Books like Enchanted Soles by Sasha L Miller

BOOK ONE of the [Six of Crows Duology](https://openlibrary.org/works/OL19758128W/Six_of_Crows_Crooked_Kingdom) Six of Crows is a fantasy novel written by the Israeli-American author Leigh Bardugo published by Henry Holt and Co. in 2015. The story follows a thieving crew and is primarily set in the city of Ketterdam, loosely inspired by Dutch Republic–era Amsterdam. The plot is told from third-person viewpoints of seven different characters. The novel is followed by [Crooked Kingdom](https://openlibrary.org/works/OL17597665W) (2016) and is part of the Grishaverse. Followed by: [Crooked Kingdom][2] [2]: https://openlibrary.org/works/OL17597665W/Crooked_Kingdom

The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night. But behind the scenes, a fierce competition is underway—a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them, this is a game in which only one can be left standing, and the circus is but the stage for a remarkable battle of imagination and will. Despite themselves, however, Celia and Marco tumble headfirst into love—a deep, magical love that makes the lights flicker and the room grow warm whenever they so much as brush hands. True love or not, the game must play out, and the fates of everyone involved, from the cast of extraordinary circus per formers to the patrons, hang in the balance, suspended as precariously as the daring acrobats overhead. Written in rich, seductive prose, this spell-casting novel is a feast for the senses and the heart. - Publisher.

"Step into The City of Brass, the spellbinding debut from S. A. Chakraborty--an imaginative alchemy of The Golem and the Jinni, The Grace of Kings, and Uprooted, in which the future of a magical Middle Eastern kingdom rests in the hands of a clever and defiant young con artist with miraculous healing gifts. Nahri has never believed in magic. Certainly, she has power; on the streets of eighteenth-century Cairo, she's a con woman of unsurpassed talent. But she knows better than anyone that the trade she uses to get by--palm readings, zars, healings--are all tricks, sleights of hand, learned skills; a means to the delightful end of swindling Ottoman nobles and a reliable way to survive. But when Nahri accidentally summons an equally sly, darkly mysterious djinn warrior to her side during one of her cons, she's forced to question all she believes. For the warrior tells her an extraordinary tale: across hot, windswept sands teeming with creatures of fire, and rivers where the mythical marid sleep; past ruins of once-magnificent human metropolises, and mountains where the circling birds of prey are not what they seem, lies Daevabad, the legendary city of brass--a city to which Nahri is irrevocably bound. In Daevabad, behind gilded brass walls laced with enchantments, behind the six gates of the six djinn tribes, old resentments are simmering. A young prince dreams of rebellion. And when Nahri decides to enter this world, she learns that true power is fierce and brutal. That magic cannot shield her from the dangerous web of court politics. That even the cleverest of schemes can have deadly consequences. After all, there is a reason they say to be careful what you wish for"-- "A brilliantly imagined historical fantasy in which a young con artist in eighteenth century Cairo discovers she's the last descendant of a powerful family of djinn healers. With the help of an outcast immortal warrior and a rebellious prince, she must claim her magical birthright in order to prevent a war that threatens to destroy the entire djinn kingdom. Perfect for fans of The Grace of Kings, The Golem and the Jinni, and The Queen of the Tearling"--

Both a recounting of trauma and its impacts, as well as a retelling of a Nigerian fable. The main character's multiple experiences of trauma are retold and the author unflinchingly explores how they are impacted (e.g., self-harm, dissociation). The character's psychology is viewed through a non-Western lens.

When anything can be owned, how can we be free Earth, 2144. Jack is an anti-patent scientist turned drug pirate, traversing the world in a submarine as a pharmaceutical Robin Hood, fabricating cheap scrips for poor people who can’t otherwise afford them. But her latest drug hack has left a trail of lethal overdoses as people become addicted to their work, doing repetitive tasks until they become unsafe or insane. Hot on her trail, an unlikely pair: Eliasz, a brooding military agent, and his robotic partner, Paladin. As they race to stop information about the sinister origins of Jack’s drug from getting out, they begin to form an uncommonly close bond that neither of them fully understand. And underlying it all is one fundamental question: Is freedom possible in a culture where everything, even people, can be owned?

