Books like The Secret History Of Vampires by Darrell Schweitzer

This is the story of Louis, as told in his own words, of his journey through mortal and immortal life. Louis recounts how he became a vampire at the hands of the radiant and sinister Lestat and how he became indoctrinated, unwillingly, into the vampire way of life. His story ebbs and flows through the streets of New Orleans, defining crucial moments such as his discovery of the exquisite lost young child Claudia, wanting not to hurt but to comfort her with the last breaths of humanity he has inside. Yet, he makes Claudia a vampire, trapping her womanly passion, will, and intelligence inside the body of a small child. Louis and Claudia form a seemingly unbreakable alliance and even "settle down" for a while in the opulent French Quarter. Louis remembers Claudia's struggle to understand herself and the hatred they both have for Lestat that sends them halfway across the world to seek others of their kind. Louis and Claudia are desperate to find somewhere they belong, to find others who understand, and someone who knows what and why they are. Louis and Claudia travel Europe, eventually coming to Paris and the ragingly successful Theatre des Vampires--a theatre of vampires pretending to be mortals pretending to be vampires. Here they meet the magnetic and ethereal Armand, who brings them into a whole society of vampires. But Louis and Claudia find that finding others like themselves provides no easy answers and in fact presents dangers they scarcely imagined. Originally begun as a short story, the book took off as Anne wrote it, spinning the tragic and triumphant life experiences of a soul. As well as the struggles of its characters, Interview captures the political and social changes of two continents. The novel also introduces Lestat, Anne's most enduring character, a heady mixture of attraction and revulsion. The book, full of lush description, centers on the themes of immortality, change, loss, sexuality, and power. ([source][1]) [1]: http://annerice.com/Bookshelf-Interview.html

Granny Weatherwax, Nanny Ogg, and Maigrat have fairy godmother-dom thrust upon them.

Terry Pratchett's profoundly irreverent novels, consistent number one bestsellers in England, have garnered him a revered position in the halls of parody along with Mark Twain, Kurt Vonnegut, Douglas Adams, and Carl Hiaasen.In Equal Rites, a dying wizard tries to pass on his powers to an eighth son of an eighth son, who is just at that moment being born. The fact that the son is actually a daughter is discovered just a little too late...

The Vampire Lestat (1985) is a vampire novel by American writer Anne Rice, the second in her Vampire Chronicles, following Interview with the Vampire (1976). The story is told from the point of view of the vampire Lestat de Lioncourt as narrator, while Interview is narrated by Louis de Pointe du Lac. Several events in the two books appear to contradict each other, allowing the reader to decide which version of events they believe to be accurate.

The bonds and wards that hold the Great Lord of the Dark are slowly failing, but still his fragile prison holds. The Forsaken, immortal servants of the shadow, weave their snares and tighten their grip upon the realms of men, sure in the knowledge that their master will soon break free... Rand al' Thor, the Dragon Reborn, knows that he must strike at the Enemy, but his forces are divided by treachery and by ambition. Even the Aes Sedai, ancient guardians of the Light, are riven by civil war. Betrayed by his allies, pursued by his enemies and beset by the madness that comes to the male wielders of the One Power, Rand rides out to meet the foe.

To you, perceptive reader, I bequeath my history....Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history. The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive. What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers—one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful—and utterly unforgettable.

"En las manos maestras de Neil Gaiman, la magia es mucho más que un mero juego de engaños. La destreza y el poder de invención de este gran fabulador transforman el entorno cotidiano en un mundo hechizado por sucesos sombríos y extraños, en el que una anciana puede comprar el Santo Grial en una tienda de segunda mano, unos asesinos se anuncian en los clasificados de un periódico bajo la rúbrica ±CONTROL DE PLAGAS¬, o un muchacho asustado debe negociar con un trol malcarado y mezquino que vive bajo un puente ferroviario. Esta recopilación de treinta relatos, poemas narrativos y piezas breves e inclasificables ofrece múltiples y variadas posibilidades para que el lector explore una realidad transformada, astutamente velada por el humo y las sombras, a la vez que tangible y afilada. Todo parece posible en el universo de Gaiman, el gran maestro prestidigitador que despierta los sentidos, cautiva los sueños y mantiene en vilo nuestra mente."--

When small-town cocktail waitress Sookie Stackhouse sees her brother Jason’s eyes start to change, she knows he’s about to turn into a were-panther for the first time. But her concern becomes cold fear when a sniper sets his deadly sights on the local changeling population, and Jason’s new panther brethren suspect he may be the shooter. Now, Sookie has until the next full moon to find out who’s behind the attacks—unless the killer decides to find her first…---Amazon review

From the back cover: WHEN OGRE-HOOD WAS IN FLOWER Smash knew all about ogres. After all, despite his having a human mother, Smash was an ogre himself. Ogres were not only huge and horribly ugly, as Smash was; they were also so stupid they could hardly speak, and they spent most of their time fighting, destroying, and eating young girls. So what was he doing here with seven assorted females looking to him to guide them and save them? Even in Xanth, where magic made anything possible, why should Tandy the Nymph trust him and seem fond of him? And how could all that high-flown conversation be coming out of his mouth? But that, it seemed, was what he got for going to Good Magician Humphrey for an Answer -- before he even knew what the Question was!

