Books like The Mysterious Mr. Badman by W. F. Harvey

And Then There Were None is a mystery novel by the English writer Agatha Christie, described by her as the most difficult of her books to write. It was first published in the United Kingdom by the Collins Crime Club on 6 November 1939, as Ten Little Niggers, after the children's counting rhyme and minstrel song, which serves as a major element of the plot. A US edition was released in January 1940 with the title And Then There Were None, which is taken from the last five words of the song. All successive American reprints and adaptations use that title, except for the Pocket Books paperbacks published between 1964 and 1986, which appeared under the title Ten Little Indians. UK editions continued to use the original title until the current definitive title appeared with a reprint of the 1963 Fontana Paperback in 1985. In 1990 Crime Writers' Association ranked And Then There Were None 19th in their The Top 100 Crime Novels of All Time list. In 1995 in a similar list Mystery Writers of America ranked the novel 10th. In September 2015, to mark her 125th birthday, And Then There Were None was named the "World's Favourite Christie" in a vote sponsored by the author's estate. In the "Binge!" article of Entertainment Weekly Issue #1343-44 (26 December 2014–3 January 2015), the writers picked And Then There Were None as an "EW favorite" on the list of the "Nine Great Christie Novels". ---------- Also contained in: - [Five Complete Novels of Murder and Detection](https://openlibrary.org/works/OL471812W) - [Masterpieces of Murder](https://openlibrary.org/works/OL471974W) - [Novels](https://openlibrary.org/works/OL24261345W) - [Oeuvres complètes d'Agatha Christie: Volume VII](https://openlibrary.org/works/OL24710553W) - [Works](https://openlibrary.org/works/OL17306242W) [1]: https://www.agathachristie.com/stories/and-then-there-were-none

Chiunque abbia visto qualche film del terrore con al centro una costruzione abitata da sinistre presenze si sarà trovato a chiedersi almeno una volta perché le vittime di turno (giovani coppie, gruppi di studenti, scrittori alla vana ricerca di ispirazione) non optino, prima che sia troppo tardi, per la soluzione più semplice – e cioè non escano dalla stessa porta dalla quale sono entrati, allontanandosi senza voltarsi indietro. Bene, a tale domanda, meno oziosa di quanto potrebbe parere, questo romanzo di Shirley Jackson – il suo più noto – fornisce una risposta, forse la prima. Non è infatti la fragile, sola, indifesa Eleanor Vance a scegliere la Casa, dilatando l’esperimento paranormale in cui l’ha coinvolta l’inquietante professor Montague molto oltre i suoi presunti limiti. È piuttosto la Casa – con la sua torre buia, le porte che sembrano aprirsi da sole, le improvvise folate di gelo – a scegliere, per sempre, Eleanor Vance. E a imprigionare insieme a lei il lettore, che tenterà invano di fuggire da una costruzione romanzesca senza crepe, in cui – come ha scritto il più celebre discepolo della Jackson, Stephen King – «ogni svolta porta dritta in un vicolo buio».

With these words, the reader is ushered into an isolated gray stone mansion on the windswept Cornish coast, as the second Mrs. Maxim de Winter recalls the chilling events that transpired as she began her new life as the young bride of a husband she barely knew. For in every corner of every room were phantoms of a time dead but not forgotten—a past devotedly preserved by the sinister housekeeper, Mrs. Danvers: a suite immaculate and untouched, clothing laid out and ready to be worn, but not by any of the great house's current occupants. With an eerie presentiment of evil tightening her heart, the second Mrs. de Winter walked in the shadow of her mysterious predecessor, determined to uncover the darkest secrets and shattering truths about Maxim's first wife—the late and hauntingly beautiful Rebecca.

The governess of two enigmatic children fears their souls are in danger from the ghosts of the previous governess and her sinister lover.

The tranquillity of a cruise along the Nile was shattered by the discovery that Linnet Ridgeway ( Linnet Doyle) had been shot through the head. She was young, stylish, rich and beautiful. A girl who had everything... until she lost her life. Hercule Poirot recalled an earlier outburst by a fellow passenger: 'I'd like to put my dear little pistol against her head and just press the trigger.' Yet in this exotic setting nothing was ever quite what it seemed...

The very-respectable Colonel and Mrs Bantry have awakened to discover the body of a young woman in their library. She is wearing evening dress and heavy make-up, which is now smeared across her cold cheeks. But who is she? How did she get there? And what is her connection with another dead girl, whose charred remains are later discovered in an abandoned quarry? The Bantrys turn to Miss Marple to solve the mystery.

What if you could live again and again, until you got it right? On a cold and snowy night in 1910, Ursula Todd is born to an English banker and his wife. She dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual. For as she grows, she also dies, repeatedly, in a variety of ways, while the young century marches on towards its second cataclysmic world war. Does Ursula's apparently infinite number of lives give her the power to save the world from its inevitable destiny? And if she can -- will she?

