Books like The Great Divide by Studs Terkel

A reflection on race, Barack Obama's presidency, and the election of Donald Trump by the National Book Award-winning author of 'Between the World and Me'.

First published in 1992 at the height of the furor over the Rodney King incident, Studs Terkel's Race was an immediate bestseller. In a rare and revealing look at how people in America truly feel about race, Terkel brings out the full complexity of the thoughts and emotions of both blacks and whites, uncovering a fascinating narrative of changing opinions. Preachers and street punks, college students and Klansmen, interracial couples, the nephew of the founder of apartheid, and Emmett Till's mother are among those whose voices appear in Race. In all, nearly one hundred Americans talk openly about attitudes that few are willing to admit in public: Feelings about affirmative action, gentrification, secret prejudices, and dashed hopes.

For over two centuries, America has celebrated the same African-American culture it attempts to control and repress, and nowhere is this phenomenon more apparent than in the strange practice of blackface performance. Born of extreme racial and class conflicts, the blackface minstrel show appropriated black dialect, music, and dance; at once applauded and lampooned black culture; and, ironically, contributed to a "blackening of America." Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of the years leading up to the Civil War. Reading minstrel music, lyrics, jokes, burlesque skits, and illustrations in tandem with working-class racial ideologies and the sex/gender system, Love and Theft argues that blackface minstrelsy both embodied and disrupted the racial tendencies of its largely white, male, working-class audiences. Underwritten by envy as well as repulsion, sympathetic identification as well as fear--a dialectic of "love and theft"--the minstrel show continually transgressed the color line even as it enabled the formation of a self-consciously white working class. Lott exposes minstrelsy as a signifier for multiple breaches: the rift between high and low cultures, the commodification of the dispossessed by the empowered, the attraction mixed with guilt of whites caught in the act of cultural thievery. This new edition celebrates the twentieth anniversary of this landmark volume. It features a new foreword by renowned critic Greil Marcus that discusses the book's influence on American cultural studies as well as its relationship to Bob Dylan's 2001 album of the same name, "Love & Theft." In addition, Lott has written a new afterword that extends the study's range to the twenty-first century [Publisher description]

Life stories, based on personal interviews, of some seventy selected residents of Chicago, Ill. intended to portray changes occurring in the U.S.A. during the past few decades.

Seven people who created the 1960s counterculture that changed America.

An oral history of the late 1960s that captures the voices of activists, organizers, students and veterans during the Vietnam War era, detailing protests, campus strife, and the turbulent social movements that shook American society.

John Thompson’s autobiography reveals the impact of a former basketball coach on American history and race relations.