Books like Monster by John Gregory Dunne

A chilling, factual account of the 1959 shotgun murders of the Clutter family in Holcomb, Kansas, where four members were killed with no clear motive or clues.

After a May 1981 shooting in Savannah, John Berendt chronicles the city’s eccentric society, a murder trial, and the undercurrents of Southern culture in a nonfiction narrative that reads like a taut novel.

Deputy Sheriff Lou Ford of a small Texas town hides a dark illness that once threatened his career; now it resurfaces, threatening his peace and the town’s safety.

A biographical portrait of Gary Gilmore, the 1976 Utah murderer who demanded his death sentence be carried out, fighting a system eager to keep him alive long after conviction.

Ann Rule’s true‑crime biography exposes the chilling rise of serial killer Ted Bundy and the devastating realization she faced when she discovered the killer was her friend.

Gerald Brittle’s classic study of ghosts and demonology, now presented in its original uncut form. Illustrated with living‑scene photographs, it has been used in seminaries and classrooms for over twenty years.

A compilation of essays that examine the film industry’s moguls, trends, failures, and triumphs.

"Alfred Hitchcock was a strange child. Fat, lonely, burning with fear and ambition, his childhood was an isolated one, scented with fish from his father's shop. Afraid to leave his bedroom, he would plan great voyages, using railway timetables to plot an exact imaginary route across Europe. So how did this fearful figure become the one of the most respected film directors of the twentieth century? As an adult, Hitch rigorously controlled the press's portrait of him, drawing certain carefully selected childhood anecdotes into full focus and blurring all others out. In this quick-witted portrait, Ackroyd reveals something more: a lugubriously jolly man fond of practical jokes, who smashes a once-used tea cup every morning to remind himself of the frailty of life. Iconic film stars make cameo appearances, just as Hitch did in his own films: Grace Kelly, Cary Grant, and James Stewart despair of his detached directing style and, perhaps most famously of all, Tippi Hedren endures cuts and bruises from a real-life fearsome flock of birds. In [this book], Peter Ackroyd wrests the director's chair back from the master of control and discovers what lurks just out of sight, in the corner of the shot,"--Amazon.com.

A compelling love story set against the backdrop of twentieth‑century science and politics, following a young English physicist and a German‑Jewish anthropologist as they navigate Nazi Germany and the early days of the atomic age.

Variety called John Pierson the "guru of independent film." Why? Perhaps because he wrote Spike Lee a $10,000 check to finish She's Gotta Have It; helped make "slacker" a household word; sold the documentary Roger & Me for $3 million; made Clerks famous; and has seen over 1,000 debut features, and (unlike most independent film companies) managed not to lose his shirt while backing those films he liked most. In short, he's been at the epicenter of the tumultuous last decade that changed independent film forever, and launched a new generation of hilarious, ambitious, talented, and sometimes wacked filmmakers. Here, for the first time, he tells it like it is - the unvarnished truth about film financing; the importance of timing and lighting; creating a sensation on the film festival circuit; the dark side of overnight success; the anatomy of the deals that get films to a theater somewhere near you; and what definitely not to do if you want to make a film (illustrated with dozens of embarrassing examples - like having Elvis come back as a golfing vampire who's shooting a feature). As punctuation throughout the book, Pierson and Clerks creator Kevin Smith dish about everything from Batman, sex, and Quentin Tarantino to American Psycho, Matty Rich, and of course, Rob "Vanilla" Weiss, who "typifies everything you don't want to be as a first-time filmmaker." Spike, Mike, Slackers & Dykes is a first of its kind: an inside look at the art, the heart, and the enterprise of the spiteful, fractious, and finally, entertaining place that is the world of independent film.