Linus is an uptight caseworker with a heart of gold working for the department in charge of magical youth. When he goes to investigate an orphanage on an island with supposedly dangerous children and an enigmatic leader Arthur, he’s expecting the worst. But it turns out he might be falling in love with Arthur and his charges.

Isobel is a prodigy portrait artist with a dangerous set of clients: the sinister fair folk, immortal creatures who cannot bake bread, weave cloth, or put a pen to paper without crumbling to dust. They crave human Craft with a terrible thirst, and Isobel's paintings are highly prized. But when she receives her first royal patron--Rook, the autumn prince--she makes a terrible mistake. She paints mortal sorrow in his eyes--a weakness that could cost him his life. Furious and devastated, Rook spirits her away to the autumnlands to stand trial for her crime. Waylaid by the Wild Hunt's ghostly hounds, the tainted influence of the Alder King, and hideous monsters risen from barrow mounds, Isobel and Rook depend on one another for survival. Their alliance blossoms into trust, then love--and that love violates the fair folks' ruthless laws. Now both of their lives are forfeit, unless Isobel can use her skill as an artist to fight the fairy courts. Because secretly, her Craft represents a threat the fair folk have never faced in all the millennia of their unchanging lives: for the first time, her portraits have the power to make them feel.

A world divided. A queendom without an heir. An ancient enemy awakens. The House of Berethnet has ruled Inys for a thousand years. Still unwed, Queen Sabran the Ninth must conceive a daughter to protect her realm from destruction – but assassins are getting closer to her door. Ead Duryan is an outsider at court. Though she has risen to the position of lady-in-waiting, she is loyal to a hidden society of mages. Ead keeps a watchful eye on Sabran, secretly protecting her with forbidden magic. Across the dark sea, Tané has trained to be a dragonrider since she was a child, but is forced to make a choice that could see her life unravel. Meanwhile, the divided East and West refuse to parley, and forces of chaos are rising from their sleep.

Change or die. These are the only options available on planet Jeep. Centuries earlier, a deadly virus shattered the original colony, killing the men and forever altering the few surviving women. Now, generations after the colony lost touch with the rest of humanity, a company arrives to exploit Jeep—and its forces find themselves fighting for their lives. Terrified of spreading the virus, the company abandons its employees, leaving them afraid and isolated from the natives. In the face of this crisis, anthropologist Marghe Taishan arrives to test a new vaccine. As she risks death to uncover the women’s biological secret, she finds that she too is changing—and realizes that not only has she found a home on Jeep, but that she alone carries the seeds of its destruction. . . . Ammonite is an unforgettable novel that questions the very meanings of gender and humanity. As readers share in Marghe’s journey through an alien world, they too embark on a parallel journey of fascinating self-exploration.

Surveys a decade of the attempt to reconstruct and understand the meaning and value of butch-femme relations for the contemporary lesbian, drawing on oral history, fiction, poetry, and fantasy

Chung Mae is the only connection her small farming village has to culture of a wider world beyond the fields and simple houses of her village. A new communications technology is sweeping the world and promises to connect everyone, everywhere without power lines, computers, or machines. This technology is Air. An initial testing of Air goes disastrously wrong and people are killed from the shock. Not to be stopped Air is arriving with or without the blessing of Mae's village. Mae is the only one who knows how to harness Air and ready her people for it's arrival, but will they listen before it's too late?

Boots of Leather, Slippers of Gold traces the evolution of the lesbian community in Buffalo, New York from the mid-1930s up to the early 1960s. Drawing upon the oral histories of 45 women, it is the first comprehensive history of a working-class lesbian community. These poignant and complex stories show how black and white working-class lesbians, although living under oppressive circumstances, nevertheless became powerful agents of historical change. Based on 13 years of research, Boots of Leather, Slippers of Gold ranges over such topics as sex, relationships, coming out, butch-fem roles, motherhood, aging, racism, work, oppression and pride. Kennedy and Davis provide a unique insider's perspective on butch-fem culture and argue that the roots of gay and lesbian liberation are found specifically in the determined resistance of working-class lesbians.

