Books like Keeping a rendezvous by John Berger

John Berger’s *Ways of Seeing* explores how perception, language, and cultural context shape the way we interpret art and images, drawing on his 1972 BBC series to challenge conventional visual analysis.

Art and Illusion explores the psychology of pictorial representation, tracing how visual perception theories illuminate the evolution of artistic styles from ancient Greece to modern avant-garde movements.

Vision and Art explores how biological visual processes shape the perception of painting, photography, and design, blending neuroscience with artistic technique to offer practical insights for artists and designers.

John Berger explores how perception shapes art, culture and everyday life, questioning why images affect us and how meaning evolves over time.

Rudolf Arnheim’s classic applies modern psychology to art, explaining how visual perception organizes and interprets artistic images. It offers a clear, readable guide for both psychologists and art lovers.

A narrator, haunted by the ghost of his late mother, embarks on a surreal journey that traverses time—from a woman alive during the London Blitz to a Paleolithic cave—exploring the lives of the dead.

John Berger’s nonfiction collection examines art, history, and contemporary society through essays on figures ranging from Rembrandt to Palaeolithic cave painters, probing how our shared resistance confronts modern economic and cultural forces.

320 pages : 26 cm

"In this richly illustratcd book Oleg Grabar not only shares a veteran art historian's love for the sheer sensuality of Islamic ornamentation, but also uses this art to show how ornament in general enables a direct, immediate encounter between viewers and art objects from any culture and time period. Based on universal motifs, ornamentation occurs in many artistic traditions, although it seems to reach its most expressive, tangible, and unique form in the art of the Islamic world. Grabar analyzes early and medieval Islamic objects, ranging from recently discovered frontispieces in Yemen to tilework in the Alhambra, and compares them to Western examples, treating all pieces as testimony of the work, life, thought, and emotion experienced in one society. From this discussion ornament emerges as a consistent intermediary between viewers and artistic works throughout time." "Grabar defines ornaments as agents that are not logically necessary to the perception of a visual message but without which the process of understanding would be more difficult - they in fact often draw us into a work by strengthening the pleasure derived from looking at it. A major portion of this book explores four particularly influential forces on the development of ornament: writing (calligraphy), geometry, architecture, and nature. Throughout Grabar seeks to serve admirers of Islamic art as well as readers interested in the ways of perceiving and understanding the arts in general."--BOOK JACKET.

John Berger’s essay collection confronts post‑9/11 global conflicts, poverty, and terrorism, urging reflection and action to end suffering.

George Mather’s book explores how visual art reveals the workings of the brain, examining the effects of neurological disorders, Darwinian aesthetics, and perceptual constraints on space, motion, and colour.