Books like The Haunted dusk by Howard Kerr

A struggling writer and recovering alcoholic, Jack Torrance takes over caretaking of the remote Overlook Hotel in the Colorado Rockies, but a winter storm and the building’s malevolent past drive him toward madness, threatening his family's safety.

Shirley Jackson’s classic psychological horror, *The Haunting of Hill House*, follows a lonely woman drawn into an abandoned mansion whose malevolent presence ultimately consumes her.

Nothing, in all it's entirety.

A young bride, the second Mrs. Maxim de Winter, arrives at Manderley on the Cornish coast and finds her new home haunted by the memory and housekeeper’s obsession with her mysterious, stylish predecessor—Rebecca.

A young governess in a remote estate discovers that the souls of two children are threatened by the malevolent ghosts of a former governess and her lover.

A physicist and two mediums investigate a notorious Maine house, hoping to prove an afterlife, but the premises, known as the Hell House, reveal more than they bargained for.

After her husband dies, newly widowed Elsie moves to her late husband's crumbling country estate, The Bridge, only to find a mysterious painted figure that eerily mirrors her, stirring unsettling fears that threaten her fragile new life.

Set in a crumbling Georgian manor in rural Warwickshire, *The Little Stranger* follows a doctor arriving at a long‑standing family home where a death‑bed patient and chilling supernatural forces intertwine against the backdrop of post‑war Britain.

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Although psychoanalytic theory is one of the most potent and influential tools in contemporary literary criticism, to date it has had very little impact on the study of African American literature. Claudia Tate demonstrates that psychoanalytic paradigms can produce rich and compelling readings of African American textuality. With clear and accessible summaries of key concepts in Freud, Lacan, and Klein, as well as deft reference to the work of contemporary psychoanalytic critics of literature, Tate explores African American desire, alienation, and subjectivity in neglected novels by Emma Kelley, W. E. B. Du Bois, Richard Wright, Zora Neale Hurston, and Nella Larsen. Her pioneering approach highlights African American textual realms within and beyond those inscribing racial oppression and modes of black resistance.

Set in 1951 Cornwall, the story follows Colonel Julyan and young scholar Terence Gray as they investigate the mysterious death of Rebecca, the first wife of Maxim de Winter, uncovering secrets that still haunt the de Winter family estate, Manderley.

The surprising and controversial thesis of Feminist Fabulation is unflinching: the postmodern canon has systematically excluded a wide range of important women's writing by dismissing it as genre fiction. Marleen Barr issues an urgent call for a corrective, for the recognition of a new meta- or supergenre of contemporary writing - feminist fabulation - which includes both acclaimed mainstream works and works which today's critics consistently denigrate or ignore. In its investigation of the relationship between women writers and postmodern fiction in terms of outer space and canonical space, Feminist Fabulation is a pioneer vehicle built to explore postmodernism in terms of female literary spaces which have something to do with real-world women. Branding the postmodern canon as a masculinist utopia and a nowhere for feminists, Barr offers the stunning argument that feminist science fiction is not science fiction at all but is really metafiction about patriarchal fiction. Barr's concern is directed every bit as much toward contemporary feminist critics as it is toward patriarchy. Rather than trying to reclaim lost feminist writers of the past, she suggests, feminist criticism should concentrate on reclaiming the present's lost fabulative feminist writers, writers steeped in nonpatriarchal definitions of reality who can guide us into another order of world altogether. Barr offers very specific plans for new structures that will benefit women, feminist theory, postmodern theory, and science fiction theory alike. Feminist fabulation calls for a new understanding which enables the canon to accommodate feminist difference and emphasizes that the literature called "feminist SF" is an important site of postmodern feminist difference. Barr forces the reader to rethink the whole country club of postmodernism, not just its membership list - and in so doing provides a discourse of this century worthy of a prominent reading by all scholars, feminists, writers, and literary theorists and critics.

Nightfrights is a collection of short horror and mystery tales for young readers.

"What was the worst thing you've ever done? In the sleepy town of Milburn, New York, four old men gather to tell each other stories--some true, some made-up, all of them frightening. A simple pastime to divert themselves from their quiet lives. But one story is coming back to haunt them and their small town. A tale of something they did long ago. A wicked mistake. A horrifying accident. And they are about to learn that no one can bury the past forever ..."--