Books like Wisconsin death trip by Michael Lesy

In 1893 Chicago, Erik Larson weaves the story of visionary architect Daniel Burnham and the cunning serial killer H.H. Holmes, whose crimes unfolded against the backdrop of the World’s Columbian Exposition.

A compelling overview of American history through the eyes and experiences of its women, workers, African Americans, Native Americans, immigrants, and the working poor.

After a May 1981 shooting in Savannah, John Berendt chronicles the city’s eccentric society, a murder trial, and the undercurrents of Southern culture in a nonfiction narrative that reads like a taut novel.

William E. Dodd, America's first ambassador to Nazi Germany, arrives in Berlin in 1933 to chronicle the early rise of Hitler—and the diplomatic tightrope his nation must navigate.

David Grann’s investigative narrative unravels the mystery of British explorer Percy Fawcett’s 1925 disappearance while he sought the legendary Lost City of Z beneath the Amazon’s dense jungle.

Eustace Conway leaves suburban life at seventeen to build, hunt, and survive alone in Appalachian wilderness, then embarks on daring expeditions: a handmade canoe on the Mississippi, the Appalachian Trail, the German Alps, and a horse‑ridden cross‑country trek. Decades later he teaches wilderness skills amid the realities of modern life.

During World War II in Warsaw, the Zabinskis run the city’s zoo while secretly aiding the resistance to rescue Jews from the ghetto.

It's difficult today to imagine how America survived the Great Depression. Only through the stories of the common people who struggled during that era can we really understand how the nation endured. These are the people at the heart of Amity Shlaes's insightful and inspiring history of one of the most crucial events of the twentieth century.In The Forgotten Man, Amity Shlaes, one of the nation's most respected economic commentators, offers a striking reinterpretation of the Great Depression. Rejecting the old emphasis on the New Deal, she turns to the neglected and moving stories of individual Americans, and shows how through brave leadership they helped establish the steadfast character we developed as a nation. Some of those figures were well known, at least in their day—Andrew Mellon, the Greenspan of the era; Sam Insull of Chicago, hounded as a scapegoat. But there were also unknowns: the Schechters, a family of butchers in Brooklyn who dealt a stunning blow to the New Deal; Bill W., who founded Alcoholics Anonymous in the name of showing that small communities could help themselves; and Father Divine, a black charismatic who steered his thousands of followers through the Depression by preaching a Gospel of Plenty.Shlaes also traces the mounting agony of the New Dealers themselves as they discovered their errors. She shows how both Presidents Hoover and Roosevelt failed to understand the prosperity of the 1920s and heaped massive burdens on the country that more than offset the benefit of New Deal programs. The real question about the Depression, she argues, is not whether Roosevelt ended it with World War II. It is why the Depression lasted so long. From 1929 to 1940, federal intervention helped to make the Depression great—in part by forgetting the men and women who sought to help one another.Authoritative, original, and utterly engrossing, The Forgotten Man offers an entirely new look at one of the most important periods in our history. Only when we know this history can we understand the strength of American character today.

"In 1933, Walker Evans traveled to Cuba to take photographs for The Crime of Cuba, a book by the American journalist Carleton Beals. Beals's explicit goal was to expose the corruption of Cuban dictator Gerardo Machado and the long, torturous relationship between the United States and Cuba.". "As novelist and poet Andrei Codrescu points out in the essay that accompanies this selection of photographs from the Getty Museum's collection, Evans's photographs are the work of an artist whose temperament was distinctly at odds with Beals's impassioned rhetoric. Evans's photographs of Cuba were made by a young, still maturing artist who - as Codrescu argues - was just beginning to combine his early, formalist aesthetic with the social concerns that would figure prominently in his later work."--BOOK JACKET.

Provides cultural and social perspectives while examining the political and economic history of the U.S. from 1929-1941.