Books like Clair-de-Lune by Cassandra Golds

The extraordinary, beloved novel about the ability of books to feed the soul even in the darkest of times. When Death has a story to tell, you listen. It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still. Liesel Meminger is a foster girl living outside of Munich, who scratches out a meager existence for herself by stealing when she encounters something she can’t resist–books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement. In superbly crafted writing that burns with intensity, award-winning author Markus Zusak, author of I Am the Messenger, has given us one of the most enduring stories of our time. “The kind of book that can be life-changing.” —The New York Times

A middle-aged man returns to his childhood home to attend a funeral. Although the house he lived in is long gone, he is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock, and her mother and grandmother. He hasn't thought of Lettie in decades, and yet as he sits by the pond (a pond that she'd claimed was an ocean) behind the ramshackle old farmhouse, the unremembered past comes flooding back. And it is a past too strange, too frightening, too dangerous to have happened to anyone, let alone a small boy. Forty years earlier, a man committed suicide in a stolen car at this farm at the end of the road. Like a fuse on a firework, his death lit a touchpaper and resonated in unimaginable ways. The darkness was unleashed, something scary and thoroughly incomprehensible to a little boy. And Lettie—magical, comforting, wise beyond her years—promised to protect him, no matter what. A groundbreaking work from a master, The Ocean at the End of the Lane is told with a rare understanding of all that makes us human, and shows the power of stories to reveal and shelter us from the darkness inside and out. It is a stirring, terrifying, and elegiac fable as delicate as a butterfly's wing and as menacing as a knife in the dark.

Under the influence of their charismatic classics professor, a group of clever, eccentric misfits at an elite New England college discover a way of thinking and living that is a world away from the humdrum existence of their contemporaries. But when they go beyond the boundaries of normal morality they slip gradually from obsession to corruption and betrayal, and at last - inexorably - into evil.

The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night. But behind the scenes, a fierce competition is underway—a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them, this is a game in which only one can be left standing, and the circus is but the stage for a remarkable battle of imagination and will. Despite themselves, however, Celia and Marco tumble headfirst into love—a deep, magical love that makes the lights flicker and the room grow warm whenever they so much as brush hands. True love or not, the game must play out, and the fates of everyone involved, from the cast of extraordinary circus per formers to the patrons, hang in the balance, suspended as precariously as the daring acrobats overhead. Written in rich, seductive prose, this spell-casting novel is a feast for the senses and the heart. - Publisher.

"The Goldfinch is a rarity that comes along perhaps half a dozen times per decade, a smartly written literary novel that connects with the heart as well as the mind....Donna Tartt has delivered an extraordinary work of fiction."--Stephen King, The New York Times Book Review Composed with the skills of a master, The Goldfinch is a haunted odyssey through present day America and a drama of enthralling force and acuity. It begins with a boy. Theo Decker, a thirteen-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don't know how to talk to him, and tormented above all by his unbearable longing for his mother, he clings to one thing that reminds him of her: a small, mysteriously captivating painting that ultimately draws Theo into the underworld of art. As an adult, Theo moves silkily between the drawing rooms of the rich and the dusty labyrinth of an antiques store where he works. He is alienated and in love-and at the center of a narrowing, ever more dangerous circle. The Goldfinch is a novel of shocking narrative energy and power. It combines unforgettably vivid characters, mesmerizing language, and breathtaking suspense, while plumbing with a philosopher's calm the deepest mysteries of love, identity, and art. It is a beautiful, stay-up-all-night and tell-all-your-friends triumph, an old-fashioned story of loss and obsession, survival and self-invention, and the ruthless machinations of fate.

