobiographical feminist manifesto is back―in an improved English translation―“blistering with anger, and so precisely phrased that it feels an injustice to summarize it” (Nadja Spiegelman, New York Review of Books). I write from the realms of the ugly, for the ugly, the old, the bull dykes, the frigid, the unfucked, the unfuckable, the hysterics, the freaks, all those excluded from the great meat market of female flesh. And if I’m starting here it’s because I want to be crystal clear: I’m not here to make excuses, I’m not here to bitch. I wouldn’t swap places with anyone because being Virginie Despentes seems to me a more interesting gig than anything else out there. Powerful, provocative, and personal, King Kong Theory is a candid account of how the author of Baise-Moi and Vernon Subutex came to be Virginie Despentes. Drawing from personal experience, Despentes shatters received ideas about rape and prostitution, and explodes common attitudes about sex and gender. An autobiography, a call for revolt, a manifesto for a new punk feminism, King Kong Theory is Despentes’s most beloved and reviled work, and is here made available again in a brilliant new translation by Frank Wynne.

This book engages bisexuality as a concept relevant and even central to contemporary psychoanalytic theory and practice. The author provides an overview of the origins of this concept in Freudian theory and analyzes the ways in which it has been used, theoretically and clinically, in recent decades.

This book is a testament of the never-ending harassment that has been inflicted upon individuals, by conservatives Gage Kirby and his regime. It exposes the behind-the-scenes truth of what really happens when Gage Kirby is in the picture.

This is the second installment of the Not in Service series, which dives into the expanded narrative of conservative ideology and the hate within. This book continues down the path of trying to understand the motivations of the hate filled belief system and ideology of Gage Kirby, a known and proven cult fanatic who desires nothing more than to crush the skulls of transgender people, rip freedoms away from Asians, and continue to live his life as if he is above the law and exempt from the consequences that result from his heinous actions against humanity.

Amber L. Hollibaugh is a lesbian sex radical, ex-hooker, incest survivor, gypsy child, poor-white-trash, high femme dyke. She is also an award-winning filmmaker, feminist, Left political organizer, public speaker, and journalist. My Dangerous Desires presents over twenty years of Hollibaugh’s writing, an introduction written especially for this book, and five new essays including “A Queer Girl Dreaming Her Way Home,” “My Dangerous Desires,” and “Sexuality, Labor, and the New Trade Unionism.” In looking at themes such as the relationship between activism and desire or how sexuality can be intimately tied to one’s class identity, Hollibaugh fiercely and fearlessly analyzes her own political development as a response to her unique personal history. She explores the concept of labeling and the associated issues of categories such as butch or femme, transgender, bisexual, top or bottom, drag queen, b-girl, or drag king. The volume includes conversations with other writers, such as Deirdre English, Gayle Rubin, Jewelle Gomez, and Cherríe Moraga. From the groundbreaking article “What We’re Rollin’ Around in Bed With” to the radical “Sex Work Notes: Some Tensions of a Former Whore and a Practicing Feminist,” Hollibaugh charges ahead to describe her reality, never flinching from the truth. Dorothy Allison’s moving foreword pays tribute to a life lived in struggle by a working-class lesbian who, like herself, refuses to suppress her dangerous desires. Having informed many of the debates that have become central to gay and lesbian activism, Hollibaugh’s work challenges her readers to speak, write, and record their desires—especially, perhaps, the most dangerous of them—“in order for us all to survive.”

Explores the diversity of gay and lesbian life in America in the late 1980s. Shows lesbians and gay men building communities and families, coming to terms with their religious beliefs, reconciling with their roots, and for the minorities interviewed, coping with racism as well as homophobia.

**From Goodreads:** In this angry, eloquent outcry against the oppression of homosexuals, the author of the classic City of Night gives "an explosive non-fiction account, with commentaries, of three days and nights in the sexual underground" of Los Angeles in the 1970s—the "battlefield" of the sexual outlaw. Using the language and techniques of the film, Rechy deftly intercuts the despairing, joyful, and defiant confessions of a male hustler with the "chorus" of his own subversive reflections on sexual identity and sexual politics, and with stark documentary reports our society directs against homosexuals—"the only minority against whose existence there are laws."

There are countless migratory kids who populate the outskirts of New York City’s gay wonderland. These young people — mostly black or Latino, often homeless, but more often from poor and working-class families — are what policymakers and social service agencies call at-risk youth. They rank among the most likely people to experience a disturbingly wide array of social ills: suicide, drug addiction, HIV infection, dropping out of school, and hate crimes. But reports of these problems obscure more fundamental realities about their lives. The dangers they encounter come as pitfalls in their search for life’s basic emotional necessities: homes that provide more than shelter; security that protects against more than just violence or disease; and love. Drifting Toward Love tells the story of one such teenager and his friends as they embark on their own precarious journeys to belonging. Wright neither diagnoses their problems nor prescribes solutions, but instead uses his own literary and journalistic skill to allow a more complete and human portrait to emerge. The narrative describes their heroism and their mistakes, their victories and their tragedies. In doing so, it unfurls a powerful, emotional, and at times troubling story that anyone who has navigated adolescence will recognize.

A memoir of hope, faith and love, Samra Habib's story starts with growing up as part of a threatened minority sect in Pakistan, and follows her arrival in Canada as a refugee, before escaping an arranged marriage at sixteen. When she realized she was queer, it was yet another way she felt like an outsider. So begins a journey that takes her to the far reaches of the globe to uncover a truth that was within her all along. It shows how Muslims can embrace queer sexuality, and families can embrace change. A triumphant story of forgiveness and freedom, We Have Always Been Here is a rallying cry for anyone who has ever felt alone and a testament to the power of fearlessly inhabiting one's truest self.

When Cris Beam moved to Los Angeles, she thought she might volunteer just a few hours at a school for gay and transgender kids. Instead, she found herself drawn deeply into the pained and powerful group of transgirls she discovered. Transparent introduces four: Christina, Dominique, Foxxjazell, and Ariel. As they accept Cris into their world, she shows it to us a dizzying mix of familiar teenage cliques and crushes and far less familiar challenges, such as how to morph your body on a few dollars a day. Funny, heartbreaking, defiant, and sometimes defeated, the girls form a singular community. But they struggle valiantly to resolve the gap between the way they feel inside and the way the world sees them and who among us can’t identify with that? Beam’s astute reporting, sensitive writing, and passionate engagement with her characters place this book in the ranks of the very best narrative nonfiction.

Using bisexuality as a frame, Go the Way Your Blood Beats questions the division of sexuality into straight and gay, in a timely exploration of the complex histories and psychologies of human desire. A challenge to the idea that sexuality can either ever be fully known or neatly categorised, it is a meditation on desire’s unknowability. Interwoven with anonymous addresses to past loves - the sex of whom remain obscure - the book demonstrates the universalism of desire, while at the same time the particularity of each individual act of desiring. Part essay, part memoir, part love letter, Go the Way Your Blood Beats asks us to see desire and sexuality as analogous with art - a mysterious, creative force, and one that remakes us in the act itself.

In a boxy apartment building in an Illinois university town, Romola Mitra, a newly arrived young bride, anxiously awaits her first letter from home in India. When she accidentally opens the wrong letter, it changes her life. Decades letter, her son Amit finds that letter and thinks he has discovered his mother's secret. But secrets have their own secrets sometimes.