Books like Helens Story by Rosemary Fox

A chilling, factual account of the 1959 shotgun murders of the Clutter family in Holcomb, Kansas, where four members were killed with no clear motive or clues.

Alice Walker's 1982 novel, The Color Purple, won the Pulitzer Prize and National Book Award, exploring the lives of black women in the South and their experiences of abuse and struggle for independence.

Jeannette Walls' memoir chronicles her turbulent childhood in a dysfunctional, itinerant family, detailing poverty, alcoholism, and homelessness across the United States as she seeks stability and personal growth.

Reporter Camille Preaker returns to her hometown after a brief stay in a psychiatric hospital to cover the murders of two preteen girls, and must confront the trauma of her own past to uncover the truth.

A memoir of a woman who overcomes a strict survivalist Mormon upbringing in rural Idaho to pursue higher education, ultimately earning a PhD in history at Cambridge.

A five‑year‑old boy and his mother are held in a small room, and the story unfolds through the boy’s perspective, highlighting the harrowing effects of captivity.

John E. Douglas recounts his 25‑year career in the FBI Behavioral Science Unit, detailing how psychological profiling helped him solve some of the nation’s most infamous serial killings.

Set in a quiet 1950s American suburb, two orphaned sisters, Meg and Susan, are held captive in their aunt’s basement as her deteriorating mental health begins to poison their family and the surrounding community.

Anne Bird tells the true story of reconnecting with a hidden family and uncovering the chilling reality that her brother, Scott Peterson, murdered his wife Laci and unborn child.

Nineteen‑year‑old Anna Cochran is head over heels for 34‑year‑old Evan Tremayne, a Texan bachelor’s rough charm. The romantic clash between her passion and his guarded nature forms a breezy Texas love story.

xv, 350 pages ; 24 cm

An investigative reporter tracks the long‑timed serial killer who has murdered women in South Central Los Angeles since the 1980s, uncovering the case’s alleged identity.

A gripping true‑crime account of Bart Whitaker, a man who deceived his family and plotted a murder‑suicide to claim their inheritance.

A true‑crime investigation into Philadelphia’s failed 911 system that ultimately leads one family to transform emergency response.

An intensive look at the unsolved 1991 murder of four girls in Austin, Texas, tracing decades of investigation, DNA advances, and the challenges of justice.

A mother’s tale of abuse, murder, and the search for forgiveness as a daughter confronts her abusive father, Bruno, and seeks to honor her mother’s memory.

In February 2013, Suburban Washington, D.C. faced an alarming spike in homicides and police‑involved shootings. Del Quentin Wilber follows the Prince George’s County homicide unit through its frantic investigation of a series of brutal murders, including the infamous “Red Ball” case.

Diane Cameron blends memoir, history and true crime to uncover the story of her stepfather, Donald Watkins, a Vietnam-era Marine who served in China during the 1937-39 Japanese invasion and later convicted of murder, exploring trauma, mental illness and family dynamics.

Thunder Heights To Camilla King, her trip up the Hudson to the huge Gothic mansion named Thunder Heights was in a way a return to the home that had never been hers. From there her grandfather, Orrin Judd, the financier, ran his vast empire. When Camilla had been a child her mother had returned there for a visit and mysteriously died. From that point on, for reasons she had never understood, Camilla's father had cut himself off completely from the Judd family. And later Camilla, now an orphan and quite alone, had been making her way as a governess in New York City. The summons from the old man had come as a complete surprise. Yet Camilla obeyed it willingly, half out of curiosity, half in the hope of discovering a home and family of her own. She found a sick old man anxious to make his peace with her before he died. She found two extraordinary aunts--imperious Aunt Hortense, dressed in bygone fashions, and fey, ghostlike Aunt Letty, haunted by some strange guilt or sorrow. She found also Hortense's adopted son, Booth, a strange, sardonic young man who seemed content to idle away his considerable talents as a painter, and Ross Granger, who had been brought there as an aide to her grandfather and who treated her with the most rigid formality. Over the enormous house hung an atmosphere of gloom, impending danger, and strange crosscurrents. And out of these elements Phyllis Whitney has fashioned an extraordinarily holding story. Old Orrin Judd's amazing will, young Booth's unfinished portrait of Camilla's mother, the house itself, which took on a character of its own, and one near-accident after another, seemingly aimed at driving Camilla away, all play their parts. The Window on the Square THE SCENE IS NEW YORK CITY IN THE 1870's. A letter summons young Megan Kincaid to the house on Washington Square. In a startling interview the master of the house, Brandon Reid, informs her that he wishes her to devote herself to moody, unbalanced Jeremy, Mrs. Reid's son by her previous husband, Brandon's younger brother Dwight. Dwight Reid's brilliant career as New York District Attorney had been ended by a shocking and tragic accident with a gun--or so the newspapers had claimed--at the hands of this same guilt-ridden child, then aged seven. Against her better judgment, Megan accepts the challenge. From the beginning Megan feels uneasy in the house; she senses the presence of lurking evil, of mysterious emotional undercurrents, of relationships that are not what they appear to be. She does not know whom to trust--the haughty yet strangely sad beauty, Leslie Reid, or the somber, fascinating master of the house, whose warm voice belies his cold, grave manner. She finds herself irresistibly drawn toward him, and their growing mutual attraction is duly noted by interested members of the household. When Megan realizes fully the extent of her own feelings, she knows she cannot honorably remain in the Reid home. Yet she also knows that if she goes, Jeremy will be left alone in world, irretrievably lost.