Books like The Girl and the Snake and Other Short Plays by Renata Allen

Eve Ensler’s collection of candid conversations with over two hundred women spans generations, cultures and professions, exploring themes of body image, sexuality and empowerment with humor and honesty.

Nina, a Lipan girl from our world, and Oli, a Cottonmouth trickster, find their fates entwined when a cosmic catastrophe unites their disparate realms—forcing each to confront ancient myths, looming sickness, and forces that will stop at nothing to keep them apart.

Jessica Petersen has grown accustomed to her "snake-ish" ways ... that is, turning into a half-woman, half-snake. As the reincarnated Snake Goddess, Jess has wreaked a path of vengeance against the 68 - those who had ruthlessly desecrated the sacred temple of the Snake God in the 18th century. Harker, head of the 68, is pleased with the arrangement he's made with Jess, and is determined to end the cycle of reincarnation he faces by helping her kill those he is meant to lead - even if that means destroying The Faithful, the secret society within the 68 created to protect its members from any harm. As the blood count gets thicker, Jess finds herself amidst a labyrinth of duplicity. Between the Faithful, Harker, and those closest to Jess, who can she trust, and who will pay the price of the Snake Woman's blood bath?

In a run-down movie theater in central Massachusetts, three underpaid employees navigate everyday battles and quiet heartbreaks, revealing the comedy and humanity of small-town life.

At an elite girls’ school, a vindictive student accuses the teachers of lesbianism, a claim that proves difficult to refute and forces the faculty to confront hidden assumptions and hidden truths.

A house in Clybourne Park becomes the focal point of racial tension when a white family sells it to a black family in 1959, and five decades later a white couple moves in again, revealing deep undercurrents of discrimination.

Not only is one of the most famous pieces of ancient Greek art-the celebrated gold and ivory statuette of the Snake Goddess-almost certainly modern, but Minoan civilization as it has been popularly imagined is largely an invention of the early twentieth century. This is Kenneth Lapatin's startling conclusion in Mysteries of the Snake Goddess-a brilliant investigation into the true origins of the celebrated Bronze Age artifact, and into the fascinating world of archaeologists, adventurers, and artisans that converged in Crete at the turn of the twentieth century. Including characters from Sir Arthur Evans, legendary excavator of the Palace of Minos at Knossos, who was driven to discover a sophisticated early European civilization to rival that of the Orient, to his principal restorer Swiss painter Emil Gillieron, who out of handfuls of fragments fashioned a picture of Minoan life that conformed to contemporary taste, this is a riveting tale of archeological discovery.

Two young volunteers, Tristan and Connie, enter a clinical drug trial, but their growing attraction derails the study, leading clinicians to confront questions of sanity, neurology, and the limits of medicine.

Six Characters in Search of an Author (Sei personaggi in cerca d’autore) is an Italian three-act play written by Luigi Pirandello in 1921, considered as one of the earliest examples of absurdist theatre. It’s a play within a play that deals with perceptions of reality and illusion, and plays with the ideas of identity and relative truths.

The plot features an acting company who have gathered to rehearse another play by Pirandello, when they’re interrupted by 6 “characters” who arrive in search of their author. They immediately clash with the manager who at first assumes they’re mad. But, as the play progresses, the manager slowly shifts his reality as the characters become more real than the actors.

Six Characters in Search of an Author opened in Rome at Valle di Roma and created a huge and clamorous division in the audience, forcing Pirandello to escape out the side door. But a year later it was presented in Milan to great success, before moving on to Broadway in 1922 where it ran for 136 performances.