Books like Latin American Writers Thirty Stories by Ibieta

A collection of Borges’ short stories that frequently employ the labyrinth as a literary device, probing philosophical and everyday aspects of human life.

A Mexican novel in which Felipe Montero, editing an elderly widow's memoirs, encounters her green‑eyed niece Aura. His growing fascination and the discovery of Aura’s secret link to her aunt lead the narrative to a dramatic conclusion.

Contains twenty-six short stories by the 1982 Nobel Laureate appearing in the order in which they were originally published in Spanish.

When Colombian lawyer Antonio Yammara becomes entangled in the mysterious past of ex‑pilot Ricardo Laverde, a series of murders, drug trafficking and a relentless pursuit of truth thrust him into a world of danger and obsession.

Introduction One: The River Plate Horacio Quiroga: The Dead Man Julia Cortázar: Axolotl Armonía Somers: Waiting for Polidoro Jorge Luís Borges: The Circular Ruins Juan Carlos Onetti: The Dog Will Have Its Day Adolfo Bioy Casares: The Idol Manuel Puig: Relative Humidity 95% Two: Chile Isabel Allende: Toad's Mouth Three: Brazil Jorge Amado: The Miracle of the Birds Murilo Rubião: The Ex-Magician from the Minhota Tavern Clarice Lispector: Love Joaquim Maria Machado de Assis: The Psychiatrist Moacyr Scliar: The Plagues João Guimarães Rosa: The Third Bank of the River João Ubaldo Ribeiro: It Was a Different Day When They Killed the Pig Lygia Fagundes Telles: The Corset Rubem Fonseca: Lonelyhearts Paulo Emílio Salles Gomes: Twice with Helena Four: Mexico Carlos Fuentes: The Doll Queen Juan Rulfo: Luvina Five: The Caribbean Rosario Ferré: The Gift Reinaldo Arenas: Bestial Among the Flowers Ana Lydia Vega: Story-Bound Gabriel García Márquez: The Last Voyage of the Ghost Ship Guillermo Cabrera Infante: The Phantom of the Essoldo Alejo Carpentier: Journey Back to the Source

"Includes 53 stories spanning evolution of short fiction in Brazil as well as Hispanic America across a broad range of writing from colonial era and 19th century to modern favorites such as Lugones, Quiroga, Lima Barreto, Borges, Cortázar, Rulfo, Ribeyro, Castellanos, Lispector, Ferré, and Monterroso, in versions by distinguished translators. An essay by the editor traces evolution of the genre. Brief headnotes for each period and author and a short bibliography provide ample contextualization. Recommended for classroom use"--Handbook of Latin American Studies, v. 58.