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Books like The Renaissance rediscovery of linear perspective by Samuel Y. Edgerton


First publish date: 1975
Authors: Samuel Y. Edgerton
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The Renaissance rediscovery of linear perspective by Samuel Y. Edgerton

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Books similar to The Renaissance rediscovery of linear perspective (5 similar books)

Leonardo da Vinci by 12661862|Walter Isaacson book cover

📘 Leonardo da Vinci
 by Walter Isaacson

Walter Isaacson’s biography reveals Leonardo da Vinci as a restless genius whose notebooks and inventions connect his celebrated paintings to groundbreaking science, illustrating how curiosity, observation, and imagination forge lasting creativity.

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The Craftsman by 6570545|Richard Sennett book cover

📘 The Craftsman
 by Richard Sennett

Richard Sennett explores how the pursuit of craftsmanship – the dedication to skillful, purposeful work – shapes human motivation, identity and society, arguing that true mastery arises from practice, materials and a cohesive cultural sense of work rather than pure competition.

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Drawing on the right side of the brain by 7077533|Betty Edwards book cover

📘 Drawing on the right side of the brain
 by Betty Edwards

Presents a set of basic exercises designed to release creative potential and tap into the special abilities of the brain's right hemisphere.

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Renaissance self-portraiture by 6519056|Joanna Woods-Marsden book cover

📘 Renaissance self-portraiture
 by Joanna Woods-Marsden

The autonomous self-portrait, a central mode of expression in western art, was a Renaissance invention. This book explores for the first time the genesis and early development of this important genre as it took place in Italy in the fifteenth and sixteenth centuries. Joanna Woods-Marsden examines a series of self-portraits in Renaissance Italy and their relation to the social status of art and artists. She argues that these self-images represented the aspirations of their creators to change the status of art and thereby their own social standing.

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Techniques of the observer by 6805139|Jonathan Crary book cover

📘 Techniques of the observer
 by Jonathan Crary

This text considers the problem of visuality not through the study of art works and images, but by analyzing the historical construction of the observer. The author insists that the problems of vision are inseparable from the operation of social power and examines how, beginning in the 1820s, the observer became the site of new discourses and practices that situated vision within the body as a physiological event. In this context, he examines a range of diverse work in philosophy, in the empirical sciences, and in the elements of an emerging mass visual culture.

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Some Other Similar Books

The Art of Describing: Dutch Art in the Seventeenth Century by Peter Schjeldahl
The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat by Martin Kemp
Filippo Brunelleschi: The Builders of Renaissance Italy by Ross King
The Poetics of Perspective by Yve-Alain Bois
Brunelleschi's Egg: Creativity and Innovation in Early Renaissance Florence by Rosalind C. Clow
The Renaissance Portrait: From Donatello to Bellini by Colin Jones
Geometry and Art in the Renaissance by Kenneth Clark

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