Books like Stop-Motion Puppet Sculpting by Tom Brierton


First publish date: 2004
Authors: Tom Brierton
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Stop-Motion Puppet Sculpting by Tom Brierton

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Books similar to Stop-Motion Puppet Sculpting (7 similar books)

Fingerlings by 10688066|Jean Stangl book cover

πŸ“˜ Fingerlings


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Stop Motion Filmmaking by 9768911|Christopher Walsh book cover

πŸ“˜ Stop Motion Filmmaking


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The Art of Stop-Motion Animation by 7438183|Ken A. Priebe book cover

πŸ“˜ The Art of Stop-Motion Animation


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πŸ“˜ Stop-Motion Armature Machining


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Puppets by 6799499|Kelly Burkholder book cover

πŸ“˜ Puppets

Exploring the history, making, and performance of puppets for children, including different types of puppets, basic puppet making techniques, and how to create a puppet show for a younger audience, while also touching on the broader themes of theater and performance art in a playful and interactive manner suitable for young readers and learners alike.

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Stop-motion filming and performance by 4685738|Tom Brierton book cover

πŸ“˜ Stop-motion filming and performance


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Coraline by 14053087|Mihaela Mihailova book cover

πŸ“˜ Coraline

"This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com Coraline (Henry Selick, 2009) is stop-motion studio LAIKA's feature-length debut based on the popular children's novel by British author Neil Gaiman. Heralding a revival in global interest in stop-motion animation, the film is both an international cultural phenomenon and a breakthrough moment in the technological evolution of the craft. This collection brings together an international group of practitioners and scholars to examine Coraline' s place in animation history and culture, dissect its politics, and unpack its role in the technological and aesthetic development of its medium. More broadly, it celebrates stop motion as a unique and enduring artform while embracing its capacity to evolve in response to cultural, political, and technological changes, as well as shifting critical and audience demands. Divided into three sections, this volume's chapters situate Coraline within an interconnected network of historical, industrial, discursive, theoretical, and cultural contexts. They place the film in conversation with the medium's aesthetic and technological history, broader global intellectual and political traditions, and questions of animation reception and spectatorship. In doing so, they invite recognition -- and appreciation -- of the fact that Coraline occupies many liminal spaces at once. It straddles the boundary between children's entertainment and traditional 'adult' genres, such as horror and thriller. It complicates a seemingly straight(forward) depiction of normative family life with gestures of queer resistance. Finally, it marks a pivotal point in stop-motion animation's digital turn. Following the film's recent tenth anniversary, the time is right to revisit its production history, evaluate its cultural and industry impact, and celebrate its legacy as contemporary stop-motion cinema's gifted child. As the first book-length academic study of this contemporary animation classic, this volume serves as an authoritative introduction and a primary reference on the film for scholars, students, practitioners, and animation fans."--

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Stop-Motion Animation: Frame by Frame Film-Making by Barry J. Purves
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The Art of Creature Design by Toby Gard
Stop-Motion: Crafting Inanimate Figures by Tony White
Stop-Motion Animation: How to Create Physically Realistic Motion by Norman Mittleman
The Visual Effects Arsenal: Over 170 Arsenal of Visual Effects Tips, Tricks, and Techniques by Bill Byrne
Stop-Motion Animation: Principles and Practice by Nick Park
Digital Puppetry: Creating Interactive Characters for Film and Entertainment by John G. Reider

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