Books like The end of nature by Bill McKibben

Elizabeth Kolbert explores humanity’s role in today’s mass extinction, weaving science, ecology, and field writing into a compelling account of the planet’s changing biosphere.

Rachel Carson’s *Silent Spring* examines the widespread use of pesticides and their harmful effects on nature, sparking the modern environmental movement.

A powerful and terrifying warning about the dire consequences of global warming, from the acclaimed author of The Seven Obstacles to Climate Change.

Explore how human activity reshapes Earth’s ecosystems, leaving a legacy of environmental change and potential decline.

Alan Weisman’s Countdown asks how many humans Earth can sustain, blending field research with ecological science to chart a path toward a balanced, prosperous future for people and nature.

A gifted mathematician works for a shadowy financial firm that sells insurance against catastrophic events. Obsessed with doomsday models, he faces a real disaster when his worst‑case forecast comes true in Manhattan.

Peter, généticien, est contacté par les délégués de la Commission européenne pour un problème urgent. Mais il perd le contact avec Emma, sa femme, envoyée sur une île tropicale lointaine, et se retrouve isolé en compagnie de scientifiques mystérieux, alors que le nombre des tueurs en série explose.

Short stories exploring the dystopian future of a world spoiled by global warming, with a focus on climate change.

Vandana Shiva examines global water trade, revealing how commodification of water destroys ecosystems and strips the poor of their basic right to a life‑sustaining resource.

We fail to mandate economic sanity," writes Garrett Hardin, "because our brains are addled by ... compassion." With such startling assertions, Hardin has cut a swathe through the field of ecology for decades, winning a reputation as a fearless and original thinker. A prominent biologist, ecological philosopher, and keen student of human population control, Hardin now offers the finest summation of his work to date, with an eloquent argument for accepting the limits of the earth's resources - and the hard choices we must make to live within them. In Living Within Limits, Hardin focuses on the neglected problem of overpopulation, making a forceful case for dramatically changing the way we live in and manage our world. Our world itself, he writes, is in the dilemma of the lifeboat: it can only hold a certain number of people before it sinks - not everyone can be saved. The old idea of progress and limitless growth misses the point that the earth (and each part of it) has a limited carrying capacity; sentimentality should not cloud our ability to take necessary steps to limit population. But Hardin refutes the notion that goodwill and voluntary restraints will be enough. Instead, nations where population is growing must suffer the consequences alone. Too often, he writes, we operate on the faulty principle of shared costs matched with private profits. In Hardin's famous essay, "The Tragedy of the Commons," he showed how a village common pasture suffers from overgrazing because each villager puts as many cattle on it as possible - since the costs of grazing are shared by everyone, but the profits go to the individual. The metaphor applies to global ecology, he argues, making a powerful case for closed borders and an end to immigration from poor nations to rich ones. "The production of human beings is the result of very localized human actions; corrective action must be local ... Globalizing the 'population problem' would only ensure that it would never be solved." Hardin does not shrink from the startling implications of his argument, as he criticizes the shipment of food to overpopulated regions and asserts that coercion in population control is inevitable. But he also proposes a free flow of information across boundaries, to allow each state to help itself. "The time-honored practice of pollute and move on is no longer acceptable," Hardin tells us. We now fill the globe, and we have nowhere else to go. In this powerful book, one of our leading ecological philosophers points out the hard choices we must make - and the solutions we have been afraid to consider.

With the environmental crisis comes a crisis of the imagination, a need to find new ways to understand nature and humanity's relation to it. This is the challenge Lawrence Buell takes up in The Environmental Imagination, the most ambitious study to date of how literature represents the natural environment. With Thoreau's Walden as a touchstone, Buell gives us a far-reaching account of environmental perception, the place of nature in the history of western thought, and the consequences for literary scholarship of attempting to imagine a more "ecocentric" way of being. In doing so, he provides a major new understanding of Thoreau's achievement and, at the same time, a profound rethinking of our literary and cultural reflections on nature. . The green tradition in American writing commands Buell's special attention, particularly environmental nonfiction from colonial times to the present. In works by writers from Crevecoeur to Wendell Berry, John Muir to Aldo Leopold, Rachel Carson to Leslie Silko, Mary Austin to Edward Abbey, he examines enduring environmental themes such as the dream of relinquishment, the personification of the nonhuman, an attentiveness to environmental cycles, a devotion to place, and a prophetic awareness of possible ecocatastrophe. At the center of this study we find an image of Walden as a quest for greater environmental awareness, an impetus and guide for Buell as he develops a new vision of environmental writing and seeks a new way of conceiving the relation between human imagination and environmental actuality in the age of industrialization. Intricate and challenging in its arguments, yet engagingly and elegantly written, The Environmental Imagination is a major work of scholarship, one that establishes a new basis for the reading of American nature writing.

Uma parábola sobre os tempos atuais, por um de nossos maiores pensadores indígenas. Ailton Krenak nasceu na região do vale do rio Doce, um lugar cuja ecologia se encontra profundamente afetada pela atividade de extração mineira. Neste livro, o líder indígena critica a ideia de humanidade como algo separado da natureza, uma “humanidade que não reconhece que aquele rio que está em coma é também o nosso avô”. Essa premissa estaria na origem do desastre socioambiental de nossa era, o chamado Antropoceno. Daí que a resistência indígena se dê pela não aceitação da ideia de que somos todos iguais. Somente o reconhecimento da diversidade e a recusa da ideia do humano como superior aos demais seres podem ressignificar nossas existências e refrear nossa marcha insensata em direção ao abismo. “Nosso tempo é especialista em produzir ausências: do sentido de viver em sociedade, do próprio sentido da experiência da vida. Isso gera uma intolerância muito grande com relação a quem ainda é capaz de experimentar o prazer de estar vivo, de dançar e de cantar. E está cheio de pequenas constelações de gente espalhada pelo mundo que dança, canta e faz chover. [...] Minha provocação sobre adiar o fim do mundo é exatamente sempre poder contar mais uma história.” Desde seu inesquecível discurso na Assembleia Constituinte, em 1987, quando pintou o rosto com a tinta preta do jenipapo para protestar contra o retrocesso na luta pelos direitos indígenas, Krenak se destaca como um dos mais originais e importantes pensadores brasileiros. Ouvi-lo é mais urgente do que nunca. Ideias para adiar o fim do mundo é uma adaptação de duas conferências e uma entrevista realizadas em Portugal, entre 2017 e 2019.