Books like Literary Theory and Criticism by Anne H. Stevens

Terry Eagleton’s literary criticism survey offers a clear, engaging introduction to the major movements in 20th‑century literary studies.

xii, 244p. : 22cm

A practical guide for young writers on starting, maintaining, and enjoying personal diaries, with step‑by‑step instructions, real‑world examples, and excerpts from both celebrated and lesser‑known journals.

A full-text searchable database of articles on individual critics and theorists, critical and theoretical schools and movements, and the critical and theoretical innovations of specific countries and historical periods. It also treats related persons and fields that have been shaped by or have themselves shaped literary theory and criticism. Each entry includes a selective primary and secondary bibliography.

Prosthesis is an experiment in critical writing that both analyzes and performs certain questions about the body as an "artificial" construction. The book deals with the mechanical (e.g., a mechanical prosthesis like a father's artificial leg) in that most humanistic of discourses, the artistic - in order to demonstrate to what extent a supposedly natural creation relies on artificial devices of various kinds. It is distinguished from a thematics of the prosthetic in literature by its complex articulation with accounts of the amputee father's discomfort, slipping back and forth between an apparently constative and a more obviously performative mode, in and out of fiction and autobiography. Prosthesis is an experiment in critical writing that both analyzes and performs certain questions about the body as an "artificial" construction. The book deals with the mechanical (e.g., a mechanical prosthesis like a father's artificial leg) in that most humanistic of discourses, the artistic - in order to demonstrate to what extent a supposedly natural creation relies on artificial devices of various kinds. It is distinguished from a thematics of the prosthetic in literature by its complex articulation with accounts of the amputee father's discomfort, slipping back and forth between an apparently constative and a more obviously performative mode, in and out of fiction and autobiography. Cutting across the terrains occupied traditionally by the history of medicine, film studies, art history, philosophy, psychoanalysis, literary theory, and fiction, it finds an artistic or cultural pretext for each of its expositions - a line from Virgil, a painting by Conder, a theory by Freud, a film by Greenaway, a text by Derrida, novels by Roussel or Gibson, a sixteenth-century rhetoric - that connects thematically or theoretically with the question of prosthesis.