Books like Designing books by Jost Hochuli

A modern reference for typographers, blending theory, history, and practice with black‑and‑white illustrations, a glossary, and appendices. The second edition adds digital typography, deeper typeface coverage, and expanded history.

A comprehensive guide to graphic design and typography, offering practical advice and design techniques for students and designers alike.

Responsive Web Design shows how to craft web sites that adapt fluidly to mobiles, netbooks, tablets and large desktops, using CSS techniques like fluid grids, flexible images, and media queries to meet users’ needs across devices.

David Airey showcases elegant logos and practical advice on creating lasting brand identity systems in a clean, modern guide.

Massimo Vignelli’s The Vignelli Canon distills his principles of good design through clear rules, criteria, and practical examples spanning product, signaletics, graphic, and corporate design.

The Elements of Graphic Design, Second Edition, presents a refreshed, color‑rich exploration of typography, layout and visual hierarchy, featuring over 750 images and new content on web design, modularity and motion.

This book has three parts. In the first two, basic principles in the theory and practice of book design are discussed. The third part then shows how the ideas of the first and second parts have been applied in particular examples. 'Book design as a school of thought' was originally delivered (in German) as a lecture and published as a pamphlet, in 1991. This is its first publication in English. 'Designing books' was published as a separate booklet by Agfa (Wilmington, Mass.) in 1989, in German. Translation into several other languages followed, including an English edition (1990): all long out of print. The version published here has been revised and considerably augmented with new illustrations. The third part, 'Books designed by Jost Hochuli', is completely new. Here Robin Kinross comments on 27 of Hochuli's works. Both authors are internationally known, Kinross more as critic and historian, Hochuli above all as a practitioner. In this book they offer a serious introduction to book design, free of ideological dogma. Short and concise, it contains a rich, painstakingly selected fund of illustrations.

A foundational manual for graphic designers, typographers, and exhibition designers, detailing how to use grids to create clear, organized, and visually appealing layouts.

"In a survey of developments since 1700, this book proposes a new understanding of modern typography: as something larger and more deeply rooted than a modernism of style. Rather, 'modern' is taken to imply an articulate consciousness of action. The book's treatment lays stress on debates over principle and explanations of practice. But full weight is given to the social, technical and material bases of the activity; and the argument is illustrated by freshly made photographs of items not often reproduced before. Sources of information are discussed and extensively listed. The book thus contributes on several levels: as a brisk narrative of historical development, as a springboard for further investigation, as a delineation of modern typography."--Back cover

A practical guide to book design featuring award‑winning designer Richard Hendel and eight international colleagues, exploring creative strategies for trade and scholarly publishing through detailed examples and visual layouts.

For designers working in every medium, layout is arguably the most basic, and most important, element. Effective layout is essential to communication and enables the end user to not only be drawn in with an innovative design but to digest information easily. Making and Breaking the Grid is a comprehensive layout design workshop that assumes that in order to effectively break the rules of grid-based design, one must first understand those rules and see them applied to real-world projects. Basics include composing typographic space, format determination, and sequencing and systemization. Various types of grids a manuscript, column, modular, hierarchical a are also covered. Text reveals top designers' work in process and rationale. Projects with similar characteristics are linked through a simple notational system that encourages exploration and comparison of structure ideas. Each project is shown comprehensively so readers can see its structure revealed over several pages, at a size that allows for inspection of detail. Also included are historical overviews that summarize the development of layout concepts, both grid-based and non-grid based, in modern design practice.