Books like The wild iris by Louise Glück

In winter England, Caroline West seeks refuge in the village of High Ambo, only to find herself drawn into a humorous family drama involving her sister Iris, a budding reporter, a charming schoolmaster, and a sweetly naive Polly.

**2014 da Vinci Eye Finalist** **ForeWord Reviews‘ 2012 Book of the Year Award Finalist** **2013 Hurston/Wright Legacy Award Finalist** “The message in the so-sick-it muse ic is all on the cover, O’Jays style. The bills are pressing but this book (a We) can help you (Now!) gain a stamp of heritage, your own postal traveling shoes, in the office of International (if not Domestic) Acceptance especially if the real tradition, a mature Langston Hughes in a hat, frames your introduction.” —*Boston Review* “Hand feels Simone’s life as if she herself is living it; as if Simone’s ghosts have leapt into her—and she makes artful poems as their hearts beat in her own body.” —*The Mom Egg* “Hand varies the form and voices in her poems deftly into a contemporary blues that speaks to a woman’s creative challenges within the streams of family that flows in unpredictable rhythms.” —*On the Seawall* “…like ‘two souls in a duet.'” —*Library Journal* “When a poem is good, I feel it in my body…a commotion in my pit…this is a collection of commotion.” —*Yes, Poetry* “Monica A. Hand’s *me and Nina* is a beautiful book by a soul survivor. In these poems she sings deep songs of violated intimacy and the hard work of repair. The poems are unsentimental, blood-red, and positively true, note for note, like the singing of Nina Simone herself. Hand has written a moving, deeply satisfying, and unforgettable book.” —Elizabeth Alexander “In *me and Nina* Monica A. Hand depicts, as Nina Simone did, what it is to be gifted and Black in America. She shifts dynamically through voices and forms homemade, received and re-imagined to conjure the music (and Muses) of art and experience. This is a debut fiercely illuminated by declaration and song.” —Terrance Hayes “Monica A. Hand sings us a crushed velvet requiem of Nina Simone. She plumbs Nina’s mysterious bluesline while recounting the scars of her own overcoming. Hand joins the chorus of shouters like Patricia Smith and Wanda Coleman in this searchlight of a book, bearing her voice like a torch for all we’ve gained and lost in the heat of good song.” ―Tyehimba Jess

Alice Notley's poetry collection featuring imaginary conversations with herself, exploring serious themes in a playful manner.

«O Livro de Horas nasceu do encontro do jovem Rilke com a espiritualidade, a cultura e a arte da Rússia ortodoxa, que ele visitou por duas vezes, em 1899 e em 1901, com Lou Andreas-Salomé. Nessa Rússia, Rilke encontrou não apenas uma religiosidade capaz de iluminar os cenários inaugurados pela nova civilização industrial mas também a matéria que lhe permitiu elaborar um modelo de temporalidade que será fundamental para construir a sua teoria estética e poética.» António Guerreiro, Expresso

Alice Notley's latest collection explores the complex intersection of the visible and unconscious through a seedy detective dialogue.