Books like Guide to fiction writing by Phyllis A. Whitney


First publish date: 1982
Authors: Phyllis A. Whitney
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Guide to fiction writing by Phyllis A. Whitney

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Books similar to Guide to fiction writing (10 similar books)

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An epic tale of memory, intrigue, and betrayal set against a panoramic backdrop of twentieth-century history.

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πŸ“˜ Listen for the Whisperer

A daughter of a celebrated novelist and a former Hollywood actress navigates grief, family secrets, and a chilling mystery in Bergen, Norway, as she seeks answers about her parents and the unsolved murder tied to a forgotten film.

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Ever after by 7455853|Phyllis A. Whitney book cover

πŸ“˜ Ever after

Marel Gordon, an aspiring children's book illustrator, lands a job at a literary agency and marries writer Chris Mallory. Together they juggle careers and home life, learning the delicate balance of love and ambition.

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The anatomy of the novel by 4938469|Marjorie Boulton book cover

πŸ“˜ The anatomy of the novel


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πŸ“˜ A passion for narrative


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On becoming a novelist by 6766914|John Gardner book cover

πŸ“˜ On becoming a novelist

Contains advice to young writers organized around three main questions: Am I talented enough? How should I educate myself? Can I make a living from writing fiction?

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πŸ“˜ Novelists in interview


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Great Writers on the Art of Fiction by 7037890|James Daley book cover

πŸ“˜ Great Writers on the Art of Fiction


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Eighth day genesis by 6834160|Sabrina Klein book cover

πŸ“˜ Eighth day genesis

"Featuring Maurice Broaddus, Tim Waggoner, Matthew Wayne Selznick, Donald J. Bingle, Janine Spendlove, Bryan Young, and fifteen more authors, this collection of essays cover topics from crafting believable ecosystems, creatures, and legal systems to the ways you can best share your world with your audience."--Page 4 of cover.

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Two novels by Phyllis A Whitney by 7455853|Phyllis A. Whitney book cover

πŸ“˜ Two novels by Phyllis A Whitney

Thunder Heights To Camilla King, her trip up the Hudson to the huge Gothic mansion named Thunder Heights was in a way a return to the home that had never been hers. From there her grandfather, Orrin Judd, the financier, ran his vast empire. When Camilla had been a child her mother had returned there for a visit and mysteriously died. From that point on, for reasons she had never understood, Camilla's father had cut himself off completely from the Judd family. And later Camilla, now an orphan and quite alone, had been making her way as a governess in New York City. The summons from the old man had come as a complete surprise. Yet Camilla obeyed it willingly, half out of curiosity, half in the hope of discovering a home and family of her own. She found a sick old man anxious to make his peace with her before he died. She found two extraordinary aunts--imperious Aunt Hortense, dressed in bygone fashions, and fey, ghostlike Aunt Letty, haunted by some strange guilt or sorrow. She found also Hortense's adopted son, Booth, a strange, sardonic young man who seemed content to idle away his considerable talents as a painter, and Ross Granger, who had been brought there as an aide to her grandfather and who treated her with the most rigid formality. Over the enormous house hung an atmosphere of gloom, impending danger, and strange crosscurrents. And out of these elements Phyllis Whitney has fashioned an extraordinarily holding story. Old Orrin Judd's amazing will, young Booth's unfinished portrait of Camilla's mother, the house itself, which took on a character of its own, and one near-accident after another, seemingly aimed at driving Camilla away, all play their parts. The Window on the Square THE SCENE IS NEW YORK CITY IN THE 1870's. A letter summons young Megan Kincaid to the house on Washington Square. In a startling interview the master of the house, Brandon Reid, informs her that he wishes her to devote herself to moody, unbalanced Jeremy, Mrs. Reid's son by her previous husband, Brandon's younger brother Dwight. Dwight Reid's brilliant career as New York District Attorney had been ended by a shocking and tragic accident with a gun--or so the newspapers had claimed--at the hands of this same guilt-ridden child, then aged seven. Against her better judgment, Megan accepts the challenge. From the beginning Megan feels uneasy in the house; she senses the presence of lurking evil, of mysterious emotional undercurrents, of relationships that are not what they appear to be. She does not know whom to trust--the haughty yet strangely sad beauty, Leslie Reid, or the somber, fascinating master of the house, whose warm voice belies his cold, grave manner. She finds herself irresistibly drawn toward him, and their growing mutual attraction is duly noted by interested members of the household. When Megan realizes fully the extent of her own feelings, she knows she cannot honorably remain in the Reid home. Yet she also knows that if she goes, Jeremy will be left alone in world, irretrievably lost.

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Some Other Similar Books

On Writing: A Memoir of the Craft by Stephen King
Bird by Bird: Some Instructions on Writing and Life by Anne Lamott
The Elements of Style by William Strunk Jr. and E.B. White
Writing Fiction: A Guide to Narrative Craft by Janice Petroff
Steering the Craft: A Twenty-First-Century Guide to Sailing the Sea of Story by Ursula K. Le Guin
The Creative Writing MFA Handbook by Tom Kendzia
The Writer's Journey: Mythic Structure for Writers by Christopher Vogler
Writing the Fiction Series: The Essential Guide for Novels and Short Stories by Marta Perry
The Art of Fiction: Notes on Craft for Young Writers by John Gardner
Self-Editing for Fiction Writers: How to Edit Yourself Into Print by Renni Browne and Dave King

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