Books like The Eggchild by Lorna Baxter

*Le Petit Prince* est une œuvre de langue française, la plus connue d'Antoine de Saint-Exupéry. Publié en 1943 à New York simultanément à sa traduction anglaise, c'est une œuvre poétique et philosophique sous l'apparence d'un conte pour enfants. Traduit en quatre cent cinquante-sept langues et dialectes, *Le Petit Prince* est le deuxième ouvrage le plus traduit au monde après la Bible. Le langage, simple et dépouillé, parce qu'il est destiné à être compris par des enfants, est en réalité pour le narrateur le véhicule privilégié d'une conception symbolique de la vie. Chaque chapitre relate une rencontre du petit prince qui laisse celui-ci perplexe, par rapport aux comportements absurdes des « grandes personnes ». Ces différentes rencontres peuvent être lues comme une allégorie. Les aquarelles font partie du texte et participent à cette pureté du langage : dépouillement et profondeur sont les qualités maîtresses de l'œuvre. On peut y lire une invitation de l'auteur à retrouver l'enfant en soi, car « toutes les grandes personnes ont d'abord été des enfants. (Mais peu d'entre elles s'en souviennent.) ». L'ouvrage est dédié à Léon Werth, mais « quand il était petit garçon ». (Wikipedia)

A middle-aged man returns to his childhood home to attend a funeral. Although the house he lived in is long gone, he is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock, and her mother and grandmother. He hasn't thought of Lettie in decades, and yet as he sits by the pond (a pond that she'd claimed was an ocean) behind the ramshackle old farmhouse, the unremembered past comes flooding back. And it is a past too strange, too frightening, too dangerous to have happened to anyone, let alone a small boy. Forty years earlier, a man committed suicide in a stolen car at this farm at the end of the road. Like a fuse on a firework, his death lit a touchpaper and resonated in unimaginable ways. The darkness was unleashed, something scary and thoroughly incomprehensible to a little boy. And Lettie—magical, comforting, wise beyond her years—promised to protect him, no matter what. A groundbreaking work from a master, The Ocean at the End of the Lane is told with a rare understanding of all that makes us human, and shows the power of stories to reveal and shelter us from the darkness inside and out. It is a stirring, terrifying, and elegiac fable as delicate as a butterfly's wing and as menacing as a knife in the dark.

The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night. But behind the scenes, a fierce competition is underway—a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them, this is a game in which only one can be left standing, and the circus is but the stage for a remarkable battle of imagination and will. Despite themselves, however, Celia and Marco tumble headfirst into love—a deep, magical love that makes the lights flicker and the room grow warm whenever they so much as brush hands. True love or not, the game must play out, and the fates of everyone involved, from the cast of extraordinary circus per formers to the patrons, hang in the balance, suspended as precariously as the daring acrobats overhead. Written in rich, seductive prose, this spell-casting novel is a feast for the senses and the heart. - Publisher.

Once, in a house on Egypt Street, there lived a china rabbit named Edward Tulane. The rabbit was very pleased with himself, and for good reason: he was owned by a girl named Abilene, who adored him completely. And then, one day, he was lost...Kate DiCamillo takes us on an extraordinary journey, from the depths of the ocean to the net of a fisherman, from the bedside of an ailing child to the bustling streets of Memphis. Along the way, we are shown a miracle—that even a heart of the most breakable kind can learn to love, to lose, and to love again.

"En las manos maestras de Neil Gaiman, la magia es mucho más que un mero juego de engaños. La destreza y el poder de invención de este gran fabulador transforman el entorno cotidiano en un mundo hechizado por sucesos sombríos y extraños, en el que una anciana puede comprar el Santo Grial en una tienda de segunda mano, unos asesinos se anuncian en los clasificados de un periódico bajo la rúbrica ±CONTROL DE PLAGAS¬, o un muchacho asustado debe negociar con un trol malcarado y mezquino que vive bajo un puente ferroviario. Esta recopilación de treinta relatos, poemas narrativos y piezas breves e inclasificables ofrece múltiples y variadas posibilidades para que el lector explore una realidad transformada, astutamente velada por el humo y las sombras, a la vez que tangible y afilada. Todo parece posible en el universo de Gaiman, el gran maestro prestidigitador que despierta los sentidos, cautiva los sueños y mantiene en vilo nuestra mente."--

Stealth and cunning are the traits of the Marlfox. Known only in Redwall country by legend, they are said to be able to appear and disappear by magic. When the strange creatures begin to appear in Mossflower Woods, it's clear that evil is abroad. A kidnapping and a cunning raid to steal the beautiful Redwall tapestry confirm the worst: Redwall is under threat. Three young ones, squirrels Songbreeze and Dannflor, and Dippler the shrew, are fated to come together and fated, by the prophecy of Martin the Warrior, to pursue the villains in a quest of daring and courage to return the beloved tapestry to its home.

Fifteen years ago, a young author surprised and enchanted readers with his first novel—the story of Fritti Tailchaser, a courageous tom cat in a world of whiskery heroes and villains, of feline gods and strange, furless creatures called M'an. The book was Tailchaser's Song, the author was Tad Williams. The legend was born.

Merlin's fragile home on the isle of Fincayra is threatened by the attack of a mysterious warrior with swords for arms and by the escape of Stangmar from his imprisonment, as Merlin continues to move toward his ultimate destiny.

