Books like The dark valley : a panorama of the 1930s by Piers Brendon

The chilling, little-known story of the rise of Nazism in Los Angeles, and the Jewish leaders and spies they recruited who stopped it.

Born 1880. Shot dead 1911. Buried 1997. In life Elmer McCurdy was a plumber-cum-miner who jumped a train and drifted west across America on the back of an infectious, turn-of-the-century optimism. He was a drunk too and, soon enough, a failed outlaw. In 1911, after a short spree of failed robberies, he held up the wrong train and rode away with a haul that was described by papers as "one of the smallest in the history of train robbery." It wasn't long before the sheriff and his posse caught up with him and shot him dead. At this point McCurdy, like us all, should have slipped into the earth and quietly from memory. But, in death, he accidentally found fame. From the Joseph Johnson Funeral Home, where the owner propped up McCurdy's preserved corpse and charged a nickel-a-look, to the sideshows of the Great Patterson Carnival where he was exhibited as a felled outlaw, McCurdy became big business. In 1928 he was the star attraction in a carnival that accompanied an extraordinary transcontinental running race from Los Angeles to New York. In the 30s and 40s, he was reinvented as a prop for a series of Hollywood exploitation films like Dwain (Reefer Madness) Esper's film Narcotic, before winding up painted day-glow orange and hanging by his neck in the Laff in the Dark ghost tunnel in Long Beach, California. It was here, in 1976, during the filming of an episode of The six Million Dollar Man, that Elmer was rescued from his strange journey, a forgotten corpse as light as tinderwood. In his mouth the coroner discovered a green, corroded 1924 penny and a ticket stub that read "Louis Sonney's Museum of Crime". Mark Svenvold tells the bizarre story of this quixotic American anti-hero and the journey through the 20th century of his embalmed remains. A travel book, an exposition of the exotic corners of the entertainment industry, a meditation on death and its meanings and one of the most daring biographies of recent times, Elmer McCurdy brilliantly reveals America's deepest obsessions and how they have changed. - Jacket flap.

Historian Fergusson provides a revolutionary reinterpretation of the modern era that resolves its central paradox: why unprecedented progress coincided with unprecedented violence, and why the seeming triumph of the West bore the seeds of its undoing. From the conflicts that presaged the First World War to the aftershocks of the Cold War, the twentieth century was by far the bloodiest in all of human history. How can we explain the astonishing scale and intensity of its violence when, thanks to the advances of science and economics, most people were better off than ever before? Wherever one looked, the world in 1900 offered the happy prospect of ever-greater interconnection. Why, then, did global progress descend into internecine war and genocide? Drawing on a pioneering combination of history, economics, and evolutionary theory, Ferguson examines what he calls the age of hatred and sets out to explain what went wrong with modernity. --From publisher description.

Ira Katznelson’s *Fear Itself* reexamines the New Deal era, positioning American democracy against the rise of fascism and communism while exploring racial segregation’s impact on the nation’s political landscape.

Laurence Rees uncovers clandestine agreements and hidden presidential decisions that shaped the outcomes of World War II, revealing new archival evidence and firsthand testimonies.

The U.S. must regain its international leadership role.