Books like Gone with the Wind by Sidney Coe Howard

F. Scott Fitzgerald’s masterpiece examines the glittering yet hollow glamour of the Roaring Twenties as the enigmatic Jay Gatsby pursues love, wealth, and identity across the social divide.

In post‑war New York, Newland Archer faces a dilemma when his fiancée’s cousin, the rebellious Ellen Olenska, challenges his elite society’s expectations and his own loyalty.

A young bride, the second Mrs. Maxim de Winter, arrives at Manderley on the Cornish coast and finds her new home haunted by the memory and housekeeper’s obsession with her mysterious, stylish predecessor—Rebecca.

A sweeping historical portrait of the American South during the Civil War and Reconstruction, centered on the life of Scarlett O'Hara.

A sweeping portrait of post‑Founders’ Day South Africa, Cry, the Beloved Country follows Zulu pastor Stephen Kumalo and his son Absalom as they confront racial injustice and the harsh realities of white‑dominated law.

Mario Puzo traces the rise of the Borgia family, revealing the intertwined forces of ambition, faith, and power that shaped one of Italy’s most notorious dynasties.

A story of love, escape, and the fight for freedom in 18th-century Scotland

A photographic record of the 1939 Atlanta premiere of the classic film, showcasing its stars, the city’s transformation, and festive events surrounding the Hollywood event.

For over two centuries, America has celebrated the same African-American culture it attempts to control and repress, and nowhere is this phenomenon more apparent than in the strange practice of blackface performance. Born of extreme racial and class conflicts, the blackface minstrel show appropriated black dialect, music, and dance; at once applauded and lampooned black culture; and, ironically, contributed to a "blackening of America." Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of the years leading up to the Civil War. Reading minstrel music, lyrics, jokes, burlesque skits, and illustrations in tandem with working-class racial ideologies and the sex/gender system, Love and Theft argues that blackface minstrelsy both embodied and disrupted the racial tendencies of its largely white, male, working-class audiences. Underwritten by envy as well as repulsion, sympathetic identification as well as fear--a dialectic of "love and theft"--the minstrel show continually transgressed the color line even as it enabled the formation of a self-consciously white working class. Lott exposes minstrelsy as a signifier for multiple breaches: the rift between high and low cultures, the commodification of the dispossessed by the empowered, the attraction mixed with guilt of whites caught in the act of cultural thievery. This new edition celebrates the twentieth anniversary of this landmark volume. It features a new foreword by renowned critic Greil Marcus that discusses the book's influence on American cultural studies as well as its relationship to Bob Dylan's 2001 album of the same name, "Love & Theft." In addition, Lott has written a new afterword that extends the study's range to the twenty-first century [Publisher description]

North and South follows two families—the rice‑farming Mains of South Carolina and the iron‑working Hazards of Pennsylvania—as their descendants, Orry and George, forge a friendship at West Point, battle in the Mexican–American War, and confront the growing divide that culminates in the Civil War.