“There are books that are suitable for a million people, others for only a hundred. There are even remedies—I mean books—that were written for one person only…A book is both medic and medicine at once. It makes a diagnosis as well as offering therapy. Putting the right novels to the appropriate ailments: that’s how I sell books.” Monsieur Perdu calls himself a literary apothecary. From his floating bookstore in a barge on the Seine, he prescribes novels for the hardships of life. Using his intuitive feel for the exact book a reader needs, Perdu mends broken hearts and souls. The only person he can't seem to heal through literature is himself; he's still haunted by heartbreak after his great love disappeared. She left him with only a letter, which he has never opened. After Perdu is finally tempted to read the letter, he hauls anchor and departs on a mission to the south of France, hoping to make peace with his loss and discover the end of the story. Joined by a bestselling but blocked author and a lovelorn Italian chef, Perdu travels along the country’s rivers, dispensing his wisdom and his books, showing that the literary world can take the human soul on a journey to heal itself. Internationally bestselling and filled with warmth and adventure, The Little Paris Bookshop is a love letter to books, meant for anyone who believes in the power of stories to shape people's lives.

In Mary's world there are simple truths. The Sisterhood always knows best. The Guardians will protect and serve. The Unconsecrated will never relent. And you must always mind the fence that surrounds the village; the fence that protects the village from the Forest of Hands and Teeth. But, slowly, Mary's truths are failing her. She's learning things she never wanted to know about the Sisterhood and its secrets, and the Guardians and their power, and about the Unconsecrated and their relentlessness. When the fence is breached and her world is thrown into chaos, she must choose between her village and her future--between the one she loves and the one who loves her. And she must face the truth about the Forest of Hands and Teeth. Could there be life outside a world surrounded in so much death?Carrie Ryan lives in Charlotte, North Carolina. You can visit Carrie at www.carrieryan.com.From the Hardcover edition.

Ten-year-old Maria, an orphaned heiress living with her unpleasant guardians on a crumbling English estate called Malplaquet, finds her life changing in unimagined ways when she explores an overgrown island on the estate's lake and discovers the descendants of Gulliver's Lilliputians.

The party was over. Alice McCoy was dead -- a depressed girl who'd taken a loaded gun to her head. At least that was what everyone thought. Everyone except Michael Olson. He knew it was no suicide. But how could he prove it? How could he catch a murderer that seemingly had the power to walk through walls? And how could he tell Jessica Hart that he loved her when she obviously preferred someone else? Michael did not know, but he would try his best. It will not be enough. For him or Jessica. The homecoming dance will end like the party -- in horror. The murderer will walk through another wall...

November, 1920. Jack and Mabel have staked everything on making a fresh start in a homestead 'at the world's edge' in the Alaskan wilderness. But as the days grow shorter, Jack is losing his battle to clear the land, and Mabel can no longer contain her grief for the baby she lost years before. The evening the first snow falls, their mood unaccountably changes. In a moment of tenderness, the two build a snowman - or rather a snow girl - together. Next morning, all trace of her has disappeared ... yet there, in dawn's light, running through the spruce trees - Jack can't shake the notion that he glimpsed - a child? And how to explain the little but very human tracks Mabel finds at the edge of their property?

From the inside flap: It was on a ferry ride to Manhattan that the idea for this anthology was conceived, Robin McKinley tells us in her foreword. The stories all would be fantasy, but with a particularly strong sense of location of the lands in which they take place. The result is an enthralling collection of nine stories, the settings of which range from what might be mistaken for a California landscape in James P. Blaylock's "Paper Dragons", to the hidden town beneath a real Norwich, England in Robert Westall's "The Big Rock Candy Mountain", to Robin McKinley's "The Stone Fey" which takes place in imaginary Damar, the scene of her prizewinning novels. And expert fantasists Peter Dickinson, P. C. Hodgell, Michael de Larrabeiti, Patricia A. McKillip, Joan D. Vinge, and Jane Yolen contribute their own visionary landscapes. The armchair traveller will find dragons and fairies, magic and myth, the best of fantasy on this grand tour of *Imaginary Lands*. ---------- Contains: Paper dragons / James P. Blaylock The old woman and the storm / Patricia A. McKillip The big rock candy mountain / Robert Westall Flight / Peter Dickinson Evian steel / Jan Yolen Stranger blood / P.C. Hodgell The curse of Igamor / Michael de Larrabeiti Tam Lin / Joan D. Vinge The stone fey / Robin McKinley.

Two short tales: In “Pakko’s Camel,” Yehoshuah, the poor son of a carpenter, befriends Pakko, the arrogant son of a rich merchant. Yehoshuah cares for of Pakko’s camel and shares with him the knowledge of the precious gifts he received from three wise men. But when Yehoshuah’s treasures are taken, he quickly learns that all gifts have a price. In “The Sphinx at Dawn,” Yehoshuah and his camel journey into the desert, where they come across the monstrous, hungry Sphinx. Intrigued and unafraid, Yehoshuah endeavors to answer the Sphinx’s riddles—and in doing so, he begins the real journey of a man with an incredible destiny.

Alone is his bedroom, twelve-year-old David mourns the loss of his mother. With only the books on his shelf for company, he takes refuge in the myths and fairytales so beloved of his dead mother and finds that the real world and the fantasy world have begun to meld. The Crooked Man has come, with his enigmatic words: 'Welcome, your majesty. All hail the new king." And as war rages across Europe, David is violently propelled into a land that is both a construct of his imagination yet frighteningly real; a strange reflection of his own world composed of myths and stories, populated by wolves and worse-than-wolves, and ruled over by a faded king who keeps his secrets in a mysterious book.

An orphan boy Simon is sent to live with some relatives in the country, and discovers that life is not always as it seems. As machinery goes missing from a local road project, he encounters strange creatures that live in the bush and the rocks and the trees, and works with them to divert a fearsome primitive being that is rampaging through the area. He learns to really see the world, to trust, to believe and ultimately to live his life fully.