Books like As Seen in Vogue by Daniel Delis Hill

Celebrates the work of iconic fashion editors and the photographers who have shaped America's fashion sense.

290 p. : 25 cm

Explore eight centuries of western costume with Joan Nunn’s illustrated survey, detailing garments, styles, fabrics, and social context from 1200 to 2000.

An authoritative study of Vogue magazine’s 75-year journey, examining couture, designers, and clothing within the broader social and cultural shifts of the twentieth century.

An in‑depth exploration of the history of clothing and dress, tracing the evolution of costume and fashion through different eras and cultures.

Valerie Steele chronicles how world events, social change, and politics shaped global fashion from the post‑War era to the 1990s, highlighting shifts from ateliers to conglomerates, Cold War gender norms, youth rebellion, and the rise of iconic designers.

What Herbert Blau suggests, in Nothing in Itself, is that fashion itself, today, has been anticipating and redefining, in the dazzle on the runway, or even in ready-to-wear, the terms in which it is critiqued, while sometimes giving the impression that it is inseparable from critique; in short, there is little to be said of fashion that is not somehow visible in fashion, though even in the mainstream we may call it antifashion. Which is all the more reason to look at the clothes. The book does so copiously, with a fastidious eye to style, as if nothing could be said of a garment, no appropriate fabric of thought, without the felt sensation. Meanwhile, if the theatricality of fashion, or the "fashion system," is now belabored in cultural studies, there are other seductive issues--recurring in history and, like the rise and fall of the hemline, approaching the metaphysical--that come with dress in its fascination-effect. As Blau sees it, this will inevitably return us to the validities, artful vanities, and deceits of appearance. No more than appearance, "nothing in itself," that fashion has substance, complex and elusive substance, is the thematic of this book, which puts another complexion on the subject, the look, and the look that incites the look, in high style, street style, classical elegance or fetishistic chic, from farthingale and corset to drop-dead glamour, power suits, waifishness, and grunge.

Originally born in Algeria, Yves Saint Laurent moved to Paris when he was 18, and only three years later he was handpicked by Christian Dior to take the reins as designer of his fashion house. Over time, Saint Laurent resur- rected haute couture from the casual mores that predominated in the 1960s, but also offered chic cachet to ready-to-wear clothing. He was among the earliest of designers to incorporate non- European references into his work, and in 1983 he became the first living designer to be feted with a solo exhibition at The Metropolitan Museum of Art in New York. Vogue on Yves Saint Laurent is a stellar volume in the series from the editors of British Vogue, featuring 20,000 words of original biography and history and studded with more than 80 images from their unique archive of images taken by leading photographers.

Fetish explores how changing attitudes toward sex and gender have shaped fashion, drawing on history, psychology, and interviews to examine the rise of fetish garments and their role in identity and power.

A comprehensive history of fashion from 150 years ago to the present day.