Books like Masterpieces of African-American literature by Frank N. Magill

Alice Walker's 1982 novel, The Color Purple, won the Pulitzer Prize and National Book Award, exploring the lives of black women in the South and their experiences of abuse and struggle for independence.

Zora Neale Hurston’s Pulitzer‑winning novel follows Janie Crawford’s journey of self‑discovery and empowerment, mapping her search for love, independence, and identity against the backdrop of the African‑American South during the early 20th century.

A Black man's journey through racism, identity and activism in 1940s Harlem, culminating in a revelatory escape from the streets to self-knowledge.

Alex Haley’s Pulitzer‑winning saga follows Kunta Kinte from his capture in Africa through centuries of slavery and generations of his descendants, revealing the deep roots of African‑American history.

Bigger Thomas, a 20-year-old black youth in poverty on Chicago's South Side, becomes embroiled in a brutal murder and must face the consequences of his violent actions in Richard Wright's novel 'Native Son' (1940).

"This powerful book argues that white culture in America does not exist apart from black culture. The revolution of the rights of man that established this country collided long ago with the system of slavery, and we have been trying to reestablish a steady course for ourselves ever since. To Wake the Nations is urgent and rousing: we have integrated our buses, schools, and factories, but not the canon of American literature. That is the task Eric Sundquist has assumed in a book that ranges from politics to literature, from Uncle Remus to African American spirituals. But the hallmark of this volume is a sweeping reevaluation of the glory years of American literature - from 1830 to 1930 - that shows how white literature and black literature form a single interwoven tradition." "By examining African America's contested relation to the intellectual and literary forms of white culture, Sundquist reconstructs the main lines of American literary tradition from the decades before the Civil War through the early twentieth century. An opening discussion of Nat Turner's "Confessions," recorded by a white man, Thomas Gray, establishes a paradigm for the complexity of meanings that Sundquist uncovers in American literary texts. Focusing on Frederick Douglass's autobiographical books, Herman Melville's Benito Cereno, Martin Delany's novel Blake; or the Huts of America, Mark Twain's Pudd'nhead Wilson, Charles Chesnutt's fiction, and W.E.B. Du Bois's The Souls of Black Folk and Darkwater, Sundquist considers each text against a rich background of history, law, literature, politics, religion, folklore, music, and dance. These readings lead to insights into components of the culture at large: slavery as it intersected with postcolonial revolutionary ideology; literary representations of the legal and political foundations of segregation; and the transformation of elements of African and antebellum folk consciousness into the public forms of American literature."--Jacket.

Examines multiculturism in American literature and the cultural diversity found in the American classroom.