Books like Everybody hurts by Leslie Simon

Johann Hari investigates the roots of depression and anxiety, arguing that modern lifestyles—not chemical imbalances—are the primary culprits, and presents nine real causes along with seven alternative solutions.

William Styron’s memoir recounts his 1985 struggle with severe depression, hospitalization, and recovery, offering an honest portrait of living with mental illness.

Andrew Solomon’s acclaimed nonfiction journey into depression blends personal narrative, case studies, and scientific inquiry to illuminate the illness’s complexities, treatments, and cultural impact worldwide.

From Kay Redfield Jamison - an international authority on manic-depressive illness, and one of the few women who are full professors of medicine at American universities - a remarkable personal testimony: the revelation of her own struggle since adolescence with manic-depression, and how it has shaped her life. Vividly, directly, with candor, wit, and simplicity, she takes us into the fascinating and dangerous territory of this form of madness - a world in which one pole can be the alluring dark land ruled by what Byron called the "melancholy star of the imagination," and the other a desert of depression and, all too frequently, death. A moving and exhilarating memoir by a woman whose furious determination to learn the enemy, to use her gifts of intellect to make a difference, led her to become, by the time she was forty, a world authority on manic-depression, and whose work has helped save countless lives.

A definitive thirty‑year survey of rock and roll, Mikal Gilmore’s collection of essays, interviews, and reviews charts how the music mirrored America’s social transformations, from Elvis to punk and beyond.

A nonfiction biography of Frank Sinatra that draws on rare interviews and photographs to reveal the singer’s life, style, and relationships.

What is happening to pop music and pop culture? Synthesizers, samplers and MDI systems have allowed anyone with basic computing skills to make music. Exchange is now automatic and weightless with the result that the High Street record store is dying. MySpace, Twitter and You Tube are now more important publicity venues for new bands than the concert tour routine. Unauthorized consumption in the form of illegal downloading has created a financial crisis in the industry. The old postwar industrial planning model of pop, which centralized control in the hands of major record corporations, and divided the market into neat segments, is dissolving in front of our eyes. This book offers readers a comprehensive guide to understanding pop music today. It provides a clear survey of the field and a description of core concepts. The main theoretical approaches to the analysis of pop are described and critically assessed. The book includes a major investigation of the revolutionary changes in the production, exchange and consumption of pop music that are currently underway.

A short, whimsical look at a boy’s day, illustrating common situations and their quirks through his observations and questions.

Heroes and Villains is the first collection of essays by David Hajdu, award-winning author of The Ten-Cent Plague, Positively 4th Street, and Lush Life. Eclectic and controversial, Hajdu's essays take on topics as varied as pop music, jazz, the avant-garde, comic books, and our downloading culture. The heart of Heroes and Villains is an extraordinary new piece of cultural rediscovery, original to this book. It tells the untold story of one of the most important—and, ultimately, one of the most tragic—figures in American popular music, Billy Eckstine. Through exhaustive new research, Hajdu shows how this great, forgotten singer, once more popular than Frank Sinatra and Bing Crosby, transformed American music by combining sex appeal, sophistication, and black machismo—in the era of segregation. The cost, for Eckstine, was his career—and nearly his life. Other essays in this expansive book deal with topical and surprising subjects like Beyonce, Bobby Darin, Kanye West, Marjane Satrapi, Woody Guthrie, Will Eisner, the White Stripes, Elmer Fudd, Elvis Costello, Harry Partch, Ray Charles, Joni Mitchell, and more.

During the late 1950s and early 1960s, after the shock of Elvis Presley and before the Beatles spearheaded the British Invasion, fourteen gifted young songwriters huddled in midtown Manhattan's legendary Brill Building and a warren of offices a bit farther uptown and composed some of the most beguiling and enduring entries in the Great American Songbook. Always Magic in the Air is the first thorough history of these renowned songwriters—tunesmiths who melded black, white, and Latino sounds, integrated audiences before America desegregated its schools, and brought a new social consciousness to pop music.

A nonfiction study of how rhythm‑and‑blues evolved from the electrifying era of Chuck Berry and Aretha Franklin to the mainstream sounds of Michael Jackson and Whitney Houston, examining the cultural and industry forces that shaped the music.

Lizzie Simon’s memoir chronicles her 1999 road trip across the United States, interviewing young people with manic–depressive illness. It blends her own experiences with personal narratives of others living with bipolar disorder.

In Stardust Melodies, Will Friedwald takes each of these legendary songs apart and puts it together again, with a staggering wealth of detail and unprecedented understanding.Each chapter gives us an extended history of one song--the circumstances under which it was written and first performed--and then explores its musical and lyric content. Drawing on his vast knowledge of records and the careers of performing artists, Friedwald tells us who was responsible for making these songs famous and discusses in depth the performers who have left their unique marks on them. He writes about variations in performance style, about both classic and obscure versions of the songs, about brilliantly original interpretations and ghastly travesties. And then there's the completely unexpected, LIKE Stan Freberg's politically correct "Elderly Man River."This is a book for all lovers of American song to explore, argue with, and savor.From the Hardcover edition.