Books like Spill by Alexis Pauline Gumbs

Alice Walker's 1982 novel, The Color Purple, won the Pulitzer Prize and National Book Award, exploring the lives of black women in the South and their experiences of abuse and struggle for independence.

James Baldwin’s 1963 essay collection, written as two letters for the centennial of the Emancipation Proclamation, confronts America’s racial injustices and urges both black and white citizens to confront the legacy of racism.

A groundbreaking work that explains how trauma rewires the brain and body, and presents evidence‑based therapies—from neurofeedback to yoga—that unlock the mind’s natural capacity for healing.

A powerful anthology of essays by Audre Lorde that traces her intellectual evolution, highlights her advocacy for minority women writers, and examines the intersections of sex, race, and class.

Robin Wall Kimmerer blends scientific inquiry and Indigenous wisdom, illustrating how listening to plant and animal languages can deepen our ecological stewardship.

A collection of Maya Angelou's poetry celebrating life, strength, love, and remembrance.

A powerful memoir chronicling the bond between Ta-Nehisi Coates and his father, a Vietnam veteran and Black Panther activist, as he guides his sons through Baltimore’s crack‑ridden streets to Howard University.

"Following the innovative collection Spill, Alexis Pauline Gumbs's M Archive--the second book in a planned experimental triptych--is a series of poetic artifacts that speculatively documents the persistence of Black life following a worldwide cataclysm. Engaging with the work of the foundational Black feminist theorist M. Jacqui Alexander, and following the trajectory of Gumbs's acclaimed visionary fiction short story "Evidence," M Archive is told from the perspective of a future researcher who uncovers evidence of the conditions of late capitalism, antiblackness, and environmental crisis while examining possibilities of being that exceed the human. By exploring how Black feminist theory is already after the end of the world, Gumbs reinscribes the possibilities and potentials of scholarship while demonstrating the impossibility of demarcating the lines between art, science, spirit, scholarship, and politics" -- From the publisher.

"In DUB Alexis Pauline Gumbs continues with the third book in her poetry series, the first two books being Spill, inspired by Hortense Spillers, and M Archive, inspired by Jacqui Alexander. Whereas Spill deals with the contemporary afterlives of slavery and M Archive describes the post-dated evidence of our imminent apocalypse, DUB destroys Gumbs' own origin story, as she questions the assumptions and histories she has held onto most of her life. This text, through engagement with Sylvia Wynter's rigor, reinvents language outside of personal histories. DUB is organized into topical sections, where spacious prose poems animate the voice of an underwater chorus in ceremonies that flow into one another. Beginning a daily writing practice, Gumbs wrote DUB based on moments of emphasis in Sylvia Wynter's essays (and one interview over several decades). This book is influenced by the promiscuity and prolificity of dub music, the confrontational home-grown intimacy of dub poetry, and the descendants of this work. Dub uses the impact of repetition and the incantatory power of the spoken broken word. Gumbs uses dub to emphasize that Sylvia Wynter learned every colonial language and came to the conclusion that the ways of thinking that made colonialism and slavery imaginable were constructed over time and heretical to the ways of thinking that came before them; and so it must be possible to construct ways to understand life and place differently now as well. Gumbs goes back to the origin stories that precede her and turns the blood into paint, emphasizing that "then" is also "now" through the broken and intense voices of ancestors. Inspired by Wynter's heretical poetic action against our deepest beliefs, DUB is an artifact and tool for breath retraining and interspecies ancestral listening. Throughout the text, listening includes speakers who have never been considered human: whales and algae. Gumbs is attentive to kindred beyond taxonomy, questioning kinship loyalty, and suggests that our perceived survival needs are responses to a story we made up and told ourselves was written by our genes, a story that can be changed. This book will be of interest to scholars of African-American studies, diaspora studies, feminism, queer theory, English, creative writing and poetry"--