Books like Ever after by Phyllis A. Whitney

In post‑war New York, Newland Archer faces a dilemma when his fiancée’s cousin, the rebellious Ellen Olenska, challenges his elite society’s expectations and his own loyalty.

A young bride, the second Mrs. Maxim de Winter, arrives at Manderley on the Cornish coast and finds her new home haunted by the memory and housekeeper’s obsession with her mysterious, stylish predecessor—Rebecca.

Whitney Stone returns to England after Paris triumphs, poised to win her childhood love. To protect his fortunes, her father marries the proud Duke of Claymore, turning Whitney into a prized bargaining chip among high society.

The Thorn Birds chronicles the sweeping saga of the Cleary family on a pastoral station in the Australian Outback over five decades, interweaving love, faith and the complex ties of a Catholic priest‑family.

The Flame and the Flower opens the Birmingham Family Saga, set against 18th‑century London, exploring love, societal expectations, and the enduring ties of family.

After two broken dowries, Rachael Henderson faces heartbreak and a chance to rewrite her destiny when she's wrongfully arrested by the charismatic Sheriff Brody Carlton, the childhood love who now threatens to turn her rebellion into romance.

A Texas Ranger and a group of paranormal investigators solve a case of murder and disappearance in San Antonio.

Christy Moreland returns to the Spindrift estate in Newport to uncover the truth behind her father’s death, confronting a domineering mother‑in‑law and unraveling a web of deception that threatens her son.

A romance story about a woman who falls in love with a tough cowboy but must learn to appreciate his genuine character before she can truly love him.

Hallie Knight’s search for her missing friend Susan Trench leads her back to Topsail Island, where family secrets and a tense investigation unfold on the North Carolina coast.

A spiritual memoir of the American writer and Presbyterianminister from the time of his father's suicide. Also includes information on his schooling, his writings, his depressions, and his faithful dependence on God.

A large‑print collection of Ellery Queen mysteries featuring investigations into lost ladies and lost men.

Thunder Heights To Camilla King, her trip up the Hudson to the huge Gothic mansion named Thunder Heights was in a way a return to the home that had never been hers. From there her grandfather, Orrin Judd, the financier, ran his vast empire. When Camilla had been a child her mother had returned there for a visit and mysteriously died. From that point on, for reasons she had never understood, Camilla's father had cut himself off completely from the Judd family. And later Camilla, now an orphan and quite alone, had been making her way as a governess in New York City. The summons from the old man had come as a complete surprise. Yet Camilla obeyed it willingly, half out of curiosity, half in the hope of discovering a home and family of her own. She found a sick old man anxious to make his peace with her before he died. She found two extraordinary aunts--imperious Aunt Hortense, dressed in bygone fashions, and fey, ghostlike Aunt Letty, haunted by some strange guilt or sorrow. She found also Hortense's adopted son, Booth, a strange, sardonic young man who seemed content to idle away his considerable talents as a painter, and Ross Granger, who had been brought there as an aide to her grandfather and who treated her with the most rigid formality. Over the enormous house hung an atmosphere of gloom, impending danger, and strange crosscurrents. And out of these elements Phyllis Whitney has fashioned an extraordinarily holding story. Old Orrin Judd's amazing will, young Booth's unfinished portrait of Camilla's mother, the house itself, which took on a character of its own, and one near-accident after another, seemingly aimed at driving Camilla away, all play their parts. The Window on the Square THE SCENE IS NEW YORK CITY IN THE 1870's. A letter summons young Megan Kincaid to the house on Washington Square. In a startling interview the master of the house, Brandon Reid, informs her that he wishes her to devote herself to moody, unbalanced Jeremy, Mrs. Reid's son by her previous husband, Brandon's younger brother Dwight. Dwight Reid's brilliant career as New York District Attorney had been ended by a shocking and tragic accident with a gun--or so the newspapers had claimed--at the hands of this same guilt-ridden child, then aged seven. Against her better judgment, Megan accepts the challenge. From the beginning Megan feels uneasy in the house; she senses the presence of lurking evil, of mysterious emotional undercurrents, of relationships that are not what they appear to be. She does not know whom to trust--the haughty yet strangely sad beauty, Leslie Reid, or the somber, fascinating master of the house, whose warm voice belies his cold, grave manner. She finds herself irresistibly drawn toward him, and their growing mutual attraction is duly noted by interested members of the household. When Megan realizes fully the extent of her own feelings, she knows she cannot honorably remain in the Reid home. Yet she also knows that if she goes, Jeremy will be left alone in world, irretrievably lost.