Books like Daughters of the New Year by E. M. Tran

On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family’s history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We’re Briefly Gorgeous is as much about the power of telling one’s own story as it is about the obliterating silence of not being heard. With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.

"One morning, Deming Guo's mother, an undocumented Chinese immigrant named Polly, goes to her job at the nail salon and never comes home. With his mother gone, eleven-year-old Deming is left with no one to care for him. He is eventually adopted by two white college professors who move him from the Bronx to a small town upstate. Set in New York and China, the Leavers is the story of how one boy comes into his own when everything he's loved has been taken away--and how a mother learns to live with the mistakes of her past"--

"The multigenerational tale of the Trần family, set against the backdrop of the Việt Nam War. Trần Diệu Lan, who was born in 1920, was forced to flee her family farm with her six children during the Land Reform as the Communist government rose in the North. Years later in Hà Nội, her young granddaughter, Hương, comes of age as her parents and uncles head off down the Hò̂ Chí Minh Trail to fight in a conflict that will tear not just her beloved country but her family apart"-- Provided by publisher.

"The multigenerational tale of the Trần family, set against the backdrop of the Việt Nam War. Trần Diệu Lan, who was born in 1920, was forced to flee her family farm with her six children during the Land Reform as the Communist government rose in the North. Years later in Hà Nội, her young granddaughter, Hương, comes of age as her parents and uncles head off down the Hò̂ Chí Minh Trail to fight in a conflict that will tear not just her beloved country but her family apart"-- Provided by publisher.

Nearly fifteen years before the Stonewall Rebellion and the birth of gay liberation came the Daughters of Bilitis (DOB). Like its predominantly gay male counterparts, the Mattachine Society and ONE, Inc., DOB was launched in response to the oppressive antihomosexual climate of the McCarthy era, when lesbian and gay people were arrested, fired from jobs, and had their children taken away simply on the basis of their sexual orientation. It was against this political backdrop that in 1955 a circle of San Francisco women formed a private club where lesbians could meet other lesbians in a safe, affirming setting. A year later, they produced The Ladder, the first ongoing monthly magazine for lesbians. Over the next three decades, what began as a small social group evolved into a national women's organization that counted more than a dozen chapters." In Different Daughters, Marcia Gallo draws on interviews with former members of DOB, many of whom have never spoken on record before, as well as extensive research in both archival and personal collections. She chronicles how through its leaders, magazine, and international network of activists, the Daughters played a crucial role in creating lesbian identity, visibility, and political strategies in Cold War America - and in the process laid the foundation for today's lesbian and feminist movements.

"From the infinitely inventive author of How to Live Safely in a Science Fictional Universe comes a deeply personal novel about race, pop culture, assimilation, and escaping the roles we are forced to play."-- Every day Willis Wu leaves his tiny room in a Chinatown SRO and enters the Golden Palace restaurant, where Black and White, a procedural cop show, is in perpetual production. He's a bit player here too, but he dreams of being Kung Fu Guy-- and he sees his life as a script. After stumbling into the spotlight, Willis finds himself launched into a wider world than he has ever known, discovering not only the secret history of Chinatown, but the buried legacy of his own family, and what that means for him in today's America -- from publisher's description.

For the first time in fiction, the unmapped territory of the Vietnamese immigrant experience is examined in this tale of a young girl's coming-of-age in the United States in the aftermath of war. Mai Nguyen's journey begins when she leaves Vietnam in February 1975, just before the withdrawal of American troops from Saigon. She enters the world of Falls Church, Virginia, a "Little Saigon" community that encompasses refugees and veterans, reinvented lives and entrepreneurial schemes, secrets and lies about a war-torn and conflicted past, and Mai's dreams for a newly minted American future. But the secrets, and what is both hidden and revealed in diaries found buried in her mother's dresser drawer, pull Mai inexorably back to Vietnam. Within these diaries, Mai retraces not only her own earliest experiences, but also her mother's and grandmother's histories - and the story that began to unfold a generation past in the rice fields of the Mekong Delta. Past and present, east and west, Vietnamese myth and American-style reality intertwine and, ultimately, the legacy of long-simmering hatreds and what occurred late one afternoon in a burial ground near the banks of the Mekong River is revealed.