Books like All you need is ears by Martin, George

In *Musicophilia* Oliver Sacks explores how music shapes our brains, drawing on case studies of patients with neurological disorders and everyday listeners to reveal the science and magic behind our love of sound.

David Byrne explores how time, place, and recording technology shape music, tracing evolutionary patterns and cultural responses that culminated in the transformative practices of the 20th century.

Exploring the connection between music and the human brain.

Almost everyone can sing along with the Beatles, but how many young readers know their whole store? Geoff Edgers, a Boston Globe reporter and hard-core Beatles fan, brings the Fab Four to life in this Who Was...? book. Readers will learn about their Liverpudlian childhoods, their first forays into rock music, what Beatlemania was like, and why they broke up. It's all here in an easy-to-read narrative with plenty of black-and-white illustrations!

First edition

A collection of Paul McCartney’s own reflections and interviews, offering intimate insights into his life, career, and the history of The Beatles from his unique perspective.

Alex Ross’s 2007 nonfiction work surveys twentieth‑century music, blending history, criticism and rich listening narratives to reveal how composers shaped and were shaped by the era’s cultural shifts.

Dan Kennedy’s hilarious memoir chronicles his unexpected career at a legendary record label, blending office satire with rock‑music anecdotes and celebrity cameos.

Alan McGee's role in shaping British musical culture over the past thirty years is hard to overstate. As the founder of Creation Records he brought us the bands that defined an era. A charismatic Glaswegian who partied just as hard as any of the acts on his notoriously hedonistic label, he became an infamous character in the world of music. In Creation Stories he tells his story in depth for the first time, from leaving school at sixteen to setting up the Living Room club in London which showcased many emerging indie bands, from managing the Jesus and Mary Chain to co-founding Creation when he was only twenty-three. His label brought us acts like My Bloody Valentine, House of Love, Ride and, of course, Primal Scream. Embracing acid house, Alan decamped to Manchester and hung out at the Hacienda, and took Creation into the big time with Screamadelica. His drug-induced breakdown, when it came was dramatic. But as he climbed back to sobriety, he oversaw Oasis's rise to become one of the biggest bands in the world. Alan himself becoming one of the figureheads of Britpop. Having sold the label to Sony to stave off bankruptcy, he became disenchanted with the increasingly corporate ethos and left in 1999. Since then he's continued to be an influential figure in the music industry, managing the Libertines and most recently setting up a new label, 359 Music, with Cherry Red.