Books like Have Gun Will Travel by Ronin Ro

A sweeping late‑nineteenth‑century cattle drive from Texas to Montana follows former Texas Rangers Augustus McCrae and William F. Call as they confront the American West's myths, love, and violence in this epic of adventure and friendship.

Craig of the Mohicans, a frontier scout turns away from civilization, forming a bond with a Mohican warrior as they escort two sisters across the perilous wilderness of America's frontier.

Fourteen‑year‑old Mattie Ross sets out from Fort Smith, Arkansas, to hunt down Tom Chaney—whom she blames for her father’s death—guided by the grizzled U.S. Marshal Rooster Cogburn.

A young woman defends her faith and freedom in a polygamous Mormon community while hunting her captors in the rugged American West.

Retromania tracks how our pop culture’s obsession with reissues, reunions, and nostalgia threatens originality, revealing a tipping point in the way we consume and preserve music history.

American studies scholar and former deejay Alice Echols captures the experience of the Disco Years--on dance floors, at the movies, in the streets, and beneath the sheets. Disco may have presented itself as shallow and disposable--the platforms, polyester, and plastic vibe of it all--but the disco scene carved out a haven for gay men who reclaimed their sexuality on dance floors where they had once been surveilled and harassed; it thrust black women onto center stage as some of the genre's most prominent stars; and it paved the way for the opening of Studio 54 and the viral popularity of the shoestring-budget Saturday Night Fever, a movie that challenged traditional notions of masculinity, even for heterosexuals. But while exploring the cultural milieu, Echols never loses sight of the era's defining soundtrack, which propelled popular music into new sonic territory, influencing everything from rap and rock to techno and trance.--From publisher description.

“Punk rock and hip-hop. Disco and salsa. The loft jazz scene and the downtown composers known as Minimalists. In the mid-1970s, New York City was a laboratory where all the major styles of modern music were reinvented—all at once, from one block to the next, by musicians who knew, admired, and borrowed from one another. Crime was everywhere, the government was broke, and the city’s infrastructure was collapsing. But rent was cheap, and the possibilities for musical exploration were limitless. Love Goes to Buildings on Fire is the first book to tell the full story of the era’s music scenes and the phenomenal and surprising ways they intersected. From New Year’s Day 1973 to New Year’s Eve 1977, the book moves panoramically from post-Dylan Greenwich Village, to the arson-scarred South Bronx barrios where salsa and hip-hop were created, to the Lower Manhattan lofts where jazz and classical music were reimagined, to ramshackle clubs like CBGBs and The Gallery, where rock and dance music were hot-wired for a new generation. As they remade the music, the musicians at the center of the book invented themselves: Willie Colón and the Fania All-Stars renting Yankee Stadium to take salsa to the masses, New Jersey locals Bruce Springsteen and Patti Smith claiming the jungleland of Manhattan as their own, Grandmaster Flash transforming the turntable into a musical instrument, David Byrne and Talking Heads proving that rock music “ain’t no foolin’ around.” Will Hermes was there—venturing from his native Queens to rooms where the revolutions were taking place—and in Love Goes to Buildings on Fire he captures the creativity, drive, and full-out lust for life of the great New York musicians of those years, whose sounds would change the world.” BOOK JACKET

"Describes the culture of hip-hop, including DJing, MCing, breakdancing, and graffiti"--Provided by publisher.

Explores the Great Books mania, in an entertaining and strangely poignant portrait of American popular culture on the threshold of the television age.

Mark Edmundson examines how the Gothic permeates American culture—from literature and film to politics, media, and therapy—while questioning the era’s fascination with self-reinvention.

An informal and personal description of the rise and fall of comic books in the '40s and '50s, with a focus on the Educational Comics (E.C.) company run by Gains, father then son (M.C. then William). The fall came in two steps, the first in the '40s and aimed at crime comics, and the second in the '50s and aimed at almost all comics, but with emphasis on horror comics.