Jennifer Egan's spellbinding interlocking narratives circle the lives of Bennie Salazar, an aging former punk rocker and record executive, and Sasha, the passionate, troubled young woman he employs. Although Bennie and Sasha never discover each other's pasts, the reader does, in intimate detail, along with the secret lives of a host of other characters whose paths intersect with theirs, over many years, in locales as varied as New York, San Francisco, Naples, and Africa. We first meet Sasha in her mid-thirties, on her therapist's couch in New York City, confronting her long-standing compulsion to steal. Later, we learn the genesis of her turmoil when we see her as the child of a violent marriage, then as a runaway living in Naples, then as a college student trying to avert the suicidal impulses of her best friend. We plunge into the hidden yearnings and disappointments of her uncle, an art historian stuck in a dead marriage, who travels to Naples to extract Sasha from the city's demimonde and experiences an epiphany of his own while staring at a sculpture of Orpheus and Eurydice in the Museo Nazionale. We meet Bennie Salazar at the melancholy nadir of his adult life--divorced, struggling to connect with his nine-year-old son, listening to a washed-up band in the basement of a suburban house--and then revisit him in 1979, at the height of his youth, shy and tender, reveling in San Francisco's punk scene as he discovers his ardor for rock and roll and his gift for spotting talent. We learn what became of his high school gang--who thrived and who faltered--and we encounter Lou Kline, Bennie's catastrophically careless mentor, along with the lovers and children left behind in the wake of Lou's far-flung sexual conquests and meteoric rise and fall. *A Visit from the Goon Squad* is a book about the interplay of time and music, about survival, about the stirrings and transformations set inexorably in motion by even the most passing conjunction of our fates. In a breathtaking array of styles and tones ranging from tragedy to satire to PowerPoint, Egan captures the undertow of self-destruction that we all must either master or succumb to; the basic human hunger for redemption; and the universal tendency to reach for both--and escape the merciless progress of time--in the transporting realms of art and music. Sly, startling, exhilarating work from one of our boldest writers. *From the Hardcover edition.*

New town, new school, new friends. It was difficult for Ginny at first, but her senior year is finally starting to feel kind of normal. That is, until she sees him—the beautiful mystery in her English class. He has never spoken a word to anyone. He moves through each day at school without making eye contact. His name is Smitty Tibbs, but everyone calls him the Alien. Ginny is convinced there's more to the Alien than his muted exterior. But as she attempts to break into his safe and emotionless world, she realizes her efforts might be causing more harm than good. Has she gone too far, or not far enough?

Miss Lilly's Ballet School has been invited to perform for the Princess of Mouseland, and Angelina hopes to be a prima ballerina. But disaster strikes and she is only given a minor role. Angelina is so disappointed that she wants to leave ballet school, but she decides to work hard for the sake of all her friends in the performance. There is an unexpected turn of events, however, when the prima ballerina sprains her ankle on the day of the show, and Angelina is delighted to be able to step in and save the day!

a Angelina the mouse loves dancing with her friends at Miss Lilly's Ballet School, zooming up and down on roller coasters, being in the comforting arms of her mother, and hearing her father play the fiddle.

Material Girl. Immaculate sexpot. Kabbalah enthusiast. British mum.She has defied categorization for three decades and remained one of our greatest living pop iconsMadonna: Like an Icon is a groundbreaking biography that finally solves the mystery at the heart of Madonna's chameleonlike existence. Extensively researched and perceptively written by journalist Lucy O'Brien, it explores the complex personality and legendary drive that has made Madonna the most famous female pop artist of our time. O'Brien draws upon scores of interviews with producers, musicians, collaborators, lovers, and friends—many of whom have never spoken so candidly—to examine Madonna's fascinating life. From her mother's premature death to her dynamic arrival on the New York club scene to her training for Evita and beyond, every stage of her life is illuminated. Unlike any previous Madonna biographer, O'Brien deconstructs the stereotypes that have plagued the star, whether it was being labeled a self-indulgent siren for her book Sex or criticized for exploiting her celebrity status to adopt baby David in 2006. O'Brien provides an incisive portrayal, from Madonna's early days dancing at gay clubs in Detroit to the producers and musicians she both alienated and amazed in her uncompromising quest to seize on the next cultural wave.

When Amy hurts her ankle, her best friend Michelle has to step in as lead in their dance school ballet, but Michelle needs help from Barbie to believe in herself.

When he is wrongly accused of gravely injuring his baby half-sister, thirteen-year-old Branwell loses his power of speech and only his friend Connor is able to reach him and uncover the truth about what really happened.

When a new classmate stops speaking because of the sudden death of his mother, fifth grader Sam tries to befriend him and risks destroying his relationship with his best friend Alex.

Eddie hasn't had an easy year.First his father dies. Then his best friend Billy accidentally kicks a stack of Sheetrock over on himself, breaking his neck and effectively hitting tilt on his Earthgame. Eddie and Billy were inseparable. Still are. Billy isn't going to let a little thing like death stop him from hanging in there with his friend. And when Eddie faces an epic struggle with the powers that be, Billy will remain right there beside him.

Loosely based on Charles Perrault's "Tom Thumb," seven brothers in modern-day France flee their poor parents' farm, led by the youngest who, although mute and unusually small, is exceptionally wise