Books like Miss Melville returns by Evelyn E. Smith

Originally published in 1932, this outstanding work of literature is more crucial and relevant today than ever before. Cloning, feel-good drugs, antiaging programs, and total social control through politics, programming, and media -- has Aldous Huxley accurately predicted our future? With a storyteller's genius, he weaves these ethical controversies in a compelling narrative that dawns in the year 632 AF (After Ford, the deity). When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity. A powerful work of speculative fiction that has enthralled and terrified readers for generations, Brave New World is both a warning to be heeded and thought-provoking yet satisfying entertainment. - Container.

Fahrenheit 451 is a 1953 dystopian novel by American writer Ray Bradbury. Often regarded as one of his best works, the novel presents a future American society where books are outlawed and "firemen" burn any that are found. The book's tagline explains the title as "'the temperature at which book paper catches fire, and burns": the autoignition temperature of paper. The lead character, Guy Montag, is a fireman who becomes disillusioned with his role of censoring literature and destroying knowledge, eventually quitting his job and committing himself to the preservation of literary and cultural writings. The novel has been the subject of interpretations focusing on the historical role of book burning in suppressing dissenting ideas for change. In a 1956 radio interview, Bradbury said that he wrote Fahrenheit 451 because of his concerns at the time (during the McCarthy era) about the threat of book burning in the United States. In later years, he described the book as a commentary on how mass media reduces interest in reading literature. In 1954, Fahrenheit 451 won the American Academy of Arts and Letters Award in Literature and the Commonwealth Club of California Gold Medal. It later won the Prometheus "Hall of Fame" Award in 1984 and a "Retro" Hugo Award, one of a limited number of Best Novel Retro Hugos ever given, in 2004. Bradbury was honored with a Spoken Word Grammy nomination for his 1976 audiobook version. ---------- Also contained in: - [451° по Фаренгейту: Рассказы](https://openlibrary.org/works/OL17811384W/Fahrenheit_451_stories) - [451° по Фаренгейту: повести и рассказы](https://openlibrary.org/works/OL27741633W) - [Works](https://openlibrary.org/works/OL28185143W)

Set on the desert planet Arrakis, Dune is the story of the boy Paul Atreides, heir to a noble family tasked with ruling an inhospitable world where the only thing of value is the "spice" melange, a drug capable of extending life and enhancing consciousness. Coveted across the known universe, melange is a prize worth killing for... When House Atreides is betrayed, the destruction of Paul's family will set the boy on a journey toward a destiny greater than he could ever have imagined. And as he evolves into the mysterious man known as Muad'Dib, he will bring to fruition humankind's most ancient and unattainable dream. A stunning blend of adventure and mysticism, environmentalism and politics, Dune won the first Nebula Award, shared the Hugo Award, and formed the basis of what is undoubtedly the grandest epic in science fiction.

It is the late 21st Century and the Moon has been colonized -- as a giant, open, prison. Every aspect of life is overseen by the Federated Nations "Lunar Authority"; until one day when a self-aware Super-Computer, a Jack of all Trades Technician, an Anarchist Professor, and a beautiful Blonde Revolutionary decide to change their world. The conspirators' plans go along beautifully...for a while. TANSTAAFL! There ain't no such thing as a free lunch! Robert A. Heinlein was the most influential science fiction writer of his era, an influence so large that, as Samuel R. Delany notes, "modern critics attempting to wrestle with that influence feel themselves dealing with an object rather like the sky or an ocean." He won the Hugo Award for best novel four times, a record that still stands. The Moon Is a Harsh Mistress was the last of these Hugo-winning novels, and it is widely considered his finest work. It is a tale of revolution, of the rebellion of the former Lunar penal colony against the Lunar Authority that controls it from Earth. It is the tale of the disparate people -- a computer technician, a vigorous young female agitator, and an elderly academic -- who become the rebel movement's leaders. And it is the story of Mike, the supercomputer whose sentience is known only to this inner circle, and who for reasons of his own is committed to the revolution's ultimate success. The Moon Is a Harsh Mistress is one of the high points of modern science fiction, a novel bursting with politics, humanity, passion, innovative technical speculation, and a firm belief in the pursuit of human freedom. - Back cover.