Carpe Jugulum (Latin for "seize the throat", cf. Carpe diem) is a comic fantasy novel by Terry Pratchett, the twenty-third in the Discworld series. It was first published in 1998. In Carpe Jugulum, Terry Pratchett pastiches the traditions of vampire literature, playing with the mythic archetypes and featuring a tongue-in-cheek reversal of 'vampyre' subculture with young vampires who wear bright clothes, drink wine, and stay up until noon. (description taken from [Wikipedia][1]) [1]: https://en.wikipedia.org/wiki/Carpe_Jugulum

"Anne Rice continues her astonishing vampire chronicles with the story of Lestat's passionate quest for redemption, goodness and the love of Rowan Mayfair." "Here are all the brilliantly conceived principal characters that make up Anne Rice's world of vampires and witches: Mona Mayfair, who's come to Blackwood Farm to die and is, instead, brought into the realm of the undead...Rowan Mayfair, brilliant neurosurgeon and witch, who finds herself dangerously drawn to Lestat...her husband, Michael Curry, hero of the Mayfair Chronicles, who seeks Lestat's help with the temporary madness of his wife...Patsy, country-western singer, who returns to avenge her death at the hands of her son, Quinn Blackwood." "And here is the spirit of Julien Mayfair, guardian of the family, determined to torment Lestat eternally for what he has done to Mona...the riddle of the five-thousand-year-old Taltos, involving Mona's child...and, at the book's center, the Vampire Lestat, once the epitome of evil and now - following the transformation set in motion with Memnoch the Devil - struggling with his vampirism and yearning for goodness, purity and love as he contends with ghosts, legends, secrets and the mystery of the Taltos, and as he wrestles with the fate of his beloved Rowan Mayfair"--Book jacket.

Twelve-year-old Oskar is obsessed by the murder that's taken place in his neighborhood. Then he meets the new girl from next door. She's a bit weird, though. And she only comes out at night--Publisher's description.

Here are ruined castles, abbeys and crypts, spires and bats silhouetted against full moons, sharp-toothed men in full evening dress seducing beautiful, innocent young women, coffin lids being raised to reveal unspeakable residents. But the classic vampire of gothic tradition is not the only fiend to stalk the thousand pages of this vast collection. Vampires come in many guises, and all can be found within: reluctant vampires, detective vampires, space vampires, lesbian vampires, punk vampires. There are stories here by men and women from every literary era of the past century and a half, right up to the most talented writers of the present day. The Vampire Archives is the biggest, hungriest, undeadliest collection of vampire stories, as well as the most comprehensive bibliography of vampire fiction ever assembled. Dark, stormy, and delicious, once it sinks its teeth into you there's no escape. Vampires! Whether imagined by BramStroker or Anne Rice, they are part of the human lexicon and as old as blood itself. They are your neighbors, your friends, and they are always lurking. Now Otto Penzler - editor of the bestselling Black Lizard Big Book of Pulps - has compiled the darkest, the scariest, and by far the most evil collection of vampire stories ever. With over eighty stories, including the works of Stephen King and D. H. Lawrence, alongside Lord Byron and Tanith Lee, not to mention Edgar Allan Poe and Harlan Ellison, The Vampire Archives will drive a stake through the heart of any other collection out there.

Ten-year-old Maria, an orphaned heiress living with her unpleasant guardians on a crumbling English estate called Malplaquet, finds her life changing in unimagined ways when she explores an overgrown island on the estate's lake and discovers the descendants of Gulliver's Lilliputians.

Felicita fakes her own suicide to escape from the strict confines of her aristocratic family and an arranged marriage, only to be confronted with the harsh realities of living in the slums and the ultimate discovery that the boy she has fallen in love with is plotting a rebellion to destroy her family.

Contains: [One for the road](https://openlibrary.org/works/OL19791071W) -- Stephen King She only goes out at night -- William Tenn Heredity -- David H. Keller Clarimonda -- Theophile Gautier The cloak -- Robert Bloch For the blood is the life -- F. Marion Crawford The last grave of Lill Warran -- Manly Wade Wellman The girl with the hungry eyes -- Fritz Leiber Ken's mystery -- Julian Hawthorne Restless souls -- Seabury Quinn The drifting snow -- August Derleth When it was moonlight -- Manly Wade Wellman Luella Miller -- Mary Wilkins Freeman Dress of white silk -- Richard Matheson Red as blood -- Tanith Lee Carmilla -- J. Sheridan Lefanu.

Our dramatization of this myth of ancient horror is not for children. We do not minimize the genuine horror and sexuality of the story. It is not camp; it is not played for laughs, though it does have important scenes of comic relief; we take the myth of the vampire seriously. It is not a marathon; we follow where Bram Stoker leads, carefully condensing and pruning his expansive novel into a tightly structured theatrical experience of normal length. We dissected the events and chronology of his story down to the minutest detail, and we found that his work is seamless; grant him only the premise that there can be such a being as a vampire, and all else follows with flawless probability and necessity. In the end, the audience should feel that they have been with our characters on a tremendous journey, a quest with life and death at stake, not just for their lives, but for their souls as well. The end of the play--the final victory over the vampire--is a transcendent victory over evil incarnate. This play is a play--not a dramatization with narration and dialogue. It is a fully realized play for the stage, conveying story through action and dialogue. We do go so far as to use Stoker's convention in which written messages convey important events and information, but we always present such messages in the mouths and by the actions of the characters who write and send them. Last but not least, we embrace the emotional richness of the 19th century language and characterization. In many cases, we draw our dialogue directly from Stoker.

Brought to a strange world where strength of mind and spirit are constantly required of her, Sibby finds friends, adventure, and a sense of belonging.

With the help of the wizard Cadellin, Colin and Susan struggle to contain the forces of evil unleashed by the inadvertent awakening of the band of ancient horsemen known as the Wild Hunt. Sequel to "The weirdstone of Brisingamen."