Books like Cezanne's Quarry by Barbara Corrado Pope

"The Goldfinch is a rarity that comes along perhaps half a dozen times per decade, a smartly written literary novel that connects with the heart as well as the mind....Donna Tartt has delivered an extraordinary work of fiction."--Stephen King, The New York Times Book Review Composed with the skills of a master, The Goldfinch is a haunted odyssey through present day America and a drama of enthralling force and acuity. It begins with a boy. Theo Decker, a thirteen-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don't know how to talk to him, and tormented above all by his unbearable longing for his mother, he clings to one thing that reminds him of her: a small, mysteriously captivating painting that ultimately draws Theo into the underworld of art. As an adult, Theo moves silkily between the drawing rooms of the rich and the dusty labyrinth of an antiques store where he works. He is alienated and in love-and at the center of a narrowing, ever more dangerous circle. The Goldfinch is a novel of shocking narrative energy and power. It combines unforgettably vivid characters, mesmerizing language, and breathtaking suspense, while plumbing with a philosopher's calm the deepest mysteries of love, identity, and art. It is a beautiful, stay-up-all-night and tell-all-your-friends triumph, an old-fashioned story of loss and obsession, survival and self-invention, and the ruthless machinations of fate.

To you, perceptive reader, I bequeath my history....Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history. The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive. What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers—one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful—and utterly unforgettable.

This book "centres on Vermeer's prosperous household in Delft in the 1660s. The appointment of the quiet, perceptive heroine of the novel, the servant Griet, gradually throws the household into turmoil as Vermeer and Griet become increasingly intimate, an increasingly tense situation that culminates in her working for Vermeer as his assistant, and ultimately sitting for him as a model. Chevalier deliberately cultivates a limpid, painstakingly observed style in homage to Vermeer, and the complex domestic tensions of the Vermeer household are vividly evoked, from the jealous, vain, young wife to the wise, taciturn mother-in-law. At times the relationship between servant and master seems a little anachronistic, but Girl with a Pearl Earring does contain a final delicious twist in its tail."--Product description.

Jack Reacher is back, dragged into what looks like a series of grisly serial murders by a team of FBI profilers who aren't totally sure he's not the killer they're looking for, but believe that even if he isn't, he's smart enough to help them find the real killer. And what they've got on the ex-MP, who's starred in three previous Lee Child thrillers ( Tripwire, Die Trying, Killing Floor), is enough to ensure his grudging cooperation: phony charges stemming from Reacher's inadvertent involvement in a protection shakedown and the threat of harm to the woman he loves. The killer's victims have only one thing in common--all of them brought sexual harassment charges against their military superiors and all resigned from the army after winning their cases. The manner, if not the cause, of their deaths is gruesomely the same: they died in their own bathtubs, covered in gallons of camouflage paint, but they didn't drown and they weren't shot, strangled, poisoned, or attacked. Even the FBI forensic specialists can't figure out why they seem to have gone willingly to their mysterious deaths. Reacher isn't sure whether the killings are an elaborate cover-up for corruption involving stolen military hardware or the work of a maniac who's smart enough to leave absolutely no clues behind. This compelling, iconic antihero dead-ends in a lot of alleys before he finally figures it out, but every one is worth exploring and the suspense doesn't let up for a second. The ending will come as a complete surprise to even the most careful reader, and as Reacher strides off into the sunset, you'll wonder what's in store for him in his next adventure. --Jane Adams