The first of William Gibson's Sprawl trilogy, *Neuromancer* is the classic cyberpunk novel. The winner of the Hugo, Nebula, and Philip K. Dick Awards, *Neuromancer* was the first fully-realized glimpse of humankind’s digital future — a shocking vision that has challenged our assumptions about our technology and ourselves, reinvented the way we speak and think, and forever altered the landscape of our imaginations. Henry Dorsett Case was the sharpest data-thief in the business, until vengeful former employees crippled his nervous system. But now a new and very mysterious employer recruits him for a last-chance run. The target: an unthinkably powerful artificial intelligence orbiting Earth in service of the sinister Tessier-Ashpool business clan. With a dead man riding shotgun and Molly, mirror-eyed street-samurai, to watch his back, Case embarks on an adventure that ups the ante on an entire genre of fiction. Hotwired to the leading edges of art and technology, *Neuromancer* is a cyberpunk, science fiction masterpiece — a classic that ranks with *1984* and *Brave New World* as one of the twentieth century’s most potent visions of the future.

Highly unusual After the Holocaust novel. In the far future, 20th century texts are preserved in a monastery, as "sacred books". The monks preserve for centuries what little science there is, and have saved the science texts and blueprints from destruction many times, also making beautifully illuminated copies. As the story opens to a world run on a basically fuedal lines, science is again becoming fashionable, as a hobby of rich men, at perhaps 18th or early 19th century level of comprehesion. A local lord, interested in science, comes to the monastery. What happens after that is an exquisitely told tale, stunning and extremely moving, totally different from any other After the Holocaust story

"The Goldfinch is a rarity that comes along perhaps half a dozen times per decade, a smartly written literary novel that connects with the heart as well as the mind....Donna Tartt has delivered an extraordinary work of fiction."--Stephen King, The New York Times Book Review Composed with the skills of a master, The Goldfinch is a haunted odyssey through present day America and a drama of enthralling force and acuity. It begins with a boy. Theo Decker, a thirteen-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don't know how to talk to him, and tormented above all by his unbearable longing for his mother, he clings to one thing that reminds him of her: a small, mysteriously captivating painting that ultimately draws Theo into the underworld of art. As an adult, Theo moves silkily between the drawing rooms of the rich and the dusty labyrinth of an antiques store where he works. He is alienated and in love-and at the center of a narrowing, ever more dangerous circle. The Goldfinch is a novel of shocking narrative energy and power. It combines unforgettably vivid characters, mesmerizing language, and breathtaking suspense, while plumbing with a philosopher's calm the deepest mysteries of love, identity, and art. It is a beautiful, stay-up-all-night and tell-all-your-friends triumph, an old-fashioned story of loss and obsession, survival and self-invention, and the ruthless machinations of fate.

[Comment by Kim Stanley Robinson, on The Guardian's website][1]: The Left Hand of Darkness by Ursula K Le Guin (1969) > One of my favorite novels is The Left Hand of Darkness, by Ursula K Le Guin. For more than 40 years I've been recommending this book to people who want to try science fiction for the first time, and it still serves very well for that. One of the things I like about it is how clearly it demonstrates that science fiction can have not only the usual virtues and pleasures of the novel, but also the startling and transformative power of the thought experiment. > In this case, the thought experiment is quickly revealed: "The king was pregnant," the book tells us early on, and after that we learn more and more about this planet named Winter, stuck in an ice age, where the humans are most of the time neither male nor female, but with the potential to become either. The man from Earth investigating this situation has a lot to learn, and so do we; and we learn it in the course of a thrilling adventure story, including a great "crossing of the ice". Le Guin's language is clear and clean, and has within it both the anthropological mindset of her father Alfred Kroeber, and the poetry of stories as magical things that her mother Theodora Kroeber found in native American tales. This worldly wisdom applied to the romance of other planets, and to human nature at its deepest, is Le Guin's particular gift to us, and something science fiction will always be proud of. Try it and see – you will never think about people in quite the same way again. [1]: https://www.theguardian.com/books/2011/may/14/science-fiction-authors-choice

Inspector Tyador Borlú must travel to Ul Qoma to search for answers in the murder of a woman found in the city of Besźel.

