Books like America's Women by Gail Collins

In Tehran, Azar Nafisi secretly hires seven female students each week to read banned Western classics, revealing the personal and political struggles of women under Iran’s revolutionary regime.

Betty Friedan’s 1963 classic uncovers the invisible barriers that kept women confined to domestic roles, sparking a cultural awakening that reshaped ideas about equality and personal fulfillment in the United States.

A non‑fiction work that shines a light on the oppression of women in developing countries, offering case studies of survivors and exploring how empowering women drives economic progress.

Blithely flinging aside the Victorian manners that kept her disapproving mother corseted, the New Woman of the 1920s puffed cigarettes, snuck gin, hiked her hemlines, danced the Charleston, and necked in roadsters. More important, she earned her own keep, controlled her own destiny, and secured liberties that modern women take for granted. Her newfound freedom heralded a radical change in American culture.Whisking us from the Alabama country club where Zelda Sayre first caught the eye of F. Scott Fitzgerald to Muncie, Indiana, where would-be flappers begged their mothers for silk stockings, to the Manhattan speakeasies where patrons partied till daybreak, historian Joshua Zeitz brings the era to exhilarating life. This is the story of America's first sexual revolution, its first merchants of cool, its first celebrities, and its most sparkling advertisement for the right to pursue happiness.The men and women who made the flapper were a diverse lot. There was Coco Chanel, the French orphan who redefined the feminine form and silhouette, helping to free women from the torturous corsets and crinolines that had served as tools of social control. Three thousand miles away, Lois Long, the daughter of a Connecticut clergyman, christened herself "Lipstick" and gave New Yorker readers a thrilling entree into Manhattan's extravagant Jazz Age nightlife.In California, where orange groves gave way to studio lots and fairytale mansions, three of America's first celebrities--Clara Bow, Colleen Moore, and Louise Brooks, Hollywood's great flapper triumvirate--fired the imaginations of millions of filmgoers.Dallas-born fashion artist Gordon Conway and Utah-born cartoonist John Held crafted magazine covers that captured the electricity of the social revolution sweeping the United States.Bruce Barton and Edward Bernays, pioneers of advertising and public relations, taught big business how to harness the dreams and anxieties of a newly industrial America--and a nation of consumers was born.Towering above all were Zelda and Scott Fitzgerald, whose swift ascent and spectacular fall embodied the glamour and excess of the era that would come to an abrupt end on Black Tuesday, when the stock market collapsed and rendered the age of abundance and frivolity instantly obsolete.With its heady cocktail of storytelling and big ideas, Flapper is a dazzling look at the women who launched the first truly modern decade.From the Hardcover edition.

Laura Kipnis examines how modern women navigate feminism, femininity, and self‑improvement, revealing the internal contradictions that both empower and constrain the female experience.

Soon after the fall of the Taliban, in 2001, Deborah Rodriguez went to Afghanistan as part of a group offering humanitarian aid to this war-torn nation. Surrounded by men and women whose skills--as doctors, nurses, and therapists--seemed eminently more practical than her own, Rodriguez, a hairdresser and mother of two from Michigan, despaired of being of any real use. Yet she soon found she had a gift for befriending Afghans, and once her profession became known she was eagerly sought out by Westerners desperate for a good haircut and by Afghan women, who have a long and proud tradition of running their own beauty salons. Thus an idea was born. With the help of corporate and international sponsors, the Kabul Beauty School welcomed its first class in 2003. Well meaning but sometimes brazen, Rodriguez stumbled through language barriers, overstepped cultural customs, and constantly juggled the challenges of a postwar nation even as she learned how to empower her students to become their families' breadwinners by learning the fundamentals of coloring techniques, haircutting, and makeup.Yet within the small haven of the beauty school, the line between teacher and student quickly blurred as these vibrant women shared with Rodriguez their stories and their hearts: the newlywed who faked her virginity on her wedding night, the twelve-year-old bride sold into marriage to pay her family's debts, the Taliban member's wife who pursued her training despite her husband's constant beatings. Through these and other stories, Rodriguez found the strength to leave her own unhealthy marriage and allow herself to love again, Afghan style.With warmth and humor, Rodriguez details the lushness of a seemingly desolate region and reveals the magnificence behind the burqa. Kabul Beauty School is a remarkable tale of an extraordinary community of women who come together and learn the arts of perms, friendship, and freedom.From the Hardcover edition.