" A glorious, sweeping novel of desire, ambition, and the thirst for knowledge, from the # 1 New York Times bestselling author of Eat, Pray, Love and Committed. In The Signature of All Things, Elizabeth Gilbert returns to fiction, inserting her inimitable voice into an enthralling story of love, adventure and discovery. Spanning much of the eighteenth and nineteenth centuries, the novel follows the fortunes of the extraordinary Whittaker family as led by the enterprising Henry Whittaker-a poor-born Englishman who makes a great fortune in the South American quinine trade, eventually becoming the richest man in Philadelphia. Born in 1800, Henry's brilliant daughter, Alma (who inherits both her father's money and his mind), ultimately becomes a botanist of considerable gifts herself.^ As Alma's research takes her deeper into the mysteries of evolution, she falls in love with a man named Ambrose Pike who makes incomparable paintings of orchids and who draws her in the exact opposite direction-into the realm of the spiritual, the divine, and the magical. Alma is a clear-minded scientist; Ambrose a utopian artist-but what unites this unlikely couple is a desperate need to understand the workings of this world and the mechanisms behind all life. Exquisitely researched and told at a galloping pace, The Signature of All Things soars across the globe-from London to Peru to Philadelphia to Tahiti to Amsterdam, and beyond. Along the way, the story is peopled with unforgettable characters: missionaries, abolitionists, adventurers, astronomers, sea captains, geniuses, and the quite mad.^ But most memorable of all, it is the story of Alma Whittaker, who-born in the Age of Enlightenment, but living well into the Industrial Revolution-bears witness to that extraordinary moment in human history when all the old assumptions about science, religion, commerce, and class were exploding into dangerous new ideas. Written in the bold, questing spirit of that singular time, Gilbert's wise, deep, and spellbinding tale is certain to capture the hearts and minds of readers. "-- "Spanning much of the eighteenth and nineteenth centuries, the novel follows the fortunes of the extraordinary Whittaker family as led by the enterprising Henry Whittaker--a poor-born Englishman who makes a great fortune in the South American quinine trade, eventually becoming the richest man in Philadelphia. Born in 1800, Henry's brilliant daughter, Alma (who inherits both her father's money and his mind), ultimately becomes a botanist of considerable gifts herself. As Alma's research takes her deeper into the mysteries of evolution, she falls in love with a man named Ambrose Pike who makes incomparable paintings of orchids and who draws her in the exact opposite direction--into the realm of the spiritual, the divine, and the magical. Alma is a clear-minded scientist; Ambrose a utopian artist--but what unites this unlikely couple is a desperate need to understand the workings of this world and the mechanisms behind all life. The story is peopled with unforgettable characters: missionaries, abolitionists, adventurers, astronomers, sea captains, geniuses, and the quite mad. But most memorable of all, it is the story of Alma Whittaker, who--born in the Age of Enlightenment, but living well into the Industrial Revolution--bears witness to that extraordinary moment in human history when all the old assumptions about science, religion, commerce, and class were exploding into dangerous new ideas"--

In 1862 Nevada Territory, after finding his foster parents murdered and scalped, twelve-year-old Pinky Pinkerton, son of a railroad detective and a Sioux Indian, inherits a valuable deed and must hide from dangerous Whittlin Walt and his gang of desperados.

"Tori Sinclair has found a sense of home with the Sweet Briar Ladies Society Sewing Circle. During their get-togethers, she can relax with her sewing and listen in on Sweet Briar's latest gossip. Bet when the town is chosen to be the setting of Warren Shoemaker's movie, the sewing circle gets cought up in bigger drama. With dreams of stardom, everyone is hoping to be cast as an extra - which lucky Tori is. But fame has its price, as they learn when Anita Belise, the film's leading actress, is found murdered"--Publisher.

In the heat of the Arizona desert, a raging fire pushes temperatures to a deadly degree, and one woman is left to burn. Pulled naked and barely breathing from the fire, the victim has no idea who she is, let alone who would do this to her--or why

A killer who targets lonely women on cruise ships is at the center of Mary Higgins Clark's newest thriller. You Belong to Me, a masterful combination of page-turning suspense and classic mystery. When Dr. Susan Chandler decides to use her daily radio talk show to explore the phenomenon of women who disappear and are later found to have become victims of killers who prey on the lonely and insecure, she has no idea that she is exposing herself - and those closest to her - to the very terror that she hopes to warn others against. Susan sets out to determine who is responsible for an attempt on the life of a woman who called in to the show offering information on the mysterious disappearance from a cruise ship, years before, of Regina Clansen, a wealthy investment advisor. Soon Susan finds herself in a race against time, for not only does the killer stalk these lonely women, but he seems intent on eliminating anyone who can possibly further Susan's investigation. As her search intensifies, Susan finds herself confronted with the realization that one of the men who have become important figures in her life might actually be the killer. And as she gets closer to uncovering his identity, she realizes almost two late that the hunter has become the hunted, and that she herself is marked for murder.