Shevek, a brilliant physicist, decides to take action. He will seek answers, question the unquestionable, and attempt to tear down the walls of hatred that have isolated his planet of anarchists from the rest of the civilized universe. To do this dangerous task will mean giving up his family and possibly his life. Shevek must make the unprecedented journey to the planet, Anarres, to challenge the complex structures of life and living, and ignite the fires of change.

Back home in New York, Detective Michael Bennett investigates a burnt body left where a strange party had been held in a condemned building. At last, Detective Michael Bennett and his family are coming home to New York City. Thanks to Bennett, the ruthless crime lord whose vengeful mission forced the Bennett family into hiding has been brought down for good. Back in the city that never sleeps, Bennett takes over a chaotic Outreach Squad in Harlem, where he receives an unusual call: a man claims to have seen a group of well-dressed men holding a bizarre party in a condemend building. With no clear crime or evidence, Bennett dismisses the report. But when a charred body is found in that very same building, he is forced to take the demented caller seriously--and is drawn into an underground criminal world of terrifying depravity.

[Comment by Audrey Niffenegger, on The Guardian's website][1]: > Time and Again is an original; there is nothing quite like it. It is the story of Si Morley, a commercial artist who is drawing a piece of soap one ordinary day in 1970 when a mysterious man from the US Army shows up at his Manhattan office to recruit him for a secret government project. The project turns out to involve time travel; the idea is that artists and other imaginative people can be trained (by self-hypnosis) to imagine themselves so completely in the past that they actually go there. Si finds himself sitting in an apartment in the famous Dakota building pretending to be in the past . . . and ends up in the Manhattan of 1882. > The story makes good use of paradox and the butterfly effect, but its greatest charms lie in Si's good-humoured observations of old New York and the love story that gradually develops between Si and the beautiful Julia, who doesn't believe Si when he tells her he's a time traveller. Time and Again is laden with authentic period photos and newspaper engravings which Jack Finney works into the narrative gracefully. When I first read WG Sebald's Austerlitz, a very different book in both subject and mood, I realised that it owed something to Finney's innovative use of pictures as evidence within a novel. Really, the pictures seem to say, this did happen, I saw it, don't you believe me? The pictures cause us, the readers, to sway slightly as we suspend our disbelief; they look like proof of something we know is unprovable. Isn't it? > There is something wistful about time travel stories as they age: 1970 is now 41 years past. A lot happened in those years, and these characters are blissfully unaware of the future. I get a little shiver of nostalgia in the book's opening pages: gee, people used to go to offices and sit at drawing boards and get paid to draw soap. What a world. Perhaps if I could imagine it completely enough, I could visit . . . but no. I'll just read about it, again and again. [1]: http://www.guardian.co.uk/books/2011/may/14/science-fiction-authors-choice

Keller is a regular guy. He goes to the movies, collects stamps, serves jury duty. Then every so often he gets a call, packs his bags, and kills a perfect stranger. But lately the jobs have started to go wrong. And then he realizes...someone out there is trying to hit the hit man.Keller is a killer. Professional, cool, confident, competent, reliable. The consummate pro. The hit man's hit man.But he is a complex person: understandably guarded and reclusive, icy and ruthlessly efficient, he is also prone to loneliness, self-doubt, and career worries. Keller may be a crack assassin, but he is also an all-too-human being.We first met Keller in Hit Man. He's back again in HIT LIST. Same job, new list of targets, and a hit man who's after him...

It's September 10, 2001, and Lady Victoria Wentworth is sitting in spacious Wentworth Hall considering the sad state of family fortunes when a female intruder slips in, slashes her throat and cuts off her ear. The next day in New York, art expert Anna Petrescu heads to her job as art wrangler for wealthy magnate Bryce Fenston of Fenston Finance. The pair's offices are in the Twin towers, and when disaster strikes, each sees the tragedy as an opportunity to manipulate a transaction scheduled to transfer ownership of a legendary Van Gogh painting.