Sheila Webb, typist-for-hire, has arrived at 19 Wilbraham Crescent in the seaside town of Crowdean to accept a new job. What she finds is a well-dressed corpse surrounded by five clocks. Mrs Pebmarsh, the blind owner of No. 19, denies all knowledge of ringing Sheila’s secretarial agency and asking for her by name — yet someone did. Nor does she own that many clocks. And neither woman seems to know the victim. Colin Lamb, a young intelligence specialist working a case of his own at the nearby naval yard, happens to be on the scene at the time of Sheila Webb’s ghastly discovery. Lamb knows of only one man who can properly investigate a crime as bizarre and baffling as what happened inside No. 19 — his friend and mentor, Hercule Poirot.

M-U-R-D-E-R. It began as an innocent parlor game intended to while away the hours on a bitter winter night. But the message that appeared before the amateur occultists at the snowbound Sittaford House was spelled out as loud and clear as a scream. Of course, the notion that they had foretold doom was pure bunk. Wasn't it? And the discovery of a corpse was pure coincidence. Wasn't it? If they're to discover the answer to this baffling murder, perhaps they should play again. But a journey into the spirit world could prove terribly dangerous-especially when the killer is lurking in this one. NOTE: This book is the same as The Sittaford Mystery

In a sleepy little New England village stands a dark, weather-beaten, many-gabled house. This brooding mansion is haunted by a centuries-old curse that casts the shadow of ancestral sin upon the last four members of the distinctive Pyncheon family. Mysterious deaths threaten the living. Musty documents nestle behind hidden panels carrying the secret of the family's salvation -- or its downfall. Hawthorne called The House of the Seven Gables "a romance," and freely bestowed upon it many fascinating gothic touches. A brilliant intertwining of the popular, the symbolic, and the historical, the novel is a powerful exploration of personal and national guilt, a work that Henry James declared "the closest approach we are likely to have to the Great American Novel."

Raven Black begins on New Year's Eve with a lonely outcast named Magnus Tait, who stays home waiting for visitors who never come. But the next morning the body of a murdered teenage girl is discovered nearby, and suspicion falls on Magnus. Inspector Jimmy Perez enters an investigative maze that leads deeper into the past of the Shetland Islands than anyone wants to go.

Abundantly atmospheric and elegantly told, *The Little Stranger* is Sarah Waterss most thrilling and ambitious novel yet. After her award-winning trilogy of victorian novels, sarah waters turned to the 1940s and wrote the night watch, a tender and tragic novel set against the backdrop of wartime britain shortlisted for both the orange and the man booker, it went straight to number one in the bestseller chart in a dusty post-war summer in rural warwickshire, a doctor is called to a patient at hundreds hall home to the ayres family for over two centuries, the georgian house, once grand and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable yard permanently fixed at twenty to nine but are the ayreses haunted by something more sinister than a dying way of life little does dr faraday know how closely, and how terrifyingly, their story is about to become entwined with his prepare yourself from this wonderful writer who continues to astonish us, now comes a chilling ghost story.

A big woman, Gertie Nevels is uprooted from her Kentucky hills and thrust into the confusion of wartime Detroit. There, against the sudden, harsh impact of a big city, she and her family struggle to retain the independence that is their heritage--a struggle that ends in triumph in a unique way through Gertie's courage and innocence of spirit.

"Arthur Kipps, a junior solicitor, is summoned to attend the funeral of Mrs Alice Drablow, the sole inhabitant of Eel Marsh House, unaware of the tragic secrets which lie hidden behind the shuttered windows. The house stands at the end of a causeway, wreathed in fog and mystery, but it is not until Arthur glimpses a wasted young woman, dressed all in black, at the funeral, that a creeping sense of unease begins to take hold, a feeling deepened by the reluctance of the locals to speak of the woman in black - and her terrible purpose."--Back cover.

Number 35 The Hill is a house in an ordinary street, owned by an apparently ordinary young couple. When constables Janet Taylorand Dennis Morrisey are sent to the house following a report ofa disturbance, they stumble upon a truly horrific scene.

Trent investigates the death of an industrialist. He solves the case three times, each time getting closer to the truth.

Former cop Frank Elder is drawn out of retirement when his ex-wife asks him to look into the disappearance of her friend Jennie’s sister Claire in Nottingham. Elder reluctantly returns to the city where his family disintegrated. Elder uncovers sexual secrets of Claire’s that take Jennie by surprise. But when Claire is found dead at home—unmarked and carefully dressed—it is Elder who is surprised by the similarities to an old case. To solve this riddle, Elder will have to repartner with Detective Inspector Maureen Prior and delve into several suspects’ traumatic histories. In a case in which neither memories, confessions, nor instincts can be trusted, Elder struggles with the weight of the past and Harvey delivers another psychologically trenchant page-turner.