Books like Modern architecture and design by Bill Risebero

Kevin Lynch’s pioneering study explores how residents perceive city form and introduces the concept of imageability to guide planners, architects, and citizens in creating more memorable urban environments.

"Index Architecture documents the extensive cross-fertilization of ideas that can occur between architectural practice and education. Through work developed by students and faculty at Columbia University's School of Architecture, it offers not only an archive of avant-garde work but a record of architectural discourse at a time when the design studio has been radically altered by digital technology.". "Writings, interviews, and images are organized according to an alphabetical "index" of key terms. Cross-referencing allows for a rich reading of concepts currently discussed in the field. The contributing critics and theorists include Stan Allen, Karen Bausman, Lise Anne Couture, Kathryn Dean, Evan Douglis, Kenneth Frampton, Leslie Gill, Thomas Hanrahan, Laurie Hawkinson, Steven Holl, Jeffrey Kipnis, Susan Kolatan, Greg Lynn, William MacDonald, Reinhold Martin, Mary McLeod, Victoria Myers, Hani Rashid, Jesse Reiser, Bernard Tschumi, Nanako Umemoto, and Mark Wrigley."--BOOK JACKET.

Charles Rennie Mackintosh's finest work dates from about a dozen intensely creative years around 1900. His buildings in Glasgow, and especially his craggy masterpiece the Glasgow School of Art, are more complex and playful than anything in Britain at that time. His interiors, many of them designed in collaboration with his wife, Margaret Macdonald, are both spare and sensuous, creating a world of heightened aesthetic sensibility. Finally, during the 1920s, he painted a series of watercolours which are as original as anything he had done before. Since his death, Mackintosh has been lauded as a pioneer of the Modern Movement and as a master of Art Nouveau. This book, with illustrations that include specially prepared plans and sections, takes a clear-eyed view of Mackintosh and his achievement, stripping away the myths to reveal a designer of extraordinary sophistication and inventiveness.

An exploration of Zaha Hadid’s visionary designs for art and museum buildings, highlighting her modern architectural style and deconstructivist approach.

Explores the rise and fall of CIAM, the 1928–1960 modernist architectural congress, through its evolving discourse on the “Functional City” and its shift toward social engagement, culminating in the 1959 dissolution.