Books like Karl Doenitz and the Last Days of the Third Reich by Barry Turner

A comprehensive history of Nazi Germany from 1933 to 1945, detailing the rise of Adolf Hitler and the collapse of the Third Reich during World War II.

Ian Kershaw's Hitler offers an intimate and compelling biography of Adolf Hitler, focusing on his rise to power through vivid descriptions of key events and figures in Germany's history. The author's research is supported by many previously untapped sources, bringing us closer to understanding the mysterious and controversial figure that Hitler was.

A firsthand account by journalist William L. Shirer, detailing life in Nazi Germany from 1933 to 1941, and the transformation of a democratic nation into a totalitarian regime.

The definitive account of Germany's malign transformation under Hitler's total rule and the implacable march to warThis magnificent second volume of Richard J. Evans's three-volume history of Nazi Germany was hailed by Benjamin Schwartz of the Atlantic Monthly as "the definitive English-language account...gripping and precise." It chronicles the incredible story of Germany's radical reshaping under Nazi rule. As those who were deemed unworthy to be counted among the German people were dealt with in increasingly brutal terms, Hitler's drive to prepare Germany for the war that he saw as its destiny reached its fateful hour in September 1939. The Third Reich in Power is the fullest and most authoritative account yet written of how, in six years, Germany was brought to the edge of that terrible abyss.

A look at OSS spymaster Allen Dulles and his covert operations in Nazi Germany during World War II.

xi, 483 pages ; 21 cm

"In a remarkable synthesis of key scholarship and historical resources, Frederic Spotts portrays the "National Socialist revolution" as much less a social than a cultural revolution. Spotts maintains that Hitler viewed himself first and foremost as an artist, that his activities were largely directed to the promotion of the arts, and that his driving ambition was to create a supreme culture state, while at the same time using the arts to disguise the heinous crimes that were the means to fulfilling his ends." "Unlike the traditional biographical view that Hitler was an "unperson," who had no life outside politics, Spotts, author of the distinguished Bayreuth: A History of the Wagner Festival, shows that Hitler's interest in the arts was as intense as his racism. Spotts offers the first analysis of Hitler's own work as a painter as well as of his art collection - one Hitler intended to make the finest in the world. Spotts's argument is punctuated with evocative photographs and reproductions from Hitler's 1925 sketchbook." "Hitler's vision of the Aryan super-state was, as Spotts points out, to be expressed as much in art as in politics. Culture was not only the end to which power should aspire, but the means of achieving it. This fundamental assessment of Hitler's career and artistic life in the Third Reich boldly shows how the arts were at the center of his life and that he was at the center of the arts. He dissolved the line between art and politics and - through the notorious spectacles, parades, festivals, films, rallies, Wagner's operas and (late in life) Lehar's operettas, political theatrics, monumental architecture, even the autobahn and the Volkswagen - turned the entre German populace into participants in his National Socialist drama." "A revealing, detailed, and highly conceptual work, Hitler and the Power of Aesthetics provides an additional key to an understanding of the Third Reich - in many ways the key to the first lock on the first door. It has, until now, been only noted in the more speculative psychological portraits, biographies, and straightforward histories of the Third Reich."--Jacket.

James P. O'Donnell, a Signal Corps Intelligence officer in World War II and a Newsweek correspondent, has written a fresh, exciting account of the last few months of Adolf Hitler's life, that period during which the warlord of the Third Reich buried himself in his bunker while his empire and his entourage disintegrated. There is much here that is already known, but O'Donnell's interviews with some 50 WW II survivors who were actually in Hitler's bunker at various times, has led to some fascinating and convincing speculations. O'Donnell makes a good case, for example, that a secret agent (known as ""Mata O'Hara"") was able to operate at the very fringes of Hitler's inner circle. He proves, as well, that Martin Bormann is as dead as Hitler, and reveals that the first Russians to enter the bunker were not soldiers, but Russian women in search of Eva Braun's discarded clothes. And what is already public knowledge--Hitler's weakening and escape into fantasy, the confusion and waste of the last defense of Berlin, the attempts by Hitler's entourage to escape the oncoming Russians--is here supported and embellished with new evidence: Albert Speer's written recollections of those days, for instance, are supplemented and broadened by his personal interviews with the author. O'Donnell's prose leaves nothing to be desired--it is not only never dull, but it is also witty, and even at times unpretentiously learned. An exciting treatment of a ghoulishly interesting topic.

Henry Friedlander details how the Nazi "euthanasia" program against handicapped and disabled people became the prototype for the systematic extermination of Jews and Roma during the Holocaust.

A concise biography of Adolf Hitler, the dictator of Nazi Germany, outlining his rise to power, key decisions, and Legacy. Features source notes and a timeline to support research.