Books like Studying literary theory by Webster, Roger

The second edition of "Literary Criticism" by Charles E. Bressler guides readers through the historical evolution and main theoretical positions of eleven literary schools, fostering informed, thoughtful interpretation.

A comprehensive glossary defining key terms of contemporary literary theory with full bibliographic references.

xii, 244p. : 22cm

An approachable entry into literary theory, guiding readers through major critical approaches, their historical and political contexts, practical examples, and further reading, to show how theory transforms the act of reading.

A full-text searchable database of articles on individual critics and theorists, critical and theoretical schools and movements, and the critical and theoretical innovations of specific countries and historical periods. It also treats related persons and fields that have been shaped by or have themselves shaped literary theory and criticism. Each entry includes a selective primary and secondary bibliography.

Prosthesis is an experiment in critical writing that both analyzes and performs certain questions about the body as an "artificial" construction. The book deals with the mechanical (e.g., a mechanical prosthesis like a father's artificial leg) in that most humanistic of discourses, the artistic - in order to demonstrate to what extent a supposedly natural creation relies on artificial devices of various kinds. It is distinguished from a thematics of the prosthetic in literature by its complex articulation with accounts of the amputee father's discomfort, slipping back and forth between an apparently constative and a more obviously performative mode, in and out of fiction and autobiography. Prosthesis is an experiment in critical writing that both analyzes and performs certain questions about the body as an "artificial" construction. The book deals with the mechanical (e.g., a mechanical prosthesis like a father's artificial leg) in that most humanistic of discourses, the artistic - in order to demonstrate to what extent a supposedly natural creation relies on artificial devices of various kinds. It is distinguished from a thematics of the prosthetic in literature by its complex articulation with accounts of the amputee father's discomfort, slipping back and forth between an apparently constative and a more obviously performative mode, in and out of fiction and autobiography. Cutting across the terrains occupied traditionally by the history of medicine, film studies, art history, philosophy, psychoanalysis, literary theory, and fiction, it finds an artistic or cultural pretext for each of its expositions - a line from Virgil, a painting by Conder, a theory by Freud, a film by Greenaway, a text by Derrida, novels by Roussel or Gibson, a sixteenth-century rhetoric - that connects thematically or theoretically with the question of prosthesis.

vi, 379 p. ; 24 cm

Now in its fourth edition, A Handbook of Critical Approaches to Literature has become a standard introduction to the close reading of literature. It offers students and other readers a variety of ways to interpret a piece of literature, ranging from traditional approaches through the formalist, the psychological, the mythic and archetypal, and into such contemporary approaches as feminist criticism and cultural studies. Applying these diverse approaches to the same five works, the book shows students how various methods offer different insights, enriching their response to and understanding of the individual work. This fourth edition features a new chapter on cultural studies and the inclusion and interpretation of Alice Walker's singularly rich short story, "Everyday Use."