Books like Friday and the Year That Followed by Juan J. Morales

Harold Fry has recently retired and now, he doesn't do very much. Even mowing the lawn, like his wife Maureen tells him to do, seems too much work for him. When, one day, he recieves a lettre in a pink envelope, this lazyness changes. In it, his collegue from long time ago, Queenie Hennessy, tells him she is going to die soon from a cancer in a hospice at the other end of England. Harold, at first helpless, decides not only to write her back, but to walk the whole way from Kingsbridge to Berwick-upon-Tweed. During his walk, he will not only meet a lot of people, listen to their story, but also make a journey into his own past, his relation to both Maureen and Quennie and his son David. He is walking to save Queenie, but is he also saving himself?

You are about to travel to Edgecombe St. Mary, a small village in the English countryside filled with rolling hills, thatched cottages, and a cast of characters both hilariously original and as familiar as the members of your own family. Among them is Major Ernest Pettigrew (retired), the unlikely hero of Helen Simonson's wondrous debut. Wry, courtly, opinionated, and completely endearing, Major Pettigrew is one of the most indelible characters in contemporary fiction, and from the very first page of this remarkable novel he will steal your heart.The Major leads a quiet life valuing the proper things that Englishmen have lived by for generations: honor, duty, decorum, and a properly brewed cup of tea. But then his brother's death sparks an unexpected friendship with Mrs. Jasmina Ali, the Pakistani shopkeeper from the village. Drawn together by their shared love of literature and the loss of their respective spouses, the Major and Mrs. Ali soon find their friendship blossoming into something more. But village society insists on embracing him as the quintessential local and her as the permanent foreigner. Can their relationship survive the risks one takes when pursuing happiness in the face of culture and tradition?From the Hardcover edition.

"Loo is twelve when she moves back to the New England fishing village of her early youth. Her father, Hawley, finds work on the boats, while she undergoes the usual heartaches of a new kid in school. But lurking over Loo are mysteries, both of the mother who passed away, of the grandmother she's forbidden to speak to. And hurtling towards both father and daughter are the ghosts of Hawley's past. Before Loo's birth, he was a professional criminal engaged in increasingly elaborate and dangerous underworld schemes. Life on the road was harsh - Samuel Hawley took "twelve bullets" in his brutal career. The scars have healed, but there is a reckoning still to come"--

*Bird Eating Bird* is a new collection of poems from Kristin Naca, winner of the 2008 National Poetry Series mtvU prize as chosen by Pulitzer Prize winner Yusef Komunyakaa. Playful and serious all at once, Kristin’s work explores the richness of her cultural and linguistic heritage and perpetuates NPS’s tradition of promoting exceptional poetry from lesser-known poets.

After his car hits a bunny, which ultimately survives, a man decides to quit his job, leave his wife, sell his possessions, and spend a year wandering around the countryside of Finland--with the rabbit as his only companion.

November, 1920. Jack and Mabel have staked everything on making a fresh start in a homestead 'at the world's edge' in the Alaskan wilderness. But as the days grow shorter, Jack is losing his battle to clear the land, and Mabel can no longer contain her grief for the baby she lost years before. The evening the first snow falls, their mood unaccountably changes. In a moment of tenderness, the two build a snowman - or rather a snow girl - together. Next morning, all trace of her has disappeared ... yet there, in dawn's light, running through the spruce trees - Jack can't shake the notion that he glimpsed - a child? And how to explain the little but very human tracks Mabel finds at the edge of their property?

Born in the Río Grande Valley of south Texas, independent scholar and creative writer Gloria Anzaldúa was an internationally acclaimed cultural theorist. As the author of *Borderlands / La Frontera: The New Mestiza*, Anzaldúa played a major role in shaping contemporary Chicano/a and lesbian/queer theories and identities. As an editor of three anthologies, including the groundbreaking *This Bridge Called My Back: Writings by Radical Women of Color*, she played an equally vital role in developing an inclusionary, multicultural feminist movement. A versatile author, Anzaldúa published poetry, theoretical essays, short stories, autobiographical narratives, interviews, and children’s books. Her work, which has been included in more than 100 anthologies to date, has helped to transform academic fields including American, Chicano/a, composition, ethnic, literary, and women’s studies. This reader—which provides a representative sample of the poetry, prose, fiction, and experimental autobiographical writing that Anzaldúa produced during her thirty-year career—demonstrates the breadth and philosophical depth of her work. While the reader contains much of Anzaldúa’s published writing (including several pieces now out of print), more than half the material has never before been published. This newly available work offers fresh insights into crucial aspects of Anzaldúa’s life and career, including her upbringing, education, teaching experiences, writing practice and aesthetics, lifelong health struggles, and interest in visual art, as well as her theories of disability, multiculturalism, pedagogy, and spiritual activism. The pieces are arranged chronologically; each one is preceded by a brief introduction. The collection includes a glossary of Anzaldúa’s key terms and concepts, a timeline of her life, primary and secondary bibliographies, and a detailed index.

*The New York Times Book Review* has praised Alvarez’s fiction as “powerful . . . beautifully captures the experience of the new immigrant’s doorway where a memory is not yet the past and the future is still a dream.” anxious; These same qualities characterize her poetry—from the “Making Up the Past” poems, which explore a life of exile as lived by a young girl, to “The Joe Poems,” a series of beautifully sensual and funny love poems that celebrate a middle-aged romance. The collection culminates in the poem of the title: the twenty-one-part epic about the poet’s return to her native Dominican Republic, and to the internal affirmation of the conflict and the last one that the trip caused. Innovation and bold invention, the interaction of sound, the senses, and the rhythm of two languages, all characterize Julia Alvarez’s art in transforming precious memory into unforgettable poetry.

"The Danes are famously the happiest people in the world, and hygge is a cornerstone of their way of life. Hygge (pronounce Hoo-ga) loosely translates as a sense of comfort, togetherness, and well-being. You know hygge when you feel it. It is when you are cuddled up on the sofa with a loved one, or sharing comfort food with your closest friends. It is those crisp blue mornings when the light through your window is just right. It is about gratitude and savoring the simple pleasures in life. In short, it is the pursuit of everyday happiness." --