Books like Godkiller by Hannah Kaner

After her parents are murdered, 7‑year‑old Jude, along with her sisters, is brought to the High Court of Faerie. Mortals like her are despised, but she seeks a place among the fey—especially the cruel Prince Cardan—while navigating palace intrigue and danger.

Six of Crows is a fantasy novel in the Grishaverse that follows a crew of thieves in the city of Ketterdam, a Dutch‑inspired port, told through the third‑person viewpoints of seven characters.

A tale of magic, friendship, and survival in a fantasy world.

Brandon Sanderson’s Hugo‑winning novella follows Shai, a forged‑soul artist conscripted to craft a new soul for an incapacitated emperor before the empire collapses, while she navigates captivity and political intrigue.

In eighteenth‑century Cairo, Nahri, a street‑smart con artist, discovers she is the last of a line of djinn healers and is drawn into the luxurious, politically fraught city of Daevabad, where her powers could prevent a kingdom‑wide war.

In a world where magic once pulsed through every stone, children of Orïsha fight to reclaim their heritage after a tyrant extinguishes their powers and their people’s hope.

Isobel, a gifted portrait artist, sells favors to dangerous fair folk whose fascination with human craft threatens their power. When a spring prince commissions her, her art puts both of them in peril, forcing them to ally against the immortal courts.

In the fractured realm of Inys, Queen Sabran the Ninth must secure her dynasty, while the hidden mage Ead watches over her and dragonrider Tané faces a fateful challenge—tension rises as ancient threats stir and eastern and western forces clash.

Laia, a Scholar, infiltrates the Martial Empire’s elite military academy as a slave after her brother is jailed for treason, aided by rebel Scholars who promise to save him.

Elisabeth, a foundling raised among whispering grimoires in Austermeer’s Great Libraries, believes all sorcerers are evil and vows to become a warden to guard the kingdom from the ink‑and‑leather monsters that spring to life when sorcery is provoked.

"[The Book of] Revelation has served as a "language arsenal" in a great many of the social, cultural, and political conflicts in Western history. Again and again, Revelation has stirred some dangerous men and women to act out their own private apocalypses. Above all, the moral calculus of Revelation—the demonization of one's enemies, the sanctification of revenge taking, and the notion that history must end in catastrophe—can be detected in some of the worst atrocities and excesses of every age, including our own. For all of these reasons, the rest of us ignore the book of Revelation only at our impoverishment and, more to the point, at our own peril." The mysterious author of the Book of Revelation (or the Apocalypse, as the last book of the New Testament is also known) never considered that his sermon on the impending end times would last beyond his own life. In fact, he predicted that the destruction of the earth would be witnessed by his contemporaries. Yet Revelation not only outlived its creator; this vivid and violent revenge fantasy has played a significant role in the march of Western civilization.Ever since Revelation was first preached as the revealed word of Jesus Christ, it has haunted and inspired hearers and readers alike. The mark of the beast, the Antichrist, 666, the Whore of Babylon, Armageddon, and the Four Horsemen of the Apocalypse are just a few of the images, phrases, and codes that have burned their way into the fabric of our culture. The questions raised go straight to the heart of the human fear of death and obsession with the afterlife. Will we, individually or collectively, ride off to glory, or will we drown in hellfire for all eternity? As those who best manipulate this dark vision learned, which side we fall on is often a matter of life or death. Honed into a weapon in the ongoing culture wars between states, religions, and citizenry, Revelation has significantly altered the course of history.Kirsch, whom the Washington Post calls "a fine storyteller with a flair for rendering ancient tales relevant and appealing to modern audiences," delivers a far-ranging, entertaining, and shocking history of this scandalous book, which was nearly cut from the New Testament. From the fall of the Roman Empire to the Black Death, the Inquisition to the Protestant Reformation, the New World to the rise of the Religious Right, this chronicle of the use and abuse of the Book of Revelation tells the tale of the unfolding of history and the hopes, fears, dreams, and nightmares of all humanity.

"After the horrors and violence of the twentieth century, words can seem futile. In this reflection on the place of preaching today, Richard Lischer recognizes that our mass-communication culture is exhausted by words. Facing up to language's disappointments and dead ends, he opens a path to its true end." "With chapters on vocation, interpretation, narration, and reconciliation, The End of Words shows how faithful reading of Scripture rather than flashy performance paves the way for effective preaching. Lischer challenges conventional storytelling with a deeper and more biblical view of narrative preaching. The ultimate purpose of preaching, he argues, is to speak God's peace, the message of reconciliation." "While Lischer's End of Words will surely be invaluable to pastors and preachers, his honest, readable style will appeal to anyone concerned with speaking Christianly."--BOOK JACKET.

In a world ruled by three empires, each witch is born with a unique magical gift. Two young women discover their powers amid political intrigue and looming war, forcing them to choose loyalty over destiny.