Books like Myths, dreams, and religion. by Joseph Campbell

Joseph Campbell explores mythology as the world’s song, discussing its relevance for modern life, faith, and culture with interviewer Bill Moyers in this engaging dialogue.

Joseph Campbell’s classic study of myth examines how recurring hero narratives shape human experience and inspire modern storytelling, from ancient folklore to contemporary cinema.

Joseph Campbell explores the enduring power of myth, drawing on diverse figures—buffalo‑gods, Quetzalcoatls, Buddhas, fairy queens—to illuminate how myths shape human culture and psyche.

In his handling of science, magic, and religion, Malinowski essentially accepted the traditional Western conception of a dual reality-the reality of the natural world, grounded in observation and rational procedures that lead to mastery, and supernatural reality, grounded in emotional needs that give rise to faith. Unlike Frazer, for example, Malinowski derived science not from magic but from man's capacity to organize knowledge, as demonstrated by Trobriand technical skills in gardening, shipbuilding, etc. In contrast, he treated magic, which coexisted with these skills, as an organized response to a sense of limitation and impotence in the face of danger, difficulty, and frustration. Again, he differentiated between magic and religion in defining magical systems as essentially pragmatic in their aims and religious systems as self-fulfilling rituals organized, for example, around life crises.

This study explains how the myths of Greece and Rome were transmitted from antiquity to the Renaissance. Luc Brisson argues that philosophy was ironically responsible for saving myth from historical annihilation. Although philosophy was initially critical of myth because it could not be declared true or false and because it was inferior to argumentation, mythology was progressively reincorporated into philosophy through allegorical exegesis. Brisson shows to what degree allegory was employed among philosophers and how it enabled myth to take on a number of different interpretive systems throughout the centuries: moral, physical, psychological, political, and even metaphysical. How Philosophers Saved Myths also describes how, during the first years of the modern era, allegory followed a more religious path, which was to assume a larger role in Neoplatonism. Ultimately, Brisson explains how this embrace of myth was carried forward by Byzantine thinkers and artists throughout the Middle Ages and Renaissance; after the triumph of Chistianity, Brisson argues, myths no longer had to agree with just history and philosophy but the dogmas of the Church as well.

The word myth is commonly thought to mean a fictional story, but few know that Plato was the first to use the term muthos in that sense. He also used muthos to describe the practice of making and telling stories, the oral transmission of all that a community keeps in its collective memory. In the first part of Plato the Myth Maker, Luc Brisson reconstructs Plato's multifaceted description of muthos in light of the latter's Atlantis story. The second part of the book contrasts this sense of myth with another form of speech that Plato believed was far superior: the logos of philosophy. Gerard Naddaf's substantial introduction shows the originality and importance both of Brisson's method and of Plato's analysis and places it in the context of contemporary debates over the origin and evolution of the oral tradition. "[Brisson] contrasts muthos with the logos found at the heart of the philosophical reading. [He] does an excellent job of analyzing Plato's use of the two speech forms, and the translator's introduction does considerable service in setting the tone."—Library Journal