Books like Hitler (Profiles in Power) by Ian Kershaw

A comprehensive history of Nazi Germany from 1933 to 1945, detailing the rise of Adolf Hitler and the collapse of the Third Reich during World War II.

An in-depth exploration of how Hitler's cult of personality became a crucial element in Nazi politics and propaganda.

Abridgement of: - [Hitler 1889-1936: Hubris](/works/OL1924194W) - [Hitler 1936-1945: Nemesis](/works/OL1924193W)

"A magnificent new biography that revolutionizes our understanding of Stalin and his world. It has the quality of myth: a poor cobbler's son, a seminarian from an oppressed outer province of the Russian empire, reinvents himself as a top leader in a band of revolutionary zealots. When the band seizes control of the country in the aftermath of total world war, the former seminarian ruthlessly dominates the new regime until he stands as absolute ruler of a vast and terrible state apparatus, with dominion over Eurasia. While still building his power base within the Bolshevik dictatorship, he embarks upon the greatest gamble of his political life and the largest program of social reengineering ever attempted: the collectivization of all agriculture and industry across one sixth of the earth. Millions will die, and many more millions will suffer, but the man will push through to the end against all resistance and doubts. Where did such power come from? In Stalin, Stephen Kotkin offers a biography that, at long last, is equal to this shrewd, sociopathic, charismatic dictator in all his dimensions. The character of Stalin emerges as both astute and blinkered, cynical and true believing, people oriented and vicious, canny enough to see through people but prone to nonsensical beliefs. We see a man inclined to despotism who could be utterly charming, a pragmatic ideologue, a leader who obsessed over slights yet was a precocious geostrategic thinker--unique among Bolsheviks--and yet who made egregious strategic blunders. Through it all, we see Stalin's unflinching persistence, his sheer force of will--perhaps the ultimate key to understanding his indelible mark on history. Stalin gives an intimate view of the Bolshevik regime's inner geography of power, bringing to the fore fresh materials from Soviet military intelligence and the secret police. Kotkin rejects the inherited wisdom about Stalin's psychological makeup, showing us instead how Stalin's near paranoia was fundamentally political, and closely tracks the Bolshevik revolution's structural paranoia, the predicament of a Communist regime in an overwhelmingly capitalist world, surrounded and penetrated by enemies. At the same time, Kotkin demonstrates the impossibility of understanding Stalin's momentous decisions outside of the context of the tragic history of imperial Russia. The product of a decade of intrepid research, Stalin is a landmark achievement, a work that recasts the way we think about the Soviet Union, revolution, dictatorship, the twentieth century, and indeed the art of history itself"--

"In a remarkable synthesis of key scholarship and historical resources, Frederic Spotts portrays the "National Socialist revolution" as much less a social than a cultural revolution. Spotts maintains that Hitler viewed himself first and foremost as an artist, that his activities were largely directed to the promotion of the arts, and that his driving ambition was to create a supreme culture state, while at the same time using the arts to disguise the heinous crimes that were the means to fulfilling his ends." "Unlike the traditional biographical view that Hitler was an "unperson," who had no life outside politics, Spotts, author of the distinguished Bayreuth: A History of the Wagner Festival, shows that Hitler's interest in the arts was as intense as his racism. Spotts offers the first analysis of Hitler's own work as a painter as well as of his art collection - one Hitler intended to make the finest in the world. Spotts's argument is punctuated with evocative photographs and reproductions from Hitler's 1925 sketchbook." "Hitler's vision of the Aryan super-state was, as Spotts points out, to be expressed as much in art as in politics. Culture was not only the end to which power should aspire, but the means of achieving it. This fundamental assessment of Hitler's career and artistic life in the Third Reich boldly shows how the arts were at the center of his life and that he was at the center of the arts. He dissolved the line between art and politics and - through the notorious spectacles, parades, festivals, films, rallies, Wagner's operas and (late in life) Lehar's operettas, political theatrics, monumental architecture, even the autobahn and the Volkswagen - turned the entre German populace into participants in his National Socialist drama." "A revealing, detailed, and highly conceptual work, Hitler and the Power of Aesthetics provides an additional key to an understanding of the Third Reich - in many ways the key to the first lock on the first door. It has, until now, been only noted in the more speculative psychological portraits, biographies, and straightforward histories of the Third Reich."--Jacket.

An analytical survey of the Weimar Republic (1918‑1933) and Adolf Hitler’s rise, examining political structures, economic crises, and the legacy of the Wilhelmine Empire that shaped Germany’s path to National Socialism.

Gitta Sereny’s biography of Albert Speer reveals the former Nazi Minister of Armaments—through interviews, unpublished manuscripts and Speer’s own prison testimony—a complex portrait of a man who rose, struggled and ultimately faced his own conscience.

Ian Kershaw's 'Hitler' offers a new perspective on the rise and fall of Adolf Hitler, providing a detailed account of the man and the events that led to his ascent to power and the subsequent Nazi regime.

The writings are arranged in three sections—Hitler and the Final Solution, popular opinion and the Jews in Nazi Germany, and the Final Solution in historiography—and Kershaw provides an introduction and a closing section on the uniqueness of Nazism.

"As an exploration of the interpretational issues that eddy around the Third Reich, Ian Kershaw's Nazi Dictatorship has become a classic account. But if its core remains unchanged, its contents must necessarily reflect both new public controversies and the onrush of fresh research. In the forth edition there are many changes of detail to accommodate this need and substantial rewritings of two chapters. No subject among those dealt with in earlier editions has been the subject of such intensive research - and bringing such rapidly changing interpretations - as 'Hitler and the Jews' and, accordingly, that chapter has been considerably changed. The book's final chapter has also undergone significant revision, to take account of the 'Goldhagen phenomenon', and also to glance back over the changing trends of research on the Third Reich as, with the passing of the generations, Hitler and his regime themselves pass into history."--Jacket.