Books like Who killed classical music? by Norman Lebrecht

David Byrne explores how time, place, and recording technology shape music, tracing evolutionary patterns and cultural responses that culminated in the transformative practices of the 20th century.

Explore the evolution of Western music through the lives of composers from Monteverdi to the 1990s tonalists, as biographical insights reveal how each artist was shaped by predecessors and the world around them.

What is happening to pop music and pop culture? Synthesizers, samplers and MDI systems have allowed anyone with basic computing skills to make music. Exchange is now automatic and weightless with the result that the High Street record store is dying. MySpace, Twitter and You Tube are now more important publicity venues for new bands than the concert tour routine. Unauthorized consumption in the form of illegal downloading has created a financial crisis in the industry. The old postwar industrial planning model of pop, which centralized control in the hands of major record corporations, and divided the market into neat segments, is dissolving in front of our eyes. This book offers readers a comprehensive guide to understanding pop music today. It provides a clear survey of the field and a description of core concepts. The main theoretical approaches to the analysis of pop are described and critically assessed. The book includes a major investigation of the revolutionary changes in the production, exchange and consumption of pop music that are currently underway.

In this compulsively readable, fascinating, and provocative guide to classical music, Norman Lebrecht, one of the world's most widely read cultural commentators tells the story of the rise of the classical recording industry from Caruso's first notes to the heyday of Bernstein, Glenn Gould, Callas, and von Karajan. Lebrecht compellingly demonstrates that classical recording has reached its end point--but this is not simply an expos? of decline and fall. It is, for the first time, the full story of a minor art form, analyzing the cultural revolution wrought by Schnabel, Toscanini, Callas, Rattle, the Three Tenors, and Charlotte Church. It is the story of how stars were made and broken by the record business; how a war criminal conspired with a concentration-camp victim to create a record empire; and how advancing technology, boardroom wars, public credulity and unscrupulous exploitation shaped the musical backdrop to our modern lives. The book ends with a suitable shrine to classical recording: the author's critical selection of the 100 most important recordings--and the 20 most appalling.Filled with memorable incidents and unforgettable personalities--from Goddard Lieberson, legendary head of CBS Masterworks who signed his letters as God; to Georg Solti, who turned the Chicago Symphony into " the loudest symphony on earth"--this is at once the captivating story of the life and death of classical recording and an opinioned, insider's guide to appreciating the genre, now and for years to come.From the Trade Paperback edition.

A nonfiction study of how rhythm‑and‑blues evolved from the electrifying era of Chuck Berry and Aretha Franklin to the mainstream sounds of Michael Jackson and Whitney Houston, examining the cultural and industry forces that shaped the music.

A concise biography of Frank Zappa, detailing his life from 1940 to 1993, his impact on rock music, and the social aspects that shaped his career.