Books like Tomorrow's tomorrow by Joyce A. Ladner

The Color Purple is a 1982 epistolary novel by American author Alice Walker which won the 1983 Pulitzer Prize for Fiction and the National Book Award for Fiction. The novel has been the frequent target of censors and appears on the American Library Association list of the 100 Most Frequently Challenged Books of 2000–2009 at number seventeenth because of the sometimes explicit content, particularly in terms of violence. In 2003, the book was listed on the BBC's The Big Read poll of the UK's "best-loved novels." ---------- Also contained in: - [The Third Life of Grange Copeland / Meridian / The Color Purple][1] [1]: https://openlibrary.org/works/OL18025207W/The_Third_Life_of_Grange_Copeland_Meridian_The_Color_Purple

Their Eyes Were Watching God (1937) is a classic Harlem Renaissance novel by American writer Zora Neale Hurston. The novel follows Janie Crawford as she recounts the story of her life as she journeys from a naive teenager to a woman in control of her destiny.

Their Eyes Were Watching God (1937) is a classic Harlem Renaissance novel by American writer Zora Neale Hurston. The novel follows Janie Crawford as she recounts the story of her life as she journeys from a naive teenager to a woman in control of her destiny.

**From Amazon.com:** A national bestseller when it first appeared in 1963, *The Fire Next Time* galvanized the nation and gave passionate voice to the emerging civil rights movement. At once a powerful evocation of James Baldwin's early life in Harlem and a disturbing examination of the consequences of racial injustice, the book is an intensely personal and provocative document. It consists of two "letters," written on the occasion of the centennial of the Emancipation Proclamation, that exhort Americans, both black and white, to attack the terrible legacy of racism. Described by The New York Times Book Review as "sermon, ultimatum, confession, deposition, testament, and chronicle...all presented in searing, brilliant prose," The Fire Next Time stands as a classic of our literature.

Invisible Man is the story of a young black man from the South who does not fully understand racism in the world. Filled with hope about his future, he goes to college, but gets expelled for showing one of the white benefactors the real and seamy side of black existence. He moves to Harlem and becomes an orator for the Communist party, known as the Brotherhood. In his position, he is both threatened and praised, swept up in a world he does not fully understand. As he works for the organization, he encounters many people and situations that slowly force him to face the truth about racism and his own lack of identity. As racial tensions in Harlem continue to build, he gets caught up in a riot that drives him to a manhole. In the darkness and solitude of the manhole, he begins to understand himself - his invisibility and his identity. He decides to write his story down (the body of the novel) and when he is finished, he vows to enter the world again.

This groundbreaking play starred Sidney Poitier, Claudia McNeill, Ruby Dee and Diana Sands in the Broadway production which opened in 1959. Set on Chicago's South Side, the plot revolves around the divergent dreams and conflicts within three generations of the Younger family: son Walter Lee, his wife Ruth, his sister Beneatha, his son Travis and matriarch Lena, called Mama. When her deceased husband's insurance money comes through, Mama dreams of moving to a new home and a better neighborhood in Chicago. Walter Lee, a chauffeur, has other plans, however: buying a liquor store and being his own man. Beneatha dreams of medical school. The tensions and prejudice they face form this seminal American drama. Sacrifice, trust and love among the Younger family and their heroic struggle to retain dignity in a harsh and changing world is a searing and timeless document of hope and inspiration. Winner of the NY Drama Critic's Award as Best Play of the Year, it has been hailed as a "pivotal play in the history of the American Black theatre." by Newsweek and "a milestone in the American Theatre." by Ebony.

First published to critical acclaim in 1929, Passing firmly established Nella Larsen's prominence among women writers of the Harlem Renaissance. Irene Redfield, the novel's protagonist, is a woman with an enviable life. She and her husband, Brian, a prominent physician, share a comfortable Harlem town house with their sons. Her work arranging charity balls that gather Harlem's elite creates a sense of purpose and respectability for Irene. But her hold on this world begins to slip the day she encounters Clare Kendry, a childhood friend with whom she had lost touch. Clare—light-skinned, beautiful, and charming—tells Irene how, after her father's death, she left behind the black neighborhood of her adolescence and began passing for white, hiding her true identity from everyone, including her racist husband. As Clare begins inserting herself into Irene's life, Irene is thrown into a panic, terrified of the consequences of Clare's dangerous behavior. And when Clare witnesses the vibrancy and energy of the community she left behind, her burning desire to come back threatens to shatter her careful deception.

In this epic, beautifully written masterwork, Pulitzer Prize-winning author Isabel Wilkerson chronicles one of the great untold stories of American history: the decades-long migration of black citizens who fled the South for northern and western cities, in search of a better life. From 1915 to 1970, this exodus of almost six million people changed the face of America. She interviewed more than a thousand individuals, and gained access to new data and offical records, to write this definitive and vividly dramatic account of how these American journeys unfolded, altering our cities, our country, and ourselves. - Back cover.