"An anonymous tip about a crime in Upper Manhattan proves to be a setup. An officer is taken down--and, despite the attackers' efforts, it's not Michael Bennett. New York's top cop is not the only one at risk. One of Bennett's children sustains a mysterious injury. And a series of murders follows, each with a distinct signature, alerting Bennett to the presence of a professional killer with a flair for disguise. Bennett taps his best investigators and sources, and they fan out across the five boroughs. But the leads they're chasing turn out to be phantoms. The assassin takes advantage of the chaos, enticing an officer into compromising Bennett, then luring another member of Bennett's family into even graver danger. Michael Bennett can't tell what's driving the assassin. But he can tell it's personal, and that it's part of something huge. Through twist after twist, he fights to understand exactly how he fits into the killer's plan, before he becomes the ultimate victim" -- Provided by publisher.

"It's New Year's Eve, December 31, 1999, and Washington, D.C., is under siege. Early in the day, a grisly machine gun attack in the Dupont Circle Metro station leaves dozens dead and the city crippled with fear. A note delivered to the mayor's office pins the massacre on the Digger, a robotlike assassin programmed to wreak havoc on the capital every four hours - until midnight. Only a ransom of $20 million delivered to the Digger's accomplice - and mastermind - will end the death and terror. But the Digger becomes a far more sinister threat when his accomplice is killed in a freak accident while en route to the money drop. With the ransom note as the single scrap of evidence, Special Agent Margaret Lukas calls upon Parker Kincaid, a retired FBI agent and the top forensic document examiner in the country. Somehow, by midnight, they must find the Digger - before he finds them."--BOOK JACKET.

>Dispatched to Gdansk, Poland, on the western Baltic, on the rumor that an excellent investment opportunity might arise - the possibility of rebuilding the Kiel Canal - John Putnam Thatcher finds himself in the midst of two quite extraordinary events. >The first is the complete chaos that ensues when the canal, little-publicized but the carrier of more traffic than any other such body in the world, becomes completely snarled on a foggy night, with hundreds of boats, small and large, blindly stumbling every which way within the crowded basin. Dramatic as that is, the other event affects our friend more personally: an official of BADA, the Baltic Area Development Association, is found murdered in the aftermath of a champagne party.

A poor art student in New York City discovers a duffel bag full of diamonds in the chaos during an attack at Grand Central Station and is pursued by the Ghost, an assassin who had murdered the bag's owner. Matthew finds diamonds in an abandoned medical bag in Grand Central Terminal and then realizes he is being hunted by the world's greatest assassin. The plot contains profanity, graphic sexual situations, and violence. The coauthor is Marshall Karp.

After Marvin, a beetle, makes a miniature drawing as an eleventh birthday gift for James, a human with whom he shares a house, the two new friends work together to help recover a Durer drawing stolen from the Metropolitan Museum of Art.

What can a woman do? Susan Melville's trust fund is dwindling, her teaching job is terminated, her lover is abroad for the season, and her apartment is going co-op. So naturally Miss Melville decides to shoot herself at a posh society party. Unfortunately, she misses -- and kills the guest of honor instead. When she slips out the door, a stranger follows. He thanks her for doing the job for him, and Miss Melville's new career is born. Of course she has scruples. Miss Melville won't kill just anybody, but she's about to face a job that even she will find a challenge of the most dangerous order, an assignment she just might regret -- for good

What can a woman do? Susan Melville's trust fund is dwindling, her teaching job is terminated, her lover is abroad for the season, and her apartment is going co-op. So naturally Miss Melville decides to shoot herself at a posh society party. Unfortunately, she misses -- and kills the guest of honor instead. When she slips out the door, a stranger follows. He thanks her for doing the job for him, and Miss Melville's new career is born. Of course she has scruples. Miss Melville won't kill just anybody, but she's about to face a job that even she will find a challenge of the most dangerous order, an assignment she just might regret -- for good