Books like Wittgenstein's Poker by David Edmonds

A 1981 nonfiction work by Tracy Kidder that follows a computer‑engineering team building the Data General Eclipse MV/8000—a high‑speed minicomputer—under intense deadline pressure.

A vivid portrait of how Jean‑Paul Sartre, Simone de Beauvoir, and Raymond Aron reshaped 20th‑century philosophy, tracing the birth of existentialism in 1930s Montparnasse and its lasting influence on freedom, politics and culture.

A philosophical novel about art forgery, following Wyatt Gwyon whose obsession with 17th-century Flemish masterpieces leads him to create astonishingly authentic forgeries.

Nietzsche’s first book explores Greek tragedy, Schopenhauer’s philosophy, and Wagner’s music, arguing that the fusion of Apollonian order and Dionysian ecstasy creates the highest art and offers insight into suffering.

In his fascinating last book, Edward Said looks at a selection of essays, poems, novels, films, and operas to determine what late style may explain about the evolution of the creative life. He discusses how the approaching death of an artist can make its way "with anachronism and anomaly" into his work, as was the case in the late work of Thomas Mann, Richard Strauss, Jean Genet, Giuseppe Tomasi di Lampedusa, and C. P. Cavafy. Said examines Beethoven's Missa Solemnis, Genet's Le captif amoureux and Les paravents, Mozart's Cosi fan tutte, Visconti's film of Lampedusa's The Leopard, Euripides' The Bacchae and Iphigenia at Aulis, and Thomas Mann's Death in Venice, among other works.He points out that one can also find an "unearthly serenity," in last works, for example, in Sophocles, Shakespeare, Rembrandt, Matisse, Bach, and Wagner, which, as Said puts it, "crown a lifetime of aesthetic endeavor." But in On Late Style he concentrates on artistic lateness as "intransigence, difficulty, and unresolved contradiction." He also writes about Theodor Adorno and about Glenn Gould, who chose to stop performing, thereby creating his own form of lateness. Said makes clear that most of the works discussed are rife with deep conflict and an almost impenetrable complexity. In fact, he feels that lateness is often "a form of exile." These works frequently stood in direct contrast to what was popular at the time, but they were forerunners of what was to come in each artist's particular discipline--works of true genius.Eloquent and impassioned, brilliantly reasoned and revelatory, On Late Style is Edward Said's own great last work.From the Hardcover edition.

Leszek Kolakowski delves into some of the most intellectually vigorous questions of our time in this remarkable collection of essays garnished with his characteristic wit. Ten of the essays have never appeared before in English.

"How is this history of philosophy different from all others? 1. It's neighter very long (like Copleston's twelve-volumet tome, which is a clear and hepful reference work but pretty dull reading) nor very short (like many skimpy one-volume summaries) just long enough. 2. It's available in separate volumes but eventually in one complete work (after the four volumes - Ancient, Medieval, Modern, Contemporary - are produced in paperbound editions, a one-volume clothbound will be published). 3. It focuses on the "big ideas" that have influenced present people and present times. 4. It includes relevant biographical data, proportionate to its importance for each thinker. 5. It is not just history but philosophy. Its aim is not merely to record facts (of life or opinion) but to stimulate philosophizing, controversy, argument. 6. It aims above all at understanding, at what the old logic called the "first act of the mind" rather than the third: the thing computers and many "analytic philosophers" cannot understand. 7. It uses ordinary language and logic, not academic jargon or symbolic logic. 8. It is commonsensical (and therefore is sympathetic to commonsense philosophers like Aristotle). 9. It is "existential" in that it sees philosophy as something to be lived and tested"--