When her seventeenth summer solstice arrives, Brienna desires only two things: to master her passion and to be chosen by a patron. Growing up in the southern kingdom of Valenia at the renowned Magnalia House should have prepared her. While some are born with a talent for one of the five passions - art, music, dramatics, wit, and knowledge - Brienna struggled to find hers until she chose knowledge. However, despite all her preparations, Brienna's greatest fear comes true: she is left without a patron. Months later, her life takes an unexpected turn when a disgraced lord offers her patronage. Suspicious of his intent, she reluctantly accepts. But there is much more to his story, for there is a dangerous plot to overthrow the king of Maevana - the rival kingdom of Valenia - and restore the rightful queen, and her magic, to the northern throne. And others are involved, some closer to Brienna than she realizes. With war brewing, Brienna must choose which side she will remain loyal to - passion or blood. Because a queen is destined to rise and lead the battle to reclaim the crown. Who will be that queen?

Speculative fiction is the literature of questions, of challenges and imagination, and what better to question than the ways in which gender and sexuality have been rigidly defined, partitioned off, put in little boxes? These seventeen stories explore the ways in which identity can go beyond binary from space colonies to small college towns, from angels to androids, and from a magical past to other worlds entirely, the authors in this collection have brought to life wonderful tales starring people who proudly define (and redefine) their own genders, sexualities, identities, and so much else in between. Featuring the following stories: ''Sea of Cortez'' by Sandra McDonald / ''Eye of the Storm'' by Kelley Eskridge / ''Fisherman'' by Nalo Hopkinson / ''Pirate Solutions'' by Katie Sparrow / ''A Wild and a Wicked Youth'' by Ellen Kushner / ''Prosperine When it Sizzles'' by Tansy Roberts / ''The Faery Cony-Catcher'' by Delia Sherman / ''Palimpsest'' by Catherynne M. Valente / ''Another Coming'' by Sonya Taaffe / ''Bleaker Collegiate Presents an All-Female Production of Waiting for Godot'' by Claire Humphrey / ''The Ghost Party'' by Richard Larson / ''Bonehouse'' by Keffy R. M. Kehrli / ''Sex with Ghosts'' by Sarah Kanning / ''Spoiling Veena'' by Keyan Bowes / ''Self-Reflection'' by Tobi Hill-Meyer / ''The Metamorphosis Bud'' by Liu Wen Zhuang / ''Schrodinger's Pussy'' by Terra LeMay

Welcome to the Matriarchy. Sixty years after a virus has wiped out almost all the men on the planet, things are pretty much just as you would imagine a world run by women might be: war has ended; greed is not tolerated; the ecological needs of the planet are always put first. In two generations, the female population has grieved, pulled together and moved on, and life really is pretty good - if you're a girl. It's not so great if you're a boy, but fourteen-year-old River wouldn't know that. Until she met Mason, she thought they were extinct.

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With her feet bare and her secondhand gown splattered with mud, Ella's first day of Princess School is off to a lousy start.

They are each other's fiercest love, greatest danger, and only hope. Séverin and his team members might have successfully thwarted the Fallen House, but victory came at a terrible cost -- one that still haunts all of them. Desperate to make amends, Séverin pursues a dangerous lead to find a long lost artifact rumoured to grant its possessor the power of God. Their hunt lures them far from Paris, and into the icy heart of Russia where crystalline ice animals stalk forgotten mansions, broken goddesses carry deadly secrets, and a string of unsolved murders makes the crew question whether an ancient myth is a myth after all. As hidden secrets come to the light and the ghosts of the past catch up to them, the crew will discover new dimensions of themselves. But what they find out may lead them down paths they never imagined. A tale of love and betrayal as the crew risks their lives for one last job.

