Books like Are Men Necessary? by Maureen Dowd

CliffsComplete offers the full original text of Shakespeare’s comedy, The Taming of the Shrew, paired with scene‑by‑scene commentary, glossary, and a character map to aid study of its social themes and historical context.

Chimamanda Ngozi Adichie redefines feminism for the 21st century, drawing on her experiences and TL;DER sexual politics, urging everyone to embrace feminist principles.

A groundbreaking guide to embracing vulnerability and courage.

Rebecca Solnit explores the dynamics of gendered conversation, examining how men often presume authority while women are silenced, and linking this to broader patterns of sexism and violence.

A concise guide of fifteen practical suggestions on raising daughters as strong, independent feminists, drawn from the author's personal letter to a friend.

Judith Butler’s seminal text challenges essentialist views of sex and gender, proposing that identity is constructed through repeated social performances.

Virginia Woolf’s essays, First a lecture‑turned‑book on women’s economic and social freedom, followed by a critical study of war, combine fiction, history and feminist theory to examine the constraints shaping female creativity.

A classic of feminism, *Backlash* exposes the backlash against women's rights.

Blithely flinging aside the Victorian manners that kept her disapproving mother corseted, the New Woman of the 1920s puffed cigarettes, snuck gin, hiked her hemlines, danced the Charleston, and necked in roadsters. More important, she earned her own keep, controlled her own destiny, and secured liberties that modern women take for granted. Her newfound freedom heralded a radical change in American culture.Whisking us from the Alabama country club where Zelda Sayre first caught the eye of F. Scott Fitzgerald to Muncie, Indiana, where would-be flappers begged their mothers for silk stockings, to the Manhattan speakeasies where patrons partied till daybreak, historian Joshua Zeitz brings the era to exhilarating life. This is the story of America's first sexual revolution, its first merchants of cool, its first celebrities, and its most sparkling advertisement for the right to pursue happiness.The men and women who made the flapper were a diverse lot. There was Coco Chanel, the French orphan who redefined the feminine form and silhouette, helping to free women from the torturous corsets and crinolines that had served as tools of social control. Three thousand miles away, Lois Long, the daughter of a Connecticut clergyman, christened herself "Lipstick" and gave New Yorker readers a thrilling entree into Manhattan's extravagant Jazz Age nightlife.In California, where orange groves gave way to studio lots and fairytale mansions, three of America's first celebrities--Clara Bow, Colleen Moore, and Louise Brooks, Hollywood's great flapper triumvirate--fired the imaginations of millions of filmgoers.Dallas-born fashion artist Gordon Conway and Utah-born cartoonist John Held crafted magazine covers that captured the electricity of the social revolution sweeping the United States.Bruce Barton and Edward Bernays, pioneers of advertising and public relations, taught big business how to harness the dreams and anxieties of a newly industrial America--and a nation of consumers was born.Towering above all were Zelda and Scott Fitzgerald, whose swift ascent and spectacular fall embodied the glamour and excess of the era that would come to an abrupt end on Black Tuesday, when the stock market collapsed and rendered the age of abundance and frivolity instantly obsolete.With its heady cocktail of storytelling and big ideas, Flapper is a dazzling look at the women who launched the first truly modern decade.From the Hardcover edition.

The forefront British dance critic and award-nominated author of Bloomsbury Ballerina presents a revisionist assessment of the movement that shattered the boundaries of conventional femininity through the lives of six figures that exemplified it, including Lady Diana Cooper, Nancy Cunard, Tallulah Bankhead, Zelda Fitzgerald, Josephine Baker and Tamara de Lempicka. Glamorised, mythologised and demonised, the women of the 1920s prefigured the 1960s in their determination to reinvent the way they lived. This is in part a biography of that restless generation: starting with its first fashionable acts of rebellion just before the Great War, and continuing through to the end of the decade when the Wall Street crash signal led another cataclysmic world change. It focuses on six women who between them exemplified the range and daring of that generation's spirit, women who, in their very different ways, epitomise the decade in which they came of age, the 1920s. Contains primary source material

"Christina Hoff Sommers analyzes the work of the leading academic experts, Carol Gilligan and William Pollack, and finds it lacking in scientific rigor. There is no girl crisis, says Sommers. Girls are outperforming boys academically, and girls' self-esteem is no different from boys'. Boys lag behind girls in reading and writing ability, and they are less likely to go to college.". "The "girl crisis" has been seized upon by some feminists and has been suffused with sexual politics. Under the guise of helping girls, many schools have adopted policies that penalize boys, often for simply being masculine. Sommers says that boys do need help, but not the sort they've been getting. They need help catching up with girls academically. They need love, discipline, respect, and moral guidance. They desperately need understanding. They do not need to be rescued from masculinity."--BOOK JACKET.

Summary:For the first time in history, will it be better to be a woman than a man in the upcoming century? The twelfth semi-annual Munk Debate pits renowned author and editorHanna Rosin and Pulitzer Prizewinning columnist Maureen Dowd against New York Timesbestselling author Caitlin Moran and academic trailblazer Camille Paglia to debate one of the biggest socio-economic phenomena of our time the relative decline of the power and status of men in the workplace, in the family, and society at large. Men have traditionally been the dominant sex. But now, for the first time, a host of indicators suggests that women not only are achieving equality with men, but are fast emerging as the more successful sex of the species. Whether in education, employment, personal health, or child rearing, statistics point to a rise in the status and power of women at home, in the workplace, and in traditional male bastions such as politics. But are men, and the age-old power structures associated with maleness, permanently in decline? With women increasingly demonstrating their ability to have it all while men lag behind, the Munk Debate on gender tackles the essential socio-economic question: Are men obsolete?-WorldCat