The Girls Who Went Away traces the untold story of over a million mothers who surrendered children for adoption before Roe v. Wade, revealing the psychological, social, and familial forces that shaped their decisions.

"Today, only twenty percent of Americans are wed by age twenty-nine, compared to nearly sixty percent in 1960. The Population Reference Bureau calls it a 'dramatic reversal.' [This book presents a] portrait of contemporary American life and how we got here, through the lens of the single American woman, covering class, race, [and] sexual orientation, and filled with ... anecdotes from ... contemporary and historical figures"-- In 2010, award-winning journalist Rebecca Traister started a book that she thought would be about the twenty-first-century phenomenon of the American single woman. Over the course of her research, Traister made a startling discovery: historically, when women have had options beyond early heterosexual marriage, their resulting independence has provoked massive social change. Unmarried women were crucial to the abolition, suffrage, temperance, and labor movements; they created settlement houses and secondary education for women. Today, only 20% of Americans are wed by age 29, compared to nearly 60% in 1960. The Population Reference Bureau calls it a "dramatic reversal." Traister sets out to examine how this generation of independent women is changing the world. This is a remarkable portrait of contemporary American life and how we got here, through the lens of the single American woman. Covering class, race, and sexual orientation, and filled with vivid anecdotes from fascinating contemporary and historical figures, this book is destined to be a classic work of social history and journalism.--Adapted from dust jacket. Working on a book about single women in the twenty-first-century, Traister made a startling discovery: historically, when women have had options beyond early heterosexual marriage, their resulting independence has provoked massive social change. Unmarried women were crucial to the abolition, suffrage, temperance, and labor movements; they created settlement houses and secondary education for women. Today, only 20% of Americans are wed by age 29, compared to nearly 60% in 1960. Through the lens of the single American woman, Traister covers issues of class, race, and sexual orientation.

An incisive study of black women's experiments with love, solidarity, and freedom in early twentieth‑century America, exposing how their radical choices reshaped intimate life and defied social norms.

From husband‑permission credit cards to Hillary Clinton’s campaign, Gail Collins charts the dramatic social, economic, and cultural shifts that transformed American women’s lives over five transformative decades.

When I finished reading-I felt my soul had been altered' Amy TanFor eight groundbreaking years, Xinran presented a radio programme in China during which she invited women to call in and talk about themselves. Broadcast every evening, Words on the Night Breeze became famous through the country for its unflinching portrayal of what it meant to be a woman in modern China. Centuries of obedience to their fathers, husbands and sons, followed by years of political turmoil had made women terrified of talking openly about their feelings. Xinran won their trust and, through her compassion and ability to listen, became the first woman to hear their true stories. This unforgettable book is the story of how Xinran negotiated the minefield of restrictions imposed on Chinese journalists to reach out to women across the country. Through the vivid intimacy of her writing, the women's voices confide in the reader, sharing their deepest secrets for the first time. Their stories changed Xinran's understanding of China forever. Her book will reveal the lives of Chinese women to the West as never before.

An unapologetically African-centered monograph that reveals physical and spiritual forms and systems of female power and leadership in African cultures. Nwando Achebe’s unparalleled study documents elite females, female principles, and female spiritual entities across the African continent, from the ancient past to the present. Achebe breaks from Western perspectives, research methods, and their consequently incomplete, skewed accounts, to demonstrate the critical importance of distinctly African source materials and world views to any comprehensible African history. This means accounting for the two realities of African cosmology: the physical world of humans and the invisible realm of spiritual gods and forces. That interconnected universe allows biological men and women to become female-gendered males and male-gendered females. This phenomenon empowers the existence of particular African beings, such as female husbands, male priestesses, female kings, and female pharaohs. Achebe portrays their combined power, influence, and authority in a sweeping, African-centric narrative that leads to an analogous consideration of contemporary African women as heads of state, government officials, religious leaders, and prominent entrepreneurs.