Books like The practical designer by I. Rosenfeld

A new addition to our best selling series, Design Briefs, Thinking with Type is a straightforward primer that presents practical information about typographic design that can be immediately applied within the context of design history and theory. It is divided into three sections - letter, text, grid - each accompanied by an essay explaining key concepts, and then a set of practical demonstrations illustrating that material. The lessons of Thinking with Type are applicable to typographic design wherever it is practiced: printed materials of all kinds, Web sites, television screens. A companion Web site, will provide examples of design on screen, and provide other information (lesson plans, exercises) for readers and teaching professionals. Thinking with Type is a state-of-the-art pedagogical tool, that will be essential reading for students, teachers, and anyone else who wishes to improve or brush on their design skills.

NO MATTER HOW YOUR FIGURE VARIES FROM THE STANDARD MEASUREMENTS USED FOR COMMERCIAL PATTERNS WITH THE PERFECT FIT AS YOUR GUIDE, YOU'LL LEARN TO SELECT AND ADJUST PATTERNS FOR YOUR PERSONAL SHAPE. DETAILED INSTRUCTIONS AND CLOSE-UP PHOTOGRAPHS SHOW YOU THE STEPS TO GOOD FIT: ANALYZING YOUR FIGURE AND DECIDING WHICH FIGURE AREAS REQUIRE PATTERN ADJUSTMENTS; RECOGNIZING THE STANDARDS OF PERFECT FIT AND DETERMINING WHICH PATTERN STYLES LOOK BEST ON YOU; CHOOSING THE BEST EQUIPMENTAND SUPPLIES FOR ACCURATE MEASURING AND FITTING; USING THE PATTERN AS A FITTING TOOL; MAKING PATTERN ADJUSTMENTS AT THE SHOULDERS, SLEEVES, NECKLINE, BUST, BACK, WAIST, ABDOMEN, HIPS, CROTCH, SEAT, AND THIGHS; FINE TUNING GATHERS, DARTS, AND PLEATS; CREATING FLATTERING OPTICAL ILLUSIONS USING TIPS FROM EXPERT DRESSMAKERS. THE PERFECT FIT ADDRESSES BIG AND LITTLE FITTING PROBLEMS BY PROVIDING A MAJOR AND A MINOR METHOD FOR MOST PATTERN ADJUSTMENTS. WITH EITHER METHOD, IF YOU ADJUST THE PATTERN BEFORE YOU CUT, YOU WILL ELIMINATE TIME-CONSUMING ALTERATIONS ON THE GARMENT ITSELF. THE RESULT WILL BE A TOTAL HEAD-TO-TOE IMAGE OF GOOD FIT.

"This very popular design book has been wholly revised and expanded to feature a new dimension of inspiring and counterintuitive ideas to thinking about graphic design relationships. The Elements of Graphic Design, Second Edition is now in full color in a larger, 8 x 10-inch trim size, and contains 40 percent more content and over 750 images to enhance and better clarify the concepts in this thought-provoking resource. The second edition also includes a new section on Web design; new discussions of modularity, framing, motion and time, rules of randomness, and numerous quotes supported by images and biographies. This pioneering work provides designers, art directors, and students--regardless of experience--with a unique approach to successful design. Veteran designer and educator Alex. W. White has assembled a wealth of information and examples in his exploration of what makes visual design stunning and easy to read. Readers will discover White's four elements of graphic design, including how to: define and reveal dominant images, words, and concepts; use scale, color, and position to guide the viewer through levels of importance; employ white space as a significant component of design and not merely as background; and use display and text type for maximum comprehension and value to the reader. Offering a new way to think about and use the four design elements, this book is certain to inspire better design"--

This text offers advice on creating user-friendly interface designs - whether they're delivered on the Web, a CD, or a 'smart' device like a cell phone. It presents solutions to common UI design problems as a collection of patterns - each containing concrete examples, recommendations, and warnings.

This is the eBook version of the printed book.Explore the new design discipline that is behind such products as the iPod and innovative Web sites like Flicer. While other books on this subject are either aimed at more seasoned practitioners or else are too focused on a particular medium like software, this guide will take a more holistic approach to the discipline, looking at interaction design for the Web, software, and devices. It is the only interaction design book that is coming from a designers point of view rather than that of an engineer. This much-needed guide is more than just a how-to manual. It covers interaction design fundamentals, approaches to designing, design research, and more, and spans all mediums—Internet, software, and devices. Even robots! Filled with tips, real-world projects, and interviews, you'll get a solid grounding in everything you need to successfully tackle interaction design.