Books like Hellenism and Homosexuality in Victorian Oxford by Linda C. Dowling

A coming‑of‑age narrative set in 19th‑century England, following young David Copperfield as he navigates orphanhood, hardship and society’s social hierarchies.

Queer Others in Victorian Gothic investigates how nineteenth‑century British authors used gothic horror to explore sexuality, gender, class, and race, revealing early queer perspectives and contemporary echoes of Victorian 'otherness'.

Working from classic texts of European and American writers―including Melville, James, Nietzsche, Proust, and Wilde―Sedgwick analyzes a turn-of-the-century historical moment in which sexual orientation became as important a demarcation of personhood as gender had been for centuries. In her preface to this updated edition Sedgwick places the book both personally and historically, looking specifically at the horror of the first wave of the AIDS epidemic and its influence on the text.

Explore early 20th‑century London’s hidden queer streets, clubs, and cultural life in Matt Houlbrook’s meticulous history, drawn from police files, newspapers, and personal letters.

In a study that will be of interest to all those concerned with the politics of gender, the history of sexuality, and the erotics of reading, Christopher Craft investigates questions fundamental to any history of present sexualities. How does the modern binary homosexual/heterosexual relate to earlier formulations like "sexual inversion" and "sodomy"? What part does literature play in the development of such categories, or in a culture's resistance to them? And what are the implications for the creation and maintenance of the presumed "natural" male heterosexual subject? How has male heterosexual subjectivity been established as a bulwark against the attractions of a homosexual desire that is repeatedly incited by the very culture that condemns it? Craft examines the discourses of nineteenth-century psychiatry and sexology; some of Freud's central writings; and Tennyson's In Memoriam, Wilde's The Importance of Being Earnest, Stoker's Dracula, and Lawrence's Women In Love.

Allen J. Frantzen challenges the long accepted view that the early Middle Ages tolerated and even fostered same-sex relations and that intolerance of homosexuality developed only late in the medieval period. Frantzen shows that in early medieval Europe, the Church did not tolerate same-sex acts, in fact it was an age before people recognized the existence—or the possibility—of the "closet." With its ambitious scope and elegant style, Before the Closet sets same-sex relations in Anglo-Saxon sources in relation to the sexual themes of contemporary opera, dance, and theatre. Frantzen offers a comprehensive analysis of sources from the seventh to the twelfth century and traces Anglo-Saxon same-sex behavior through the age of Chaucer and into the Renaissance.

Since the June 1969 uprising at New York's Stonewall Inn, the very word "Stonewall" has become etched in the American psyche as a synonym for "liberation." Stonewall proved a cataclysmic marker in the lives of gay men and lesbians: it was the point after which gay people were no longer content to live in fearful silence as their most basic rights were trampled on or ignored. Stonewall happened because homosexuals of all races revolted against an act of official oppression. It was indeed a beginning, but it was also the culmination of a long struggle against the tyranny of socially regulated and defined speech about homosexuality. In this insightful and engaging analysis, Byrne R. S. Fone maps out one very significant road to Stonewall - the literary course of male homoerotic desire and the homophobia that has made so much of what homosexuals have written so passionate and moving. Most of the texts Fone analyzes presume that sexuality is the central aspect of identity. Whereas gay literature since 1969 has been a vocal and supporting partner to the activism that has characterized the movement for lesbian and gay rights, before 1969 there were few political initiatives and only a handful of organized groups: the text was dominant.