New Eden, Montana, is a piece of heaven on earth where one woman died in her own private hell. Now it’s up to ex-court reporter Marilee Jennings to decipher the puzzle of her best friend’s death. But someone has a stake in silencing her suspicion. Someone with secrets worth killing for—and the power to turn this beautiful haven into a . . . dark paradise. And as Mari digs deeper beneath New Eden’s picture-perfect exterior, finding the truth is suddenly no longer a matter of justice. It’s her only hope of staying alive.

eBOOK SPECIAL FEATUREIncludes a preview of Ridley Pearson's next book, THE BODY OF PETER HAYES Friendship comes at a cost. For beautiful Mary-Ann Walker, who struggled with the challenges of a difficult family history, that cost proves to be her life. With Mary-Ann’s past as its only guideline, the Seattle homicide unit must delve into the relationships between a misguided young woman and her family, friends, and lover. Let the psychological games begin. Seattle Police forensic psychologist Daphne Matthews, who volunteers as a teenage runaway counselor, is haunted by the loss of a suicide, a “jumper”, a year earlier. When a woman’s body is found beneath the Aurora Bridge, Matthews is one of the first at the scene – and begins a puzzling investigation that becomes entangled with her own past, that of the victim, and even that of Seattle itself. Mary-Ann’s boyfriend has a record of physical abuse, and an attitude that Matthews finds difficult to crack. When the victim’s grieving brother surfaces, throwing blame onto the boyfriend and craving revenge, Matthews gains an unstable ally she does not want. Then the stalking begins: the eerie phone calls, the noises outside the house, the shadows that move in the night. Someone has his eye on Matthews – but to stop her, to kill her, or to help solve the crime? While her colleagues Lieutenant Lou Boldt and Sergeant John LaMoia pursue a hotel room peeper in hopes of solving a series of disappearances, the police and Matthews herself are led into the “Underground” – a perfectly preserved city-under-a-city, hidden beneath present-day Seattle. Matthews engages in a mental game of cat-and-mouse, never knowing whom she can trust. Crisscrossing Seattle, diving below the streets to ancient tunnels, running for her life, Matthews must unlock the psychological secrets behind Mary-Ann’s death before she herself is buried alongside her. Matthews’ very survival will depend on her skills at the art of deception. The pace is always racing, the detail always exacting, the characters fascinating. This is classic Ridley Pearson, keeping tension and excitement up until the climactic ending, which of course involves a life in jeopardy, a fantastic chase scene, and a plot twist.

"Annie McMorrow, 31 and not recovered from the end of her long-term relationship, is an assistant to film producer Carlo Spinetti and then to his chilling wife Rebecca Winkleman Spinetti whose father started Winkleman Fine Art in Curzon St. Annie has spent her meagre savings on a dusty painting from a junk shop to give to her new, unsuitable, boyfriend who never shows up for his birthday dinner. The painting now hers, talks, but only to us. Shrewd, spoiled, charming, world weary and cynical, he comments perceptively on Annie, and the modern world and tells tales about his previous owners: Louis XV, Voltaire, Catherine the Great among others. The story unfolds through this voice and many others--unexpected, entertaining, and strangely authentic. Annie will have her apartment ransacked and be pursued by dealers, buyers and an auctioneer in an attempt to get back the painting. With The Improbability of Love, Rothschild has spun a dazzling tale--both irreverant and entertainng--of a many-layered, devious world where, in the end, love triumphs"--

Zoe. Jenny. Nadia. Three women of varying ages and backgrounds with little else in common but for one thing: Someone has sent them each a note informing them that they will be killed. A cruel joke? A hoax? The police don't seem to think so. Now, with no clear suspect and amid the growing threat of violence, the victims become the accused as authorities dig into their backgrounds for clues as to why they might have attracted the unrelenting attention of a killer. As Zoe, Jenny, and Nadia find themselves being victimized twiceover, once by the faceless stalker and again by the police, each must ultimately face the question of which is stronger: the instinct to survive, or the desire to destroy?