Native Son (1940) is a novel written by the American author Richard Wright. It tells the story of 20-year-old Bigger Thomas, a black youth living in utter poverty in a poor area on Chicago's South Side in the 1930s. ---------- Also contained in: [Early Works](https://openlibrary.org/works/OL506449W)

She didn't want a part-time love From the first night when Dr. Jessica Carpenter opened her door to Jason Strong, she sensed he was dangerous. As she nursed his wounds in war-torn San Cristobal, Jessica fell in love with the fugitive reporter. Then suddenly Jason was gone. Bitterly disappointed, Jessica returned to her home near Washington--to forget. Just as she began to succeed, Jason returned. "You're all I care about, Jess," he told her. Jessica didn't see how a small-town doctor and a roving reporter could build a permanent life together. And she'd be devastated if he left her again.

"Rumors had been whispered for more than a year. Outrages that had been accumulating all along took shape as evidence. A mother was knocked down the stairs by her cold-eyed daughter. Four damaged infants were born in one family. Daughters refused to get out of bed. Brides disappeared on their honeymoons. Two brothers shot each other on New Year's Day. Trips to Demby for VD shots common. And what went on at the Oven these days was not to be believed . . . The proof they had been collecting since the terrible discovery in the spring could not be denied: the one thing that connected all these catastrophes was in the Convent. And in the Convent were those women."In Paradise--her first novel since she was awarded the Nobel Prize for Literature--Toni Morrison gives us a bravura performance. As the book begins deep in Oklahoma early one morning in 1976, nine men from Ruby (pop. 360), in defense of "the one all-black town worth the pain," assault the nearby Convent and the women in it. From the town's ancestral origins in 1890 to the fateful day of the assault, Paradise tells the story of a people ever mindful of the relationship between their spectacular history and a void "Out There . . . where random and organized evil erupted when and where it chose." Richly imagined and elegantly composed, Paradise weaves a powerful mystery.From the Hardcover edition.

A world renowned author, scholar, public intellectual, and activist, bell hooks was 19 years old when she wrote *Ain't I a Woman* (published ten years later). It was her first book, and one of the first published by South End Press, an independent, np, collectively-organized publisher dedicated to advancing movements for radical social change.

In spite of the double burden of racial and gender discrimination, African-American women have developed a rich intellectual tradition that is not widely known. In Black Feminist Thought, originally published in 1990, Patricia Hill Collins set out to explore the words and ideas of Black feminist intellectuals and writers, both within the academy and without. Here Collins provides an interpretive framework for the work of such prominent Black feminist thinkers as Angela Davis, bell hooks, Alice Walker, and Audre Lorde. Drawing from fiction, poetry, music and oral history, the result is a book that provided the first synthetic overview of Black feminist thought and its canon.

"In the critical essays collected in Black Looks, bell hooks interrogates old narratives and argues for alternative ways to look at blackness, black subjectivity, and whiteness. Her focus is on spectatorship--in particular, the way blackness and black people are experienced in literature, music, television, and especially film--and her aim is to create a radical intervention into the way we talk about race and representation. As she describes: 'The essays in Black Looks are meant to challenge and unsettle, to disrupt and subvert.' As students, scholars, activists, intellectuals, and any other readers who have engaged with the book since its original release in 1992 can attest, that's exactly what these pieces do"--

Spaceships, man-eating mermaids, swords, demons, ghouls, thieves, hitchhikers, and life in the margins. Margaret Killjoy’s stories have appeared for years in science fiction and fantasy magazines both major and indie. Here, we have collected the best previously published work along with brand new material. Ranging in theme and tone, these imaginative tales bring the reader on a wild and moving ride. They’ll encounter a hacker who programs drones to troll CEOs into quitting; a group of LARPers who decide to live as orcs in the burned forests of Oregon; queer, teen love in a death cult; the terraforming of a climate-changed Earth; polyamorous love on an anarchist tea farm during the apocalypse; and much more. Killjoy writes fearless, mind-expanding fiction.

Independent-minded journalist Seffy Blake falls instantly in love with the mysterious Amyas Troy when they meet on an idyllic beach in Cornwall in 1937. But Amyas runs off to fight in Spain before he can fulfil his promise to marry her. Heartbroken Seffy returns to work at a national newspaper, working as assistant to Charlie Bradford, a renowned foreign correspondent. As her work takes her to Berlin and war-torn Spain, her path crosses with Amyas again, and her love remains undimmed. But a night on a bleak mountain in Spain changes her life forever, and Seffy needs to decide what is important.

Harris Linton was a charmer, the kind of man Jessie Hampton despised...and couldn't resist. This beautiful lakeside hotel was the perfect setting for romance. But here in his passionate embrace she was lost and scared, totally consumed by need. She feared another betrayal, another false promise of love...even as she melted in his arms, heedless of all but desire. (description from Goodreads)

Mary Church Terrell (1863-1954) was a forceful leader in the late nineteenth and early twentieth centuries in the movements for civil rights, women's rights, and world peace. As Nellie Y. McKay states in her introduction to Terrell's 1940 autobiography, she was a "quintessential race woman who fully met W. E. B. Du Bois's standards for the Talented Tenth, as well as those of the black club women's 'lifting as we climb' ideal." A fascinating and highly readable memoir, A Colored Woman in a White World documents Terrell's childhood, education, and her very significant contributions to social reform in the United States.