Books like Split Down the Middle by David Campton

Samuel Beckett’s masterful farce, *Waiting for Godot*, first staged in 1953, examines human absurdity and the elusiveness of hope through the symbolic wait for a mysterious figure.

In a run-down movie theater in central Massachusetts, three underpaid employees navigate everyday battles and quiet heartbreaks, revealing the comedy and humanity of small-town life.

117 pages ; 21 cm

One‑act drama by Sam Shepard that explores love, hate, and Old‑West myths through a violent confrontation involving half‑siblings who are lovers.

The Good Person of Szechwan (German: Der gute Mensch von Sezuan, first translated less literally as The Good Woman of Szechwan) is a play written in collaboration with Margarete Steffin and Ruth Berlau. The play was begun in 1938 but not completed until 1943, while the author was in exile in the United States. It was first performed in 1943 at the Zürich Schauspielhaus in Switzerland, with a musical score and songs by Swiss composer Huldreich Georg Früh. Today, Paul Dessau's composition of the songs from 1947–48, also authorized by Brecht, is the better known version. The play is an example of Brecht's "non-Aristotelian drama", a dramatic form intended to be staged with the methods of epic theatre. The play is a parable set in the Chinese "city of Sichuan". Mother Courage and Her Children (German: Mutter Courage und ihre Kinder) is a play written in 1939 with significant contributions from Margarete Steffin. After four very important theatrical productions in Switzerland and Germany from 1941 to 1952—the last three supervised and/or directed by Brecht—the play was filmed several years after Brecht's death in 1959/1960 with Brecht's widow and leading actress, Helene Weigel. Mother Courage is considered by some to be the greatest play of the 20th century, and perhaps also the greatest anti-war play of all time. Fear and Misery of the Third Reich, (German: Furcht und Elend des Dritten Reiches) , also known as The Private Life of the Master Race, is one of Bertolt Brecht's most famous plays and the first of his openly anti-Nazi works. It was first performed in 1938. The production employed Brecht's epic theatre techniques to defamiliarize the behaviour of the characters and to make explicit the play's underlying message.

Wombat auditions for the Nativity play, but has trouble finding the right part.