In this debut collection of body-horror fairy tales and mid-apocalyptic Catholic cyberpunk, memory and myth, loss and age, these are the tools of storyteller Jarboe, a talent in the field of queer fabulism. Bodily autonomy and transformation, the importance of negative emotions, unhealthy relationships, and bad situations amidst the staggering and urgent question of how build and nurture meaning, love, and safety in a larger world/society that might not be "fixable."

In this wide-ranging anthology, 32 women from Britain, continental Europe and the Americas express the depth and complexity of lesbian literature. Including stories about coming-out and cross-dressing, as well as vampire tales, science fiction, parody, and romance, this collection "casts the world in a different light."--The New Republic.

The average adult male is approximately 60% water. Blood tastes salty as more than two thirds of the sodium circulating throughout your body is carried in arteries and veins. Which means that your heart is like a miniature ocean within your chest. Chaz Brenchley has not only been awarded the British Fantasy Society's August Derleth Award but knows all too well the storms and dangers of the heart: the lofty desires, the grieving nadirs, the tempest of love. In Bitter Watters, his first short story collection devoted to gay readers, Brenchley offers men fantastical instances to effleurer, to break for taller timber, to drown in emotions. And while not every tale in this breathtaking collection involves the sea, tears and bloodshed still need to be navigated.

Edited by world-renowned lesbian speculative fiction author Nicola Griffith and science fiction and fantasy publisher Stephen Pagel, this groundbreaking anthology of all-original science fiction stories brings together some of mainstream's and science fiction's most notable and daring writers - gay and straight - creating worlds where time and place and sexuality are alternative to the empirical environment. Keith Hartman's "Sex, Guns, and Baptists" presents a disturbing view of how the world could end up if the Christian fundamentalists continue gaining political ground; Ellen Klages takes a 90s dyke back forty years to 1950s San Francisco where she discovers her modern sensibilities are utterly alien to the lesbians of the time; multiple award-winning Southern writer, Jim Grimsley, brings us to another world where aliens are all too human. These stories explore physical, emotional and moral landscapes vastly different from the familiar - where nothing is as it seems.

Classic English Erotica

All of the protagonists of the eight horror tales here are gay, allowing McMahan both a new twist on chiller standbys, such as vampirism and spirit possession, and an intriguing perspective on the complexities of gay life. Devilish energy and macabre wit glitter throughout. One vampire, for example, is an unwillingly undead ghoul with a heart of gold who pities the beautiful men he kills--yet he is reluctant to bestow the dubious gift of a vampire's immortality lest his liaisons with them grow tiresome over the millennia. A few stories teeter precariously between effective shock and the merely grisly: gory details menace the exposition of "Two-faced Johnny," in which a vain young man at a strange Halloween party is transformed permanently into the gruesome being of his costume. "Fantasyland," about a young boy who takes refuge in daydreams from his brutal rape until he rescues another boy from the same assailants, is the richest entry, a trenchant meditation on coming out as gay in a hostile society.

Winner of the 2011 James Tiptree Jr. Award, Redwood and Wildfire is a novel of what might have been. At the turn of the 20th century, minstrel shows transform into vaudeville, which slides into moving pictures. Hunkering together in dark theatres, diverse audiences marvel at flickering images. This ''dreaming in public'' becomes common culture and part of what transforms immigrants and ''native'' born into Americans. Redwood, an African American woman, and Aidan, a Seminole Irish man, journey from Georgia to Chicago, from haunted swampland to a ''city of the future.'' Gifted performers and hoodoo conjurors, they struggle to call up the wondrous world they imagine, not just on stage and screen, but on city streets, in front parlours, in wounded hearts. The power of hoodoo is the power of the community that believes in its capacities to heal and determine the course of today and tomorrow. Living in a system stacked against them, Redwood and Aidan s power and talent are torment and joy. Their search for a place to be who they want to be is an exhilarating, painful, magical adventure. Blues singers, filmmakers, haints, healers.