Books like America by Chris Hedges

A lawyer’s intertwined personal and professional journey through the coal fields of West Virginia and the steel mills of Chicago, revealing the struggles and resilience of America’s working class across decades.

434 pages ; 20 cm

A funny, heartbreaking memoir of Joe Queenan’s escape from a harsh 1960s Philadelphia housing project, driven by a tumultuous Irish‑Catholic family and a relentless pursuit of books, music, and mentors.

For over two centuries, America has celebrated the same African-American culture it attempts to control and repress, and nowhere is this phenomenon more apparent than in the strange practice of blackface performance. Born of extreme racial and class conflicts, the blackface minstrel show appropriated black dialect, music, and dance; at once applauded and lampooned black culture; and, ironically, contributed to a "blackening of America." Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of the years leading up to the Civil War. Reading minstrel music, lyrics, jokes, burlesque skits, and illustrations in tandem with working-class racial ideologies and the sex/gender system, Love and Theft argues that blackface minstrelsy both embodied and disrupted the racial tendencies of its largely white, male, working-class audiences. Underwritten by envy as well as repulsion, sympathetic identification as well as fear--a dialectic of "love and theft"--the minstrel show continually transgressed the color line even as it enabled the formation of a self-consciously white working class. Lott exposes minstrelsy as a signifier for multiple breaches: the rift between high and low cultures, the commodification of the dispossessed by the empowered, the attraction mixed with guilt of whites caught in the act of cultural thievery. This new edition celebrates the twentieth anniversary of this landmark volume. It features a new foreword by renowned critic Greil Marcus that discusses the book's influence on American cultural studies as well as its relationship to Bob Dylan's 2001 album of the same name, "Love & Theft." In addition, Lott has written a new afterword that extends the study's range to the twenty-first century [Publisher description]

"Hedges offers his unvarnished views on topics rarely aired by the corporate media, including the hopeless corruption of our political system and the urgent need for a third-party rebellion; the difficulty of challenging the prevailing story lines of the Washington elite and the Israeli government; the disturbing parallels between current US conditions and the collapse of Balkans society into fascist violence during the 1990s; the criminalization of poverty; how many of the best and brightest in black America are siphoned from school to prison; and how the pornography industry reflects the most dehumanizing qualities of global capitalism"--Jacket sleeve.

Jon Meacham revisits pivotal moments in U.S. history—ranging from the Civil War to civil rights—to show how America’s "better angels" have prevailed against division and fear.

Slave narratives are extremely rare, with only 55 post-Civil War narratives surviving. A mere handful are first-person accounts by slaves who ran away and freed themselves. Now two newly uncovered narratives join that exclusive group. Handed down through family and friends, they tell gripping stories of escape: Through a combination of intelligence, daring, and sheer luck, the men reached the protection of occupying Union troops. Historian Blight prefaces the narratives with each man's life history. Using genealogical information, Blight has reconstructed their childhoods as sons of white slaveholders, their service as cooks and camp hands during the Civil War, and their climb to black working-class stability in the North, where they reunited their families. In the stories of Wallace Turnage and John Washington, we find portals that offer a rich new answer to the question of how four million people moved from slavery to freedom.

Chris Hedges offers a stark, street‑level account of America’s rising poverty and crime, tracing how crime and poverty clusters spread across urban slums, rural communities and